Four sorority girls -- Nikki, Chloe, Lori, and Toni -- head out to the mountains to find out the truth about the local legend of the Bare Wench. It isn't long before the gals get lost, run out of food, and begin succumbing to the fear that they're doomed.
Mike Blye
Pine Cone Guy
Four sorority girls -- Nikki, Chloe, Lori, and Toni -- head out to the mountains to find out the truth about the local legend of the Bare Wench. It isn't long before the gals get lost, run out of food, and begin succumbing to the fear that they're doomed.
2000-05-16
3.053
No map, no food, no clothes.
When they were young, Min-joo and Seo-yeon cared for each other and were closer than brothers and sisters. However, she accidentally learns about Seo-yeon's tutor, Woo-hyeon, and because of this man, their 10-year friendship starts to become shaky. Meanwhile, Jeong-soo is hurt in seeing Min-joo like that, and so he distanced himself from Min-joo. Because of Min-joo and Seo-yeon's misunderstanding, Jeong-soo who couldn't care much might just leave so Min-joo tries to break up with the help of Seo-yeon. While in the process of breaking up, Min-joo and Seo-yeon went back to their close relationship. The love of women who have been separated because of man, and the two men's friendship is comically drawn.
The reputation of the Four constables survives, but since Emotionless’s departure, there have been changes at the Divine Constabulary. The four Coldblood, Iron Hands, Life Snatcher, rescue Zhuge Zhengwo from An Yunshan’s mountain fortress, then with the Emperor and Di armies, they attack. But An Yunshan absorbs their power, which means the constables and their allies now face their most lethal opponent yet, a nearly invincible kung fu master who won’t stop until he has absolute power...
A filmed manifesto about our trans bodies, their beauty, their glory and their ability to evolve with us along the way.
When Marty's car is stolen, he sets out on a mission to find it; however, he soon realizes that the person who stole it is much more dangerous than he thinks.
John tells the story of a young male, a psychiatric hospital patient who witnesses the death of another Black male patient at the hands of white staff. Blurring the boundaries between fact and fiction, this work draws from real life cases of mentally ill Black men who have died as a result of excessive force of the State.
Ana and Helen, two divorced women, were close friends as teenagers. Today, amidst the corona virus pandemic and in quarantine, they get in touch after 20 years via internet. Through video conference calls, memories, sensations and emotions reflourishes.
A young actress arrives late to a casting, making up a great excuse without knowing a small detail.
A charismatic lieutenant newly assigned to a remote fort is captured by a group of mountain bandits, thus setting in motion a madcap farce that is Lubitsch at his most unrestrained. A wonderfully anarchic and playfully subversive satire of military life from one of the great comedy filmmakers.
The last remaining film of Le Prince's LPCCP Type-1 MkII single-lens camera is a sequence of frames of his son, Adolphe Le Prince, playing a diatonic button accordion. It was recorded on the steps of the house of Joseph Whitley, Adolphe's grandfather.
First graders in a Tokyo public elementary school are presented with a challenge for the final semester: performing "Ode to Joy" at the ceremony for the new incoming first graders. Ayame, who often struggles to keep up with the group, is determined to play a major part — the big drum.
The Stievenart family decides to spend their vacation far away and puts an ad on the internet. The Mailon family responds by offering to exchange homes. But the Stievenart family has an environmentally friendly house, while the Mailons consume a lot of energy.
How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.
Set in 1987, a group of filmmakers venture into the California wilderness to film a shot on video slasher movie and soon find themselves systematically crippled, butchered and devoured by a family of feral cannibals.
A man finds a woman on the side of the street and decides to interview her.
Do You Like My Basement? tracks how one man's creative frustration bore a need to make the perfect horror film. Stanley Farmer was rejected universally by the film world. His frustration provoked a darker side and soon cunning, guile, devilish charm and a sociopath's streak compelled him to produce a home-made magnum opus. A film that blurs the lines between reality and fiction and demands the attention of the very world that spurned him.
Just when we thought the demonic parodies were over, the sister of the girl from the first movie discovers the demons may have returned! This time in the form of a missing baby. Was her babysitting business just a really bad idea, or are demons indeed to blame thanks to the first movie? Never before has a film series skipped over an unnecessary sequel and went right for part 3!
Danny tries to relive past glories by trying to revive his cancelled ghost hunting show.
In the Fall of 1999, four teenage sleuths and their Great Dane got lost in the woods while in search of a mystery. This is their story.
When a family can't be together on Christmas, they bring their dysfunctional family Christmas online.
A mix of home-video and documentary styles about a group of young people who have decided to get to know their “inner-idiots” and thus not only facing and breaking their outer appearance but also their inner.
In writer/director Christopher R. Mihm's first faux-documentary, KPHL Channel 6 Nightly News anchor Daniel Johnson hosts a "look back" at one of the most shocking events ever to transpire in Mihmiverse history. Through interviews with survivors and major players involved in the crisis, re-enactments, and never-before-seen archival footage, Mr. Johnson presents the complete and unabridged story of the wad of chewing gum that mutated, became sentient, grew to gargantuan proportions, and threatened the lives of every man, woman, and child in Phantom Lake County!
A lonely man with an intention of documenting every important detail is planning to kill his ex-girlfriend within 72 hours only to realize things are not as easy as he previously imagined.
The activities of rampaging, indiscriminate serial killer Ben are recorded by a willingly complicit documentary team, who eventually become his accomplices and active participants. Ben provides casual commentary on the nature of his work and arbitrary musings on topics of interest to him, such as music or the conditions of low-income housing, and even goes so far as to introduce the documentary crew to his family. But their reckless indulgences soon get the better of them.
This special 10th anniversary edition of the Found Footage Festival finds curators Joe Pickett and Nick Prueher in a nostalgic mood, delving deeper--perhaps too deep--into some of their favorite VHS finds from over years. But Volume 7 is also jam packed with newly unearthed treasures, featuring singing rabbis, petulant news anchors, coughing snake handlers, bodybuilding clowns, and two body parts never before seen in the festival! It's a celebration of a decade of Found. Record over and you'll die! Taped live at The Grey Eagle in Asheville, North Carolina.
Daisato, a second-rate, third-generation superhero, annoys his neighbors with the noise and destruction he causes on the job. But a heroic public image is the least of his concerns. Besides defending Japan from bizarre monsters, he must deal with an agent seeking to brand him with ads, a superhero grandfather with Alzheimer's and a family embarrassed by his incompetence.
Popular teen video-bloggers became digital persons after being «hacked» by evil computer virus. They need to find their way back home from this «digital trap».
Three student filmmakers run into trouble in the woods as they set out to make a documentary about the Blair Witch. This is a short parody of "The Blair Witch Project".
Fictional documentary about the life of human chameleon Leonard Zelig, a man who becomes a celebrity in the 1920s due to his ability to look and act like whoever is around him. Clever editing places Zelig in real newsreel footage of Woodrow Wilson, Babe Ruth, and others.
"This Is Spinal Tap" shines a light on the self-contained universe of a metal band struggling to get back on the charts, including everything from its complicated history of ups and downs, gold albums, name changes and undersold concert dates, along with the full host of requisite groupies, promoters, hangers-on and historians, sessions, release events and those special behind-the-scenes moments that keep it all real.
The next great psycho horror slasher has given a documentary crew exclusive access to his life as he plans his reign of terror over the sleepy town of Glen Echo, all the while deconstructing the conventions and archetypes of the horror genre for them.
Thomas Thomas is agoraphobic, has a computer-generated girlfriend, and hasn't left his home in years. Can a prostitute convince him to leave cyberspace and his home for the real world?