
Bosnian Croat writer Miljenko Jergović and Serbian writer Marko Vidojković replace one another by the steering wheel of Yugo, a symbol of their common past while driving on the Brotherhood and Unity Highway that stretched across five of six republics of Yugoslavia.
Himself
Himself

Bosnian Croat writer Miljenko Jergović and Serbian writer Marko Vidojković replace one another by the steering wheel of Yugo, a symbol of their common past while driving on the Brotherhood and Unity Highway that stretched across five of six republics of Yugoslavia.
2009-01-01
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0.0The mineral oil tax and its use are taken as an opportunity to examine the topics of road construction and motor vehicle traffic using the example of West German federal highways.
7.7How the inventor of the detective story became his own greatest mystery.
A powerful Argentine political film stands on the figure of an outsider intellectual, Sebreli, but manages to transcend it, he becomes a touchstone to go through Argentina and its dilemmas, through this country that is proud of almost everything it should be ashamed of. From national icons like Gardel, Evita, Che, and Maradona the film dialogs with recent Argentine history and it does so with extraordinary energy, supported by a rarely seen use of all kinds of archive material in an almost Dionysian state of sampleadelia. The film arrives to a surprising reflection on nationalism, demagogic governments and delusions of unanimity; problems that are common to emerging societies that cannot find their ways to a freer and more egalitarian society.
10.0Equal parts personal essay, intense rumination, and playful satire, this movie laments the death of the American Video Store while it searches for the missing human element in today's digital landscape.
0.0In the Kosovo War, human dignity was shattered by the terrors of the Serbian government and the Albanian liberation army. Truths about the victims’ fates faded away, which is why a Finnish forensic research group led by Helena Ranta got a mission to act as an unbiased agent and investigate the real course of events.
3.0"Skoplje '63" is a 1964 Yugoslavian documentary film directed by Veljko Bulajić about the 1963 Skopje earthquake (Skoplje, per film title, is the Serbo-Croatian spelling of Skopje). The filming started three days after the earthquake and lasted for four months. After that, Bulajić spent 12 months editing the footage at Jadran Film studios.
0.0The documentary AMERICAN REDS provides a historical overview of 20th century Communism and the growth, decline and contemporary relevance of the Communist Party, USA (CPUSA). Since its founding in 1919, the CPUSA has championed the struggles for democracy, labor rights, women’s equality, and racial justice. During its heyday in the 1930s and 1940s, it attracted millions of Americans to support its causes and almost 100,000 men and women to enlist in its ranks. The film begins with the Party's emergence as a small militant sect in the 1920s and documents its rise to the foremost radical group in the United States during the Great Depression, fighting against racism, sexism and fascism, as well as for the rights of workers to organize. It ends with the decline of the Party during the Cold War under the assaults of the FBI and anti- communist crusades.
Life, customs and the fight for survival in the desolate wastelands of the Venezuelan plains.
Diane di Prima (1934-2020) was a poet, writer, publisher and playwright whose work has been associated with the Beat movement. Born and raised in New York City, she associated with poets such as Amiri Baraka, Jack Kerouac and Frank O’Hara, co-editing The Floating Bear magazine with Baraka in the 60s and co-founding the Poets Press and the New York Poets Theatre. Throughout her life in New York and later out West, both her sense of anarchic limitlessness and her zeal for collaboration guided her work.
0.0A half-hour fictional documentary film that, through the fates of different people, tries to illuminate the phenomenon of the YUGO car, a cute outsider of small capacities but big ambitions, in the period between 1980 and 2008, when it was manufactured. The film combines statements from authentic workers that were involved in the production of Yugo, archives, along with the reconstruction of different fragments from the Yugo's history which portray him both as a family and a thug's car, as a part of the great American Dream, or as a symbol of betrayed expectations. This film is a small 'commemorative' review of the history of an automobile that for a long time symbolized, in a jocular and veritable way, sometimes even by accident, the times in which he was manufactured.
8.8Documentary about twin brothers who go back to their childhood home to discover what happened to a Patrick Lurzing, a boy who disappeared who nobody else seems to remember.
5.0An archival road trip with Stevan Labudović, cameraman to Yugoslav President Tito and cinematic eye of the Algerian revolution, investigating the role of cinema in the liberation struggles of the Third World and reconstructing the birth of the Non-Aligned Movement.
6.3It is a musical portrait that shines a spotlight on unknown aspects of the creative, visionary and groundbreaking talent of filmmaker and writer, Lina Wertmüller.
This documentary was inspired by the artistic life of Serbian actress Sonja Savić. Being a wonder child, a star of Yugoslavian cinematography, a sex symbol, and urban legend of the eighties generation, a fighter against establishment, Sonja Savić had always attracted attention. Simply put, she always looked, spoke and thought differently from others, she was entirely autonomous, an authentic phenomenon of Serbian culture. In the documentary SONJA, friends and colleagues of Sonja Savić testify on many aspects of her life and work, and a special emphasis is put on Sonja’s libertarian, rebellious, Don Quixote type of nature.
7.0Peter von Bagh's documentary about Juhani Aho and people around him.
7.2Through the conversation with Yugoslav film authors and excerpts from their films, this documentary film tells a story of a film phenomenon and censorship, and its focus is, in fact, a painful epoch of Yugoslav film called “a Black Wave”, which was the most important and artistically strongest period of Yugoslav film industry, created in the sixties and buried in the early seventies by means of ideological and political decisions. The film tells a great “thriller” story of the ideological madness which characterised the totalitarian psychology having left multiple consequences felt up to our very days. It stresses similarities between totalitarian regimes defending their taboos on the example of the persecution of the most important Yugoslav film authors. Those film authors have, however, made world careers and inspired many later authors. The film is the beginning of a debt pay-off to the most significant Yugoslav film authors.
0.0A documentary about Antti Jalava, a Swedish-Finnish writer who was among the first to write about the immigrant experience in Sweden.
Dr. Jozef Venglos coached on three continents, received the prestigious FIFA Order of Merit in Ruby, and was the first non-Briton coach ever to manage a top division club in England.
8.0After May 1968, they experimented with communities, squats or free love, with the hope of real change. Today, at retirement age, they live in new places and promote ways of living better and growing old together. What if they were right, these former protesters whose utopias have been muted by triumphant individualism?