Mark Urban tells the inside story of Britain's fight for Helmand, told with unique access to the generals and frontline troops who were there.
Himself - Reporter
Mark Urban tells the inside story of Britain's fight for Helmand, told with unique access to the generals and frontline troops who were there.
2011-07-30
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A powerful and poignant film in which families and friends of those who have died fighting in Afghanistan and Iraq talk openly about their loved ones and their grief. Epic in scale and spanning seven years of war, this landmark three-hour film gives a rare insight into the personal impact and legacy of this loss.
8.0According to the official history of Afghanistan, ruthless destruction has always prevailed over art and creation; but there is another tale to be told, the forgotten account of a diverse and progressive country, seen through the lens of innovative filmmakers, a story that survives thanks to a few brave Afghans, a small but very passionate group that secretly fought to save a huge film archive that was constantly menaced by war and religious fanaticism.
0.0By immersing themselves in a Taliban village, and after gaining very rare access to major institutions, the directors shed a disturbing light on today's Taliban society, and on the workings of this ultra-conservative parallel state. whose leaders have just symbolically moved into the presidential palace, to assert a stranglehold that foreshadows the Afghanistan of tomorrow.
0.0In 1979, after the Soviet Union attacked Afghanistan, millions of Afghans were forced to leave their homeland to save their lives, and in the meantime, a huge wave of them immigrated to Iran.
6.9An in-depth look at the torture practices of the United States in Afghanistan, Iraq and Guantanamo Bay, focusing on an innocent taxi driver in Afghanistan who was tortured and killed in 2002.
0.0On September 9, 2001, Commander Massoud, a hero of the Afghan resistance, was assassinated by two members of al-Qaeda posing as journalists. Two days later, the terrorist organization struck the United States. However, a few months earlier, during a visit to France, Commander Massoud had come to warn the West about the disastrous plans of al-Qaeda and the rise of the Taliban. He asked the West to exert pressure on Pakistan, a country that supplied arms, supported and sheltered the Taliban, but which was also a major buyer of French arms. He was not listened to.
Jung is a narrative documentary that follows the human and professional adventure of its protagonists, the Afghan people in the midst of civil war.
6.3This documentary on the effect the talent competition "Afghan Star" has on the incredibly diverse inhabitants of Afghanistan affords a glimpse into a country rarely seen. Contestants risk their lives to appear on the television show that is a raging success with the public and also monitored closely by the government.
6.6No Greater Love explores a combat deployment through the eyes of an Army chaplain, as he and his men fight their way through a hellish tour in one of the most dangerous places in Afghanistan and then as they struggle to reintegrate home.
7.3Directors Hetherington and Junger spend a year with the 2nd Battalion of the United States Army located in one of Afghanistan's most dangerous valleys. The documentary provides insight and empathy on how to win the battle through hard work, deadly gunfights and mutual friendships while the unit must push back the Taliban.
7.5Fidelis Cloer is a self-confessed war profiteer who found The Perfect War when the US invaded Iraq. It wasn't about selling a dozen cars, or even a hundred, it was a thousand-car war where security would become the ultimate product.
6.9A unique documentary about troops' experiences in Iraq and Afghanistan, based on writings by soldiers, Marines, and air men.
8.7A documentary that reveals the underbelly of the global aid and investment industry. It's a complex web of interests that span the earth from powerful nations and multinational corporations to tribal and village leaders. This documentary offers unique insights into a multi-billion dollar world by investigating how aid dollars are spent.
10.0This film - without commentary and simply accompanied by local music - relates the 1969 ascent of the north face of Kohe Shakhawr, a Himalayan peak located on the border with Afghanistan, by mountaineers Benoît Mathieu, Jacques Soubis, René Thomas, Jean-Paul Paris, Isabelle Agresti, Henri Agresti, Roger Dietz, Jean-Pierre Frésafond, Paul Gendre, Claude Jager and Félix Magnin. As is often the case in Henri Agresti's films, there is an encounter with other peoples, other cultures, documented at length in the introduction. Then, after the interminable approach, the ascent begins: distribution of camps, successive assaults on the mountain, walking on steep scree and snowy slopes, climbing on icy walls... The arrival at the summit, without the aid of oxygen devices, seems to take place in slow motion: exhaustion mixes with the joy of the victorious mountaineers who will celebrate their success on their return to base camp on August 24, 1969.
6.9Former combat videographer Miles Lagoze presents personal footage of U.S. Marines in the Afghan war zone.
8.0La vie devant elle is the diary of the exile of Elaha, a 14 year old Afghan girl, who films herself with a small camera to tell her story. Through her story, the film portrays the reality of children growing up on the road, tossed from place to place to flee conflicts in the hope of finding a normal life.
8.0The friendship between Christophe de Ponfilly and Commander Massoud, a legendary figure of the Afghan resistance against the Soviet invader, goes back to the filmmaker's first film, "A Valley Against an Empire", made in 1981. Fifteen years later, weakened, isolated, betrayed by many of his own, the "Lion of Panshir" has not surrendered to his new and implacable enemies, the Taliban. While preparing his next offensive, he evokes his commitment and his fights, and bears witness to a history in which he has been one of the main actors for twenty years. At the same time, the director questions the role and power of the media, as well as his own approach as a filmmaker. Commander Massoud was killed in an attack in September 2001.