Nominated for an Academy Award, this live-action short film playfully chronicles the construction of the Tishman Building at 666 Fifth Avenue in New York City.
Nominated for an Academy Award, this live-action short film playfully chronicles the construction of the Tishman Building at 666 Fifth Avenue in New York City.
1959-11-11
7
The making of “The Devil’s Backbone” by Guillermo del Toro.
Ava, an award-winning chef at a big-city restaurant, has lost her spark. Her boss sends her out to find herself to save her menu and her job. She returns home and finds little to inspire her, but when she reunites with her childhood friend Logan, Ava has to get her head out of the clouds and her foot out of her mouth to rediscover her passion for food.
The first rule is that there are no rules. For the bare-knuckle combatants competing in Musangwe fights, anything goes - you can even put a curse on him. The sport, which dates back centuries, has become a South African institution. Any male from the age of nine to ninety can compete. We follow a group of fighters as they slug it out in the ring. Who will be this year's champion?
This is a story about a city guy Nikolai, who will have to go instead of his friend on a rural business trip. A series of funny events, meetings and the beauty of the Yakut village encourage Nikolai to make an important decision in his life…
Young-Woong is a psychiatrist (Kim Kyeong-Ik). He has been married to Soo-Hyun (Jin Hye-Kyung) for 10 years, but their love has waned and they now feel indifferent towards each other. One day, Soo-Hyun's daughter Haru (Ayaka Tomoda) appears before them. Soo-Hyun gave birth to Haru while she was studying in Japan. Haru carries a wounded heart from her boyfriend's betrayal. Soo-Hyun asks Yoong-Woong to treat her daughter. Through their consultations, Young-Woong begins to dream of more than just a doctor and patient relationship.
Bobby knows only two women in his life - Ira, the woman he loves, and Diana, his half sister. When Ira disappears mysteriously, Bobby often sees apparitions of spirits in his home. The situation disturbs Diana, so she finally asks her lover, Remy, and her two friends, to help investigate the mysterious disappearance of Ira.
Get ready for the wiggliest show on earth! Be dazzled by Dorothy dancing en Pointe! Watch amazing Anthony do the splits! Marvel at Murray's musical masterpiece! Swoon to Sam's singing spectacular and enjoy Jeff jumping before your eyes. See The Wiggles singing some of their best-loved tunes - filmed live at the Sydney Entertainment Center December of 2008.
Recorded Live at the Hammersmith Odeon Theatre, London, 8 October 1985. Can the bombast and fury of one of Extreme Metal's founders truly be captured on video? Turn it up and find out! Touring supporting 1985's POSSESSED, this would become one of the last documents of the original lineup, as guitarist Mantas would depart not long after. Songs: 01 - Too Loud (For the Crowd) - 02 - Black Metal - 03 - Nightmare - 04 - Countess Bathory - 05 - The Seven Gates of Hell (Bass Solo) - 06 - Buried Alive - 07 - Don't Burn The Witch - 08 - In Nomine Satanas - 09 - Welcome To Hell - 10 - Warhead (Guitar Solo) - 11 - Schizo - 12 - Satanachist - 13 - Bloodlust - 14 - Witching Hour
We follow how four ordinary little girls learn about life, love and all that sort of things.
High school student Yoshio Kamogawa suddenly gained the power to read other people's minds. One day, he receives mail from Sae Asami in Tokyo asking for his help. Yoshio Kamogawa loves Sae Asami. Yoshio Kamogawa goes to Tokyo and infiltrates the high school where Sae Aami attends. Yoshio Kamogawa then becomes involved in a strife between 3 different groups as he tries to save Sae Asami. Shizuka Tachibana also falls in love with Yoshio Kamogawa.
Ceferino Carrión left Spain as a stowaway on a freighter. When he arrived in Los Angeles was called Jean Leon, a man who constantly transformed himself. Who was it? Was a taxi driver or waiter was trusted by Frank Sinatra? Owner of the Legendary restaurant La Scala in Beverly Hills or who gave dinner Marilyn Monroe on her last day? His life was itself the world of fiction, and here we have Paul Newman's, Dennis Hopper, Angie Dickinson, Robert Wagner, among others ..
Impressions on the topic of plastics set to Vivaldi's Winter: blizzard, dancing moons, beats ice, sparkling silver crystals, petrified wood frozen.
The Wild Boar Lodge - when a stag party ends with a murder Massimo finds himself the prime suspect.
Lester and Humphrey are the Royal Jester and Doctor, respectively, in a Kingdom terrorized by a mysterious giant whose presence is known only by his horrible voice and giant shadow. The giant takes the crown jewels which permit the Evil Prince Malokeo to convince the King to let him marry Princess Marigold. Marigold, horrified at the prospect and in love with Prince Daryl, turns to her friends Lester and Humphrey for help.
A feature-length documentary on Yvonne Bezerra de Mello, award-winning artist and human-rights activist who has gained international recognition for her work with street children in Rio. The film recounts how a woman turned her back on a wealthy lifestyle, driven into action by the execution of 8 streetkids by military police in 1993. In subsequent years Yvonne's struggle to better the lives of endangered and abandoned children has led her to found "Projeto Uere" ("Children of Light") a radical project committed to protection and education of kids who live in the streets and slums of Rio which has brought her into conflict with Brazil's wealthy elite.
Eleven major film makers from Europe, America and Asia talk about Akira Kurosawa and discover surprising influences on their own work.
An account of the life and work of the charismatic Spanish writer Terenci Moix (1942-2003).
Filmed in New York in the summer of 2006: a march across the Brooklyn Bridge in support of the Palestinian and Lebanese populations. Habibi means "beloved" in Arabic.
An animated history of American health care provider, Planned Parenthood.
An archival documentary about the U.S. military’s response to the political and racial injustices of the late 1960s: take a military base, build a mock inner-city set, cast soldiers to play rioters, burn the place down, and film it all.
The Devil Never Sleeps is a “whodunit” documentary about family secrets. Filmmaker Lourdes Portillo received a phone call informing her of the mysterious death of her wealthy Mexican uncle Oscar. Officially ruled a suicide, Portillo’s relatives claimed murder, offering several possible suspects including a business partner, a ranch hand, and Oscar’s young widow who stood to inherit everything. Traveling to Mexico, Portillo attempts to learn the truth about her powerful uncle. Using interviews, old snapshots and home movies, she finds a complicated web of family secrets, intrigue, rumor and betrayal that makes her enigmatic uncle’s murder seem ever more likely, yet ever more obscure. As the Mexican saying goes, “When evil is lurking, the devil never sleeps.”
In Barcelona, the Casa Batlló alone sums up the genius of Antoni Gaudí. During the exhibition devoted to it by the Musée d'Orsay, we take a guided tour of this eccentric, colorful residence, completed in 1906.
A parallel montage of the construction of a dam in Galicia and the architecture of a small Roman-style church.
Nebraska's Capitol is a national historic landmark ... a masterpiece of art and architecture, and the spirit of everything Nebraskan. Explore the enduring nature of Nebraska's statehouse and how its visionary design portrays Nebraska's people, its history, and democracy.
Russian Poet Boris Ryzhy was handsome, talented and famous. So why did he end his own life at the age of 26? A quest to find the answer takes the filmmaker to the notorious neighbourhood in the cold industrial city of Yekaterinenburg where Boris grew up...
Filmmakers Alan and Susan Raymond spent three months in 1976 riding along with patrol officers in the 44th Precinct of the South Bronx, which had the highest crime rate in New York City at that time.
One is a former police officer, bodyguard and hairdresser. Currently retired, he takes care of his extravagant and almost hundred-year-old illiterate mother. He writes poems and hopes to see them published one day. The other, a declared womanizer, workaholic, and leftist, was imprisoned during the dictatorship, runs a small grocery shop, and controls the life of his young second wife. Both were born in the Uruguayan hinterland during the Second World War, and share the same name as well as the fact that neither has wished to change it. The film is a tragicomic portrait of a country whose cultural diversity, its peculiar history and the character of its inhabitants allow the existence of exceptional and remarkable persons that depict a live picture of Uruguay, with its plurality and contradictions, its small and large history, without departing a single moment from irony or reflection.
Harry Schein was an anomaly in Swedish cultural society. Equal parts playboy, intellectual, and political visionary, his life story could very well be the foundation of a Hollywood film. Citizen Schein is a film about a refugee who refused to look back, a film about powerful men, and the myths that fuel them.
A documentary of insect life in meadows and ponds, using incredible close-ups, slow motion, and time-lapse photography. It includes bees collecting nectar, ladybugs eating mites, snails mating, spiders wrapping their catch, a scarab beetle relentlessly pushing its ball of dung uphill, endless lines of caterpillars, an underwater spider creating an air bubble to live in, and a mosquito hatching.
Four years after a military coup overthrew the Brazilian government in 1964, all civil rights were suspended and torture became a systematic practice. Using a mix of fiction and documentary this extraordinary film is a searing record of personal memory, political repression and the will to survive. Interviews with eight women who were political prisoners during the military dictatorship are framed by the fantasies and imaginings of an anonymous character, portrayed by actress Irene Ravache.
After casting painter and video artist Mania Akbari as the central figure of his groundbreaking Ten (2002), and then witnessing her outstanding debut as a feature film director in 20 Fingers (2004), Abbas Kiarostami urged her to direct a sequel to the film. In Dah be alaveh Chahar (10 + 4), though, circumstances are different: Mania is fighting cancer. She has undergone surgery; she has lost her hair following chemotherapy and no longer wears the compulsory headscarf; and sometimes she is too weak to drive. So the camera follows her to record conversations with friends and family in different spaces, from the gondola she had famously used in her first feature to a hospital bed.
You’d never know this is your home away from home. The surveillance camera outside shows a drab reception area and an unremarkable street in Mexico City; inside, the lights flash, but the tables are empty. Yet preparations are soon underway and fixed categories cease to apply: stubble is removed, make-up applied and strands of hair are teased into place; the camera is trained not on the men themselves, but what they see in the mirror.