

The film begins with a series of horizontally running ocean tide waves, sometimes with mountains in the background, hand-painted patterns, sometimes step-printed hand-painting, abstractions composed of distorted (jammed) TV shapes in shades of blue with occasional red, refractions of light within the camera lens, sometimes mixed with reflections of water. Increasingly closer images of water, and of light reflected off water, as well as of bursts of fire, intersperse the long shots, the seascapes and all the other interwoven imagery. Eventually a distant volleyball arcs across the sky: this is closely followed by, and interspersed with, silhouettes of a young man and woman in the sea, which leads to some extremely out-of-focus images from a front car window, an opening between soft-focus trees, a clearing. Carved wooden teeth suddenly sweep across the frame. Then the film ends on some soft-focus horizon lines, foregrounded by ocean.

The film begins with a series of horizontally running ocean tide waves, sometimes with mountains in the background, hand-painted patterns, sometimes step-printed hand-painting, abstractions composed of distorted (jammed) TV shapes in shades of blue with occasional red, refractions of light within the camera lens, sometimes mixed with reflections of water. Increasingly closer images of water, and of light reflected off water, as well as of bursts of fire, intersperse the long shots, the seascapes and all the other interwoven imagery. Eventually a distant volleyball arcs across the sky: this is closely followed by, and interspersed with, silhouettes of a young man and woman in the sea, which leads to some extremely out-of-focus images from a front car window, an opening between soft-focus trees, a clearing. Carved wooden teeth suddenly sweep across the frame. Then the film ends on some soft-focus horizon lines, foregrounded by ocean.
1994-01-01
5
9.1A short comedy spoof about Universal Monsters and their everyday unconventional work done at their very own talent agency for their movies.
A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.
10.0The Joy of Christmas combines the talent of the world-famous Mormon Tabernacle Choir and Orchestra at Temple Square with one of the most enduring and beloved stars of film, theater, and television: Angela Lansbury.
5.4"The Wild Soccer Bunch" celebrate their last victory against the "Silver Lights" - and set one record in volley-pass game after another in the forest. But they are not alone: Vampires target the team. To lure them into their bunker, they kidnap Leon. Will Vanessa ever see him again?
7.3An animated road-movie set across the vast and barren landscape of Australia's Nullarbor Plain.
8.5In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.
8.1An unknown girl breaks out of her daily grind by undergoing an intense audio-visual trip.
4.6When his grandmother takes ill, foolish brute Recep tries to satisfy her wishes by getting a job and attempting to find a suitable wife.
7.3The story of how one Pittsburgh boy’s fascination with monsters drove him to the very top of the Hollywood food chain. In 1989, Greg Nicotero, much to his parents’ chagrin, quit medical school and headed for Hollywood to pursue a dream of making monsters. Together with gore masters Howard Berger and Robert Kurtzman, Nicotero went on to create KNB EFX Group, one of the most prolific makeup effects studios in the world. After twenty years as the “go to guy” for the world’s most successful horror/sci-fi films, Greg Nicotero is the first one directors like Quentin Tarantino and Robert Rodriguez call.
Set in the Soviet Union in the 70's. The plot is based on real industrial conflicts in the life of the country's largest metallurgical plant, where there are many acute problems. Modernization of Soviet metallurgical industry causes a clash between old style Communist bosses and the new generation of engineers and managers.
7.1The action takes place in 1920 during the Civil War. Crimea on the eve of complete liberation from the White Guards. Returning from patrol, the four brave “elusive” knocked down an airplane. In the field bag of the captured pilot, they find a secret report, which speaks of the existence of defensive fortifications around the coastal city, which the Reds have yet to take. Young heroes get the task to get a map of fortifications and go to the city...
8.0Shintaro Ando has become Noble Dori after various confrontations. Now, the noble group, who are led by Shintaro Ando, has battles over the title of Legend ("Densetsu") against the prince group, who are led by Kanade Suzaku.
7.0Egon is starting to be a little forgetful; he forgot the zone number, so he fails to open the strongbox. When he gets out of Vridslose State Prison, Kjeld and Benny have become associates of Yvonne's cousin Georg from America. He is not just some old-fashioned strongbox thief that can't remember like Egon, but a young hip IT criminal, that thinks that everyone else is inferior. However, Egon doesn't take lightly to the Georg's patronizing so he sabotages Georg's computer and ruins his cup. This time Egon's ambitions reaches a new high, when he and his gang break in to the World Bank, and they get away with it. Of course, thanks to Yvonne, they aren't rich very long.
7.0Bob Kenner is a superhero. He lives in Peckham. This is the first time he has granted an interview.
7.2When Aida Teagarden's real estate client is found murdered, her sleuthing daughter Aurora sets out with her fiancé Nick and the Real Murders Club to solve the murder.
3.8Dallas returns home after years away to try to reconnect with his ex Denise. Cat steals her boss Ray Ray's stash of "Purple Neon" and goes to meet Denise at her boss's office. Ray Ray and Tyrone follow her there, looking for his drugs while a demonic cult is operating out of the basement trying to raise demons by using the drug to bridge the gap between the land of the living and Hell.
6.8Wandering warriors Lek and Flene stumble on an impoverished village pushed to the brink of extinction by a giant mechanical monster that kidnaps newborn baby girls. Unable to sit by and watch, the heroes plot an assault on the behemoth to rescue the women before the village is wiped off the map.
6.2In the mean streets of London's East End, a former Serbian commando and a fourteen-year old boy plot revenge against a powerful crime lord and his ruthless lieutenants. As our heroes prepare to take on their enemies, the boy is mentored in the dark arts of assassination and learns the true meaning of friendship, honor and respect.
10.0Return to 'burn' only to find out you're already in that urn.
6.0A Tibetan Lama. His disciple. The disciple's wife, young boy and terrier. An old tugboat crossing the Mississippi River. A man in his seventh month of solitude. His hermitage built by his own hands. The man's bloodhound; his cat. Clouds crossing the Continental Divide. A mountain stream. A girl. The sun.
0.0In his essay film, Jerry Tartaglia, longtime archivist and restorer of the film estate of queer New York underground, experimental film, and performance legend Jack Smith, deals less with Smith’s life than with his work, analyzing Smith’s aesthetic idiosyncrasies in 21 thematic chapters. It's a film essay about the artist’s work, rather than a documentary about his life. An unmediated vision of Jack Smith, an invitation to join him in his lost paradise.
0.0“Let’s think of nature as a big room. Nature is a room you know you’ll have to leave some day, most likely not by choice”. Heather Phillipson’s hallucinatory video put the goat in the goat boat explores endless declinations of nature—natural, naturing, finding a better nature, the nature construction, nature on loan, nature’s lack of nudity...—while revealing humanity’s ambiguous relationship to it.
6.4Filmed in Rome in the 1980s, the work draws on Borromini’s Baroque architecture and Il Sassetta’s St. Martin and the Beggar. Beavers contrasts winter’s subdued light with the verdant growth of spring, constructing a precise montage in which image and sound form a poetic dialogue.
6.0Interweaving stonework and filmmaking, Beavers evokes memory through hammer strokes and chisel sounds that shape both image and rhythm. In this dialogue of repetition and variation, the film carves out a space where emptiness itself gains form, allowing vision beyond sight.
7.0A sampling of forty-nine fragments from Frampton's catalogue of 'actualities', the films from STRAITS OF MAGELLAN: "DRAFTS AND FRAGMENTS" are all silent and unedited. Several invoke, directly, the work of the Lumieres, as in Frampton's reworking of DEMOLITION D'UN MUR (1895) in which a dilapidated farm silo is demolished in place of the Lumieres' wall. He makes reference to his own work and plays homage to the work of contemporaries. A complex range of formal issues are raised in other fragments. Finally, Frampton offers a number of analogues for the act of filming and cinematic seeing that includes a series of appropriated 'lenses' ( a stone portal, a wooden silo) and a set of 'screens' a pool of water, curtains, a dusty window).
0.0ABLAZE premiered at the 27th Singapore Film Festival, November 24, 2016
0.0An auto-documentary about a disenfranchised Everyman and his struggle to re-integrate himself into society. He fails and turns to crime.
0.0“Last August, several filmmakers joined me to repair the splices in Markopoulos’s Eniaios. I interrupted our work for a moment; the generosity of James, Silvia, Nina, Alexandre and Julia prompted me to film them. Then I filmed James Edmonds a second time with the avocado plant that he had grown while we were working together.” (RB)
0.0Using only nature and his immediate surroundings, filmmaker Brandon Wilson creates an experimental documentary that ignites the imagination of wandering in nature, and creates a loving portrait to the woods he calls home. Over the course of a year, Wilson set out to document— and accentuate—his surroundings through camera filters, angles, repetition, and audio. The end result is a hypnotic journey through the hidden wonders and beauties of the Northwest forests, in vivid colors and immaculate black-and-whites.
8.1An experimental and poetic portrait of a woman.
0.0An experimental video collage piece that investigates the concept of self-destruction across genres, eras, and cultures. Features footage from Abbas Kiarostami's Taste of Cherry (1997), Satyajit Ray's Apur Sansar (1959), Charlie Chaplin's City Lights (1921), and Jeff Tremaine's Jackass 4.5 (2022), among others.
Man With a Movie Camera: The Global Remake is a participatory video shot by people around the world who are invited to record images interpreting the original script of Vertov’s Man With A Movie Camera and upload them to this site. Software developed specifically for this project archives, sequences and streams the submissions as a film. Anyone can upload footage. When the work streams your contribution becomes part of a worldwide montage, in Vertov’s terms the “decoding of life as it is”.
3.8An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.
7.0"In continuo" uses slaughterhouse imagery to present the warlike nature of man, first depicting the cleaning and mechanical preparations for the slaughterhouse and then the killing, however, the animal slaughter itself isn’t shown.
0.0Shot in two places marrying with each other by a single and fractured bridge between Condrieu and les Roches-de-Condrieu, this film is the continuation of exploring ephemeral movement through the use of editing, camera movements and color sampling.
"Adrift" is shot on the arctic island of Spitzbergen and in Norway. It combines time-lapse photography with stop-motion animation of the landscape. Through camera-angles and framing the film gradually dislocates the viewer from a stable base where one loses the sense of scale and grounding.