Me sem s-ar tu(NaN)

The Death Train(fr)

In Iasi, Romania, from June 28 to July 6, 1941, nearly 15 000 Jews were murdered in the course of a horrifying pogrom. At the time, the programmed extermination of European Jews had not yet began. After the war, the successive communist governments did all they could to ensure the Iasi pogrom would be forgotten. It was not until November of 2004 that Romania recognized for the first time its direct responsibility in the pogrom. All that remains of this massacre are about a hundred photographs taken as souvenirs by german and romanian soldiers, and a few remaining survivors.

Ser Fronterizo: Crónicas de las Asimetrías Globales(es)

Man on Fire(en)

Grand Saline, Texas, was a sleepy, unremarkable town—until a white preacher lit himself on fire to protest the town's racism in 2014. The subject of this film is deceptively straightforward: A minister commits suicide by setting himself on fire. He leaves behind a letter that frames his decision as a religious response to the intolerable racism of America's past and present, particularly in his Texas hometown. The aftermath is befuddling: There are townspeople who can recall incidents of racial violence and hate speech, and those who have never seen anything of the kind. Black folk in surrounding towns who share rumors and fears about acts of violence, and white folk who say you can't believe everything you hear. Fellow ministers who share the desire to be liberated from a racist past, and churchgoers who believe only mental illness could explain such a suicide.

What Happened, Miss Simone?(en)

The film chronicles Nina Simone's journey from child piano prodigy to iconic musician and passionate activist, told in her own words.

One-room School(cs)

Grecia from Venezuela, Linda from Vietnam and Andriy from Ukraine are pupils of META, an inclusive school that supports the integration of young migrants into Czech society. Their families were brought to the Czech Republic by different circumstances and each of them has different ideas about their own future. While eighteen-year-old Andriy, an ambitious boxer, wants to become independent as soon as possible, and Grecia, an artistically gifted student, would like to get into an art high school, Linda is still not sure what she wants to do with her education and career. The time-lapse documentary engagingly captures an important stage in the lives of young people for whom not only the language barrier, but also the long-term lockdown due to the coronavirus epidemic is an obstacle.

The Wildebeest Migration: Nature's Greatest Journey(en)

Every year, on the steppes of the Serengeti, the most spectacular migration of animals on our planet: Around two million wildebeest, Burchell's zebra and Thomson's gazelles begin their tour of nearly 2,000 miles across the almost treeless savannah. For the first time, a documentary captures stunning footage in the midst of this demanding journey. The documentary starts at the beginning of the year, when more than two million animals gather in the shadow of the volcanoes on the southern edge of the Serengeti in order to birth their offspring. In just two weeks, the animal herd's population has increased by one third, and after only two days, the calves can already run as fast as the adults The young wildebeest in this phase of their life are the most vulnerable to attacks by lions, cheetahs, leopards or hyenas. The film then follows the survivors of these attacks through the next three months on their incredible journey, a trip so long that 200,000 wildebeest will not reach the end.

We Are Not Our Parents(en)

Reserved by Citroën for immigrant workers, the Aulnay-sous-Bois factory experienced its first strike in 1982. Thirty years later, it's the turn of a new generation to join the fight. Worthy heirs of their parents, the workers revive a forgotten memory and offer a unique perspective on the history of contemporary France. Matteo Severi's film mirrors these two social struggles, led by workers from immigrant backgrounds.

Deux Cancres(en)

A father films the daily efforts and struggle of his son to do his homework. Completing the school tasks is an agony that oppresses the creative passion of a restless, imaginative boy. His father gets deeply involved so he can understand what the problem is, and spends an hour every day to help him with his homework. Days, weeks, years go by, and we observe how the eagerness to learn clashes with the ghost of school dropout. The endearing relationship between father and son, a real rollercoaster of emotions, reveals with a sense of humour the contradictions in the French education system.

Joe Louis: America's Hero Betrayed(en)

An American story. Traces the career of Joe Louis (1914-1981) within the context of American racial consciousness: his difficulty getting big fights early in his career, the pride of African-Americans in his prowess, the shift of White sentiment toward Louis as Hitler came to power, Louis's patriotism during World War II, and the hounding of Louis by the IRS for the following 15 years. In his last years, he's a casino greeter, a drug user, and the occasional object of scorn for young Turks like Muhammad Ali. Appreciative comment comes from boxing scholars, Louis's son Joe Jr., friends, and icons like Maya Angelou, Dick Gregory, and Bill Cosby.

It Was Hot That Day: A Jandiman Story(en)

Enduring 28 days of relentless construction labor, Frank struggles to prep a house for painting amidst Phoenix's scorching pandemic summer.

Behind the Burning Cross: Racism USA(en)

A key overview of twentieth-century American fascism and antifascism produced in 1991 by the John Brown Anti-Klan Committee.

De caballos y guitarras(es)

A musical, and also a reflection on watching, on trying to escape an anthropocentric gaze and also on watching itself in cinema. Featuring mares and horses: Triana, Víctor K, Bambi Sailor, San Special Solano, Buck Red Skin, Onkaia, Cool Boy, the donkey Agostino, the mule Guapa. And also Alfredo Lagos, Raül Refree, María Marín, Pepe Habichuela, Virgina García del Pino, María García Ruiz, Pilar Monsell, María Pérez Sanz.

Mercedes as Butterfly(fr)

In the suburbs of Montpellier, France, in the spring of 2024, a Roma wedding celebration is about to begin. In the bedroom of a small apartment, Luisa and her cousins meet up to talk about their dreams, their traditions, and their desire for emancipation. The ritual of flamenco dancing became for Luisa a space of freedom.

Journey into Gaza(it)

“In Gaza you have to get there in the evening, in spring, lock yourself in your room and from there listen to the sounds coming in through the open window.... It's 2018. I am 25 years old and a foreign traveler. I meet young Palestinians my age..”

Les Cartoons bannis(fr)

« Je ne suis pas chinetoque » : Histoire du racisme anti-asiatique(fr)

Journalist Émilie Tran Nguyen invites the viewer to follow her in her quest and discover, at the same time as her, the historical origins of this anti-Asian racism. Told in the first person, alternating archive images, interviews with historians, sociologists and field sequences, this film traces the making of prejudices in the French imagination and pop culture, to twist the neck of stereotypes, deconstruct and act.

A, B, C... Z(sq)

Children get ready to start the first grade. They start learning the first letters.

La langue est donc une histoire d'amour(fr)

Bereka(en)

A family history archive as told by matriarch Azalu Mekonnen and her granddaughter Samira Hooks.

Be Water(en)

In 1971, after being rejected by Hollywood, Bruce Lee returned to his parents’ homeland of Hong Kong to complete four iconic films. Charting his struggles between two worlds, this portrait explores questions of identity and representation through the use of rare archival footage, interviews with loved ones and Bruce’s own writings.