
Documentary by Clemente de la Cerda about Caracas.

Documentary by Clemente de la Cerda about Caracas.
1973-01-01
0
Una ciudad cualquiera de América Latina
0.0Valuable testimonies, unedited images and Billo's iconic music depict his life from 1937 and throughout the following five decades, during which he immortalised Caracas' current affairs, public figures and historical landmarks in his musical arrangements.
7.0Four nights in Caracas. A documentary essay about chaos and civilization.
0.0The film portrays two of the most important producers of a movement born in the early 2000s, as well as the testimonies of some of its signatures dancers. In addition, it shows the initiative of Abstractor Collective to rescue and export the authenticity of a catchy rhythm that begins to count amongst its followers important producers and artist of the international electronic scene.
0.0In its heyday, Changa Tuki, aka Raptor House, attracted thousands of young people to afternoon parties called "matinees", from those parties a controversial subculture grew, one that still echoes to this day. This is the story as told by its protagonists.
0.0This short Graffiti documentary exposes the reality of a group of Venezuelan friends who have grown up in the midst of the chaos of their hometown "Caracas", walking its streets from a very early age, knowing and understanding the city in a different way, having a special vision and a particular relationship with her, almost romantic; This letter is the voice of few, but it reflects the feelings of many young people from Caracas who have somehow lost their space in this violent city. Art helped them cross borders and obtain recognition but with melancholy they remain faithful to return and remember that Caracas where they were born, they call themselves “The Children of Disaster.”
Caracas has been changing since the nineteenth century this is a story that tries to explain why the Venezuelan capital is complex, chaotic and fertile. In light of these new evidences, community experiments, social awareness and organization of people, seem to be the necessary ingredients to rescue a metropolis that is not yet completely lost.
0.0The first Venezuelan graffiti documentary featuring the participation of the most important writers of national graffiti, either by style, quantity, quality, technique and their experience or the places where they write, these writers have set a milestone in what graffiti is today in Venezuela. In the graffiti: respect, strategy, intelligence, experience, agility, skill, boldness, competition, secrecy and illegality are key and determining issues captured in this documentary. Pinto con lata takes place in the Gran Caracas, and records the graffiti movement during the years 2008-2011. Gran Caracas and its contrast, its nights, its harshness, its people and graffiti are the main protagonists.
4.7A drug deal gone wrong; a passionate blackmail that turned violent; and a kidnapping with the two worst kidnappers in the world.
6.4Eleven-year-old petty criminal Maroa lives with her violent grandmother Brigida in Caracas. After her boyfriend Carlos is involved in a shooting, Maroa is arrested and sent to a school where Joaquin conducts the youth orchestra, and he asks the naturally talented Maroa to join. Days now revolve around the classes that Joaquin, the shy and unconventional teacher, gives her. He is immediately interested in this talented young girl, who lacks all notion of discipline. Joaquin, the only person to offer hope in the midst of her rejection, finds that through Maroa, his world has also changed forever.
7.5Andrés and Julissa now parents to a seven year old Carlitos struggle to live happily as a family despite being fervent fans of rival teams and of Vicente's (Julissa's father) disapproval.
0.0Pablo is a young man going through a crisis of love. His best friend decides to take him to reunion party; there he encounters Daniela, the great love in his adolescence. In the middle of the party he tries conquer her heart, but discovers a reality that he did not expect of her: she is dedicated to the oldest trade in the world
0.01989. Caracas is once again in danger with the comeback of the most dangerous drug lord of Venezuela, Disco Herrera; just months after "The Caracazo", a series of riots and massacres that left over 3000 casualties. Now Inspector Guerrero will investigate the strange coincidence with the help of maverick ex-cop Ryan of the DEA and destroy Herrera once and for all.
6.7Brothers Daniel and Julio fight to escape a violent and poor Caracas neighborhood by playing soccer. Daniel wishes to go professional while Julio supports the family with dirty money. The opportunity of a lifetime comes when a talent scout invites them to the local football club. However, after their mother is killed in a shootout, each brother is forced to decide what's more important: family, revenge, or achieving their dreams.
A marine adventure on the persecution of dreams becomes a pretext to play with art forms.
6.1Armando, a 50 year man, seeks young men in Caracas and pays them just for company. One day he meets Elder, a 17 years boy that is the leader of a criminal gang, and that meeting changes their lives forever.
7.0Anita Camacho, an ambitious maid poses as the owner of the house where she works in order to seduce a man of money, marry him and finally stop being poor.
10.0Caracas, Venezuela. 1982. Ryan of the DEA and Carlos the PTJ join forces to stop the most dangerous drug lord of the country, Disco Herrera.
0.0A young man roams the streets of Caracas.
5.0Every winter, a group of young people from the rough neighbourhood Peterbos in Anderlecht make a trip to the Pyrenees. Rupture follows these youngsters, on the brink of adulthood.
6.9Who was Joe D'Amato aka. Aristide Massaccesi? A genius of horror in the USA, a master of eroticism in France, the king of porn in Italy. A man with a thousand pseudonyms capable of making over 200 films while simultaneously holding the roles of producer, director, author, director of photography and even camera operator. An artisan of cinema as he liked to call himself, capable of working on all film genres. From spaghetti western to post-atomic, decamerotic to glossy eroticism, and blockbuster porn to bloody horror. Guided by the aesthetics of extremes and supported by an undeniable technical ability, Joe D’Amato pushed himself, and the viewer, beyond all limits following with dedication three rigid principles that have become his stylistic code: Amaze, Shock, Scandalize.