

Giving voice to the voiceless: this was the revolution of Giorgio Lolli, a former worker and trade unionist from Bologna, self-taught technician of free radio stations. During his 40 years in Africa, he built over 500 radio stations from Togo to Mali, Senegal, Burkina Faso. With his company Solaire, he was the first to install FM radios using transmitters that anyone could afford, giving a voice to communities in the most isolated areas. The film follows his ‘disciple’ Abdrahmane Cissoko as he works to set up a radio station for young migrants on the border between Senegal, Mali and Mauritania. It ends with the birth of Radio Solaire Livorno, a pirate radio station for the multi-ethnic community in Tuscany.

Giorgio Lolli
Abdrahmane Cissoko

Giving voice to the voiceless: this was the revolution of Giorgio Lolli, a former worker and trade unionist from Bologna, self-taught technician of free radio stations. During his 40 years in Africa, he built over 500 radio stations from Togo to Mali, Senegal, Burkina Faso. With his company Solaire, he was the first to install FM radios using transmitters that anyone could afford, giving a voice to communities in the most isolated areas. The film follows his ‘disciple’ Abdrahmane Cissoko as he works to set up a radio station for young migrants on the border between Senegal, Mali and Mauritania. It ends with the birth of Radio Solaire Livorno, a pirate radio station for the multi-ethnic community in Tuscany.
2025-06-13
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7.5It's 1974. Muhammad Ali is 32 and thought by many to be past his prime. George Foreman is ten years younger and the heavyweight champion of the world. Promoter Don King wants to make a name for himself and offers both fighters five million dollars apiece to fight one another, and when they accept, King has only to come up with the money. He finds a willing backer in Mobutu Sese Suko, the dictator of Zaire, and the "Rumble in the Jungle" is set, including a musical festival featuring some of America's top black performers, like James Brown and B.B. King.
A study of the behavior of monkeys in the African jungle.
3.5Filmed across three continents, this documentary shares the story of the founders of the Pan-African comic book company, Kugali, who made their dream a reality creating an original animation series with Walt Disney Animation Studios.
7.5Djibril Diop Mambéty followed and filmed the shooting of Yaaba, Idrissa Ouédraogo's second feature film. A documentary full of humorous anecdotes regarding the dangers of shooting in Burkina Faso.
9.0A talented group of orphaned children in Swaziland create a fictional heroine and send her on a dangerous quest.
8.5These are the first images shot in the ALN maquis, camera in hand, at the end of 1956 and in 1957. These war images taken in the Aurès-Nementchas are intended to be the basis of a dialogue between French and Algerians for peace in Algeria, by demonstrating the existence of an armed organization close to the people. Three versions of Algeria in Flames are produced: French, German and Arabic. From the end of the editing, the film circulates without any cuts throughout the world, except in France where the first screening takes place in the occupied Sorbonne in 1968. Certain images of the film have circulated and are found in films, in particular Algerian films. Because of the excitement caused by this film, he was forced to go into hiding for 25 months. After the declaration of independence, he founded the first Algerian Audiovisual Center.
6.1An ethnographic film that documents the efforts of four !Kung men (also known as Ju/'hoansi or Bushmen) to hunt a giraffe in the Kalahari Desert of Namibia. The footage was shot by John Marshall during a Smithsonian-Harvard Peabody sponsored expedition in 1952–53. In addition to the giraffe hunt, the film shows other aspects of !Kung life at that time, including family relationships, socializing and storytelling, and the hard work of gathering plant foods and hunting for small game.
3.9The film documents modern slave trade through a number of African countries, under dictatorship rule. The filming was conducted both in public places, and sometimes with the use of hidden cameras, for high impact scenes of nudity, sex, and violence - and a few surprises, as slaves made out of peregrins to Asia, and slave traders paid in traveller checks.
This fascinating film tells the story of one man's struggle to protect a small population of gorillas on the slopes of Mount Kahuzi in Zaire and of his incredible relationship with Kasimir, the great silver-backed male, and his family.
6.7This film is the result of more than two years of work tracking down archive material and witnesses close to Mobutu in Africa, Europe and the U.S. More than 950 hours of footage have been seen by the world. Among the 104 hours selected as the basis for this film, are 30 hours of archives recently discovered in Kinshasa and never before released. Completing these exceptional documents, are more than 50 hours of interviews with those close to the former president and the events surrounding his reign, conducted by the director in Kinshasa, Brussels, Paris and Washington. Like a vast historical puzzle, this film pieces together the tragic history of a country, and its self-styled leader - the dictator, Mobutu Sese Seko, "King of Zaïre".
9.0Across Africa, people are using soccer to lift themselves up, to create change in their communities and to pave the way for progress. "The Beautiful Game" follows several unforgettable Africans who are beating the odds on and off the pitch.
Rites and operation of the circumcision of thirty Songhai children on the Niger. Material of this film has been used to make "Les Fils de l'Eau".
6.5Filmmaker Karim Aïnouz decides to take a boat, cross the Mediterranean, and embark on his first journey to Algeria. Accompanied by the memory of his mother, Iracema, and his camera, Aïnouz gives a detailed account of the journey to his father’s homeland, interweaving present, past, and future.
7.2In the remote and forgotten wilderness of Lake Natron, in northern Tanzania, one of nature's last great mysteries unfolds: the birth, life and death of a million crimson-winged flamingos.
A partnership between the Government of Mali and an American agricultural investor may see 200-square kilometers of Malian land transformed into a large-scale sugar cane plantation. Land Rush documents the hopes, fears, wishes, and demands of small-scale subsistence farmers in the region who look to benefit, or lose out, from the deal.