

A young Catholic filmmaker narrates a past heartbreak which he's leaving behind through images from late 2024, during Christmas and New Year's Holidays.

A young Catholic filmmaker narrates a past heartbreak which he's leaving behind through images from late 2024, during Christmas and New Year's Holidays.
2025-06-19
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0.0A cinematic impression of Vietnam, told through the eyes of Vietnamese immigrants.
0.0Filmed In the heart of the mountainous villages of Greece and North Macedonia, the documentary follows a group of conservators of antiquities and works of art on their journey, with the goal of preserving Byzantine iconography. The dialogue between them and the hagiographers of the past comes to life.
10.0Experimental documentary that poetically exposes the reality of public transport in the city of Curitiba.
0.0This short, started early on into sobriety, finished about nine months in, is a collage of diaries and notes, collected from within addiction and into recovery.
10.0The Spectacle is a short reflective documentary that explores the world of modern tourism. Filmed in various locations across Europe, the documentary unveils the transformation of serene landscapes into bustling tourist attractions. What remains truly seen and felt amidst the curated snapshots of our adventures?
6.0Three short films by Sergei Parajanov, Hakob Hovnatanyan (1967), Kyiv Frescoes (1966) and Arabesques on the Theme of Pirosmani (1986). Scanned and restored from the original camera negatives in 4K by Fixafilm. Produced in association with National Cinema Centre of Armenia (NCCA), Dovzhenko Centre and Georgian Film. Scans for Hakob Hovnatanyan and Arabesques on the Theme of Pirosmani financed by Kino Klassika.
0.0A film essay that intertwines the director's gaze with that of her late mother. Beyond exploring mourning and absence as exclusively painful experiences, the film pays tribute to her mother through memories embodied by places and objects that evidence the traces of her existence. The filmmaker asks herself: What does she owe her mother for who she is and how she films? To what extent does her film belong to her?
6.0Constructing a solitary reality by imagining what life would be like after the passing of her parents, director Allison Chhorn's intricate docu-fiction chronicles her own process carrying on work in the family's titular 'plastic house'.
0.0A compilation of TV news about black culture.
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0.0Experimental movie, where a man comes home and experiences LSD. His kaleidoscopic visions follow, with readings inspired by the Tibethan Book of the Dead.
5.0An experience of a camera swinging in different gestures facing the optical distortion of the Sun. The last appearance of the smudge.
6.5In 2007, a teen girl from a posh L.A. suburb must deal with the grizzly murder of her family while trapped in the company of their killers.
0.0Travel films have an established format with their own conventions, history and baggage. It is a medium that has all too often sought to control, define and dictate perceptions of ”other” places. Comprised of footage shot while travelling on group excursions across Russia in 2019, An Uncountable Number of Threads is an attempt to draw out the ethical restrictions of a travelogue, while questioning how (and why) to make one. At times there is an awkward tourist-gaze, aware of its outsider position. But as a self-reflexive work that considers its own creation, it ultimately unravels, as the artist rationalises themselves out of a particular way of working, inviting the viewer into their uncertainty.
0.0A scientific expedition travels to an alternative Earth in hope of finding a new home for humanity, which has destroyed its own planet. But is it even possible to escape old patterns?
0.0Shot in two places marrying with each other by a single and fractured bridge between Condrieu and les Roches-de-Condrieu, this film is the continuation of exploring ephemeral movement through the use of editing, camera movements and color sampling.
0.0Experimental documentary about what it means to be at peace.
0.0In this movie, Dmytro Dokunov and Richard Marx explore the question of the different realities which take place simultaneously: Richards in Berlin and Dmytro's at the frontline in Ukraine. How do you have to change your own perception of reality? How will the perception of your surroundings be changed too? The nature in which they live looks almost identical, but war is fundamentally changing the view.