In a small town in the countryside of Paraná, its pioneers recall the early days there, while sharing a common love: coffee.
In a small town in the countryside of Paraná, its pioneers recall the early days there, while sharing a common love: coffee.
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Among grains and memories.
When the Cows Come Home introduces audiences to Tilly and Maggie, a pair of cows that musician, journalist, artist and cow whisperer, Andrew Johnstone has befriended and subsequently saved from slaughter. The garrulous herdsman is enthusiastic to expound his views on animal husbandry, bovine communication and the vagaries of life in general, before the film walks us back through the events that have shaped the singular farmer-philosopher. From personal family tragedy to warring with Catholic school authorities, innovating in Hamilton’s nascent music scene to creating guerrilla art installations; Johnstone’s life has had a truly idiosyncratic trajectory. Mental health issues may have seen him retreat to life on the farm, but the film makes clear its subject’s restless inquisitiveness is far from being put out to pasture.
Meet Brian Boland—the beloved, eccentric hot air balloonist and artist from the rural Upper Valley of Vermont.
After a spell cast by Grandma Faraway, the oldest son of a small family encounters the ghost of his late Grandma Maria still living in her old house, and they chat as they used to.
A sheep-rancher's son aspires to win a music conservatory scholarship, but to apply he needs musicians who can play his music. Circumstances lead him to form a band out of prison inmates.
A poignant drama set in 1970s Australia about a newly-single father’s efforts to weather the turbulence of change – in his life and in the world around him – while a new immigrant endeavours to find her place in a foreign land.
A representation of queer and feminist imagery that was mainly shot in the Qinghai-Tibetan Plateau, remote and developing areas in southwest China, and metropolitan cities like Beijing from 2000 to 2004 to document the social changes in contemporary China. The director sympathetically and erotically represents a variety of women, including women as laborers, women as prayers, women in the ground, women in marriage, and women who lie on the funeral pyre with their dead husbands. Her camera juxtaposes the mountains and rivers in old times, the commercialized handicrafts as exposition, the capital exploitation of the elders’ living space, and the erotic freedom of the young people in a changing city.
The surprising death of her husband hits Anna like a blow: Suddenly she is completely alone and has to take care of the management of the apple orchard. In order to assist her mother in the difficult time, Anna's illegitimate daughter Ines draws her to the estate. The relationship between the two women is difficult, tensions are inevitable. In this emotionally charged atmosphere, Anna learns that her 16-year-old granddaughter Jo is unintentionally pregnant. Ines has no idea of her daughter's secret. However, it is only a matter of time before the hide-and-seek game flies open.
Maverick soul mates Ged and Dave are on a mission through the winding lanes and hidden tracks of North Devon, to record the lives and experiences of people living without mains electricity.
Mama's four girls are all newlyweds or engaged to be married. Four hubby/fiances plus inlaws = wacky complications.You betcha.
Through intimate stories and day-to-day routines we get a naturalistic glimpse into the lives of individuals with disabilities in the bustling urban landscape of São Paulo. The film captures personal moments and how modern societies confront (or fail to confront) ableism and inclusion.
A cafe is growing, tucked in to the mountainside air raid shelter of the DMZ borderlands. A light light flickers, illuminating the past, present, and future. I'll see you at the DMZ! Shim was a free, one-day pop-up cafe staged in Yangji-ri village’s air raid shelter at the Korean DMZ. Referencing Korean cafe culture’s fixation on third place, the DMZ’s evolution from security tourism, to ecological peace tourism, and its repurposing as art production site, Shim attempts to intervene and align the past and present. Yangji-ri was one of many minbuk propaganda villages established by the Park Chung Hee regime in the 1960s to showcase the farming bounty and prosperity of the south for a North Korean gaze. The village was formerly part of the Civilian Control Line (CCL) until 2013 when it was reterritorialized as a normal part of South Korea.
The inspiring true story of a pastor and his family building a new church and an afflicted carpenter who becomes their unlikely source of hope, proving that faith in God is the true path to redemption, even in the most tragic circumstances.
A real-time portrait of 2020 unfolds as an Asian-American family in Trump’s rural America fights to keep their restaurant and American dream alive in the face of a pandemic, Neo-Nazis, and generational scars from the Cambodian Killing Fields.
When Werner Herzog was still a child, his father was beaten to death before his eyes. His mother was overwhelmed with his upbringing and thereupon shipped him off to one of the toughest youth welfare institutions in Freistatt. This was followed by a career as a bouncer in the city's most notorious music club and an attempt to start a family. Today, the 77-year-old from Bielefeld lives with his dog Lucky in a lonely house in the country. Despite adverse living conditions, he has survived in his own unique and inimitable way.
Whiskey-making, one of the oldest traditions in the mountains, has been illegal since the end of the 18th century. Tradition is a portrait of Appalachian moonshiner Logan Adams, who began practicing his trade as a boy because “back then there wasn’t any jobs…about like now.” Adams discusses his vocation and why he continues to make whiskey despite having served a string of jail sentences for the practice. Adams’ story and family interviews are intercut with a federal revenue agent who describes the methods used by law enforcement agents to apprehend moonshiners. The film concludes with a tour by Adams of his still as he describes the whiskey-making process. This film will be of interest to anyone interested in moonshining, the economic and traditional forces that motivate illegal whiskey making, the law and its penalties, as well as anyone interested in what a practice long stereotyped by outsiders really entails.
Alan hasn’t spent Christmas with his family in years. On a lonely night before the party, he falls asleep watching old family videos. When I wake up, something has changed.