Olev Subbi. Elu kuues peatükis(2021)

The Treasures of Saxony: How August III Built His Collection(de)

Year 1763, the Seven Years' War is about to end. August III, Elector of Saxony and King of Poland, has died, leaving empty the royal treasury and an extraordinary collection of paintings, sculptures, jewelry and goldsmith masterpieces, which he considered a symbol of his greatness, and that of Dresden, one of the European capitals of Baroque art.

Lee Miller: A Life on the Frontline(en)

A documentary celebrating Lee Miller, a model-turned-photographer-turned-war reporter who defied anyone who tried to pin her down, put her on a pedestal, or pigeonhole her in any way.

M. C. Escher: Journey to Infinity(nl)

A portrait of the visionary Dutch artist M. C. Escher (1898-1972), according to his own words, taken from his diary, his correspondence and the texts of his lectures.

Tale of Time(id)

Fajar Suharno was a theater maestro from the 80's to the 90's. He was imprisoned because his theater activities were considered against the New Order government. At its peak, he made a show entitled "Geger Uwong Ngoyak Macan" about the events of crushing people who were considered thugs/criminals (Petrus). The show was held exactly the day before the massacre took place

The Mysteries of Hieronymus Bosch(en)

Nicholas Baum goes on a journey to Den Bosch, Hieronymus Bosch's town, and gives his explanation about what he thinks the painter's works originally meant.

James Tissot: L'étoffe d'un peintre(fr)

A movie about James Tissot (1836-1902), a French painter and portraitist

Nadar, le premier des photographes(fr)

A documentary about the French photographer Nadar aka Gaspard-Félix Tournachon

Daniel Richter on Emil Nolde(en)

Emil Nolde was a Nazi – and so what, asks contemporary German artist Daniel Richter. “It’s a moralistic debate. A debate, that mirrors the moralism and bigottery of a generation that seems to think, that the world is a moral playground.” Emil Nolde’s relationship to the Nazi-regime in the Third Reich has given rise to immense discussions within the last months. For decades the broader public had a picture of Nolde being one of the “entartete” artists as well as being prohibited painting by the Nazi-regime. Though this on the surface is true, it was the result of a great disappointment to Nolde. For years, he had strived to become “the” artist of the Thrid Reich, praising his own art as true, German, anti-French and anti-Jewish. Possible competitors within the German art world like Max Pechstein he actively denounced to the Nazi authorities.

Die Brücke: The Birth of Modern Art in Germany(de)

This movement marks the beginning of modern art in Germany. It is the German equivalent of French Fauvism, from which it draws its main inspiration, but it carries an Expressionist and social emphasis that is characteristic of Nordic 'angst.' The artists of Die Brucke were restless creatures, over-sensitive, haunted by religious, sexual, political or moral obsessions. Dramatic landscapes and nudes, mystical and visionary compositions, scenes of the countryside, the streets, the circus, the cafe-dansants and the demi-monde were their principal subjects. Their pure colours blaze in acid stridency, encompassed by rough, dry contours which show the influence of African art and primitive woodcuts. The work of the following is shown: Kirchner, Fritz Bleyl, Erich Heckel, Schmidt-Rottluff, Otto Muller, Emil Nolde and Max Pechstein.

Henry Moore: London 1940-42(en)

A montage, using documentary material filmed during the war, shows the beginnings of an air attack and Londoners entering shelters. From the silent deserted streets, the film moves underground into the world of Henry Moore's shelter drawings. People sit along subway platforms, looking after their children, settling down for the night, sleeping in bunks and on the floor. Above ground London burns. Henry Moore used the eye of a sculptor in portraying the stolidity and enduring patience of a besieged people. This film brings together a unique series of drawings which are some of the most remarkable achievements of an artist during wartime. Eliminating all narration, it explores, on several metaphoric levels, the very nature of human consciousness and creativity.

Raphael: The Young Prodigy(it)

Raphael: The Young Prodigy tells the story of the artist from Urbino, beginning with his extraordinary early portraits of women - the Mother, the Friend, the Secret Lover and the Client. Delve into Raphael’s uncanny ability to capture celestial beauty, and to focus his gaze beyond the physicality and into the psychology of his subjects (some real, some imaginary) so that their personalities explosively emerge from his canvas. With fascinating contributions from internationally renowned experts, this documentary will uncover the most significant people and places and inspirations in the life and times of Raphael – a Renaissance leader and one of the most spectacular painters in history.

Ugly Beauty(en)

Documentary in which art critic Waldemar Januszczak argues that beauty is still to be found in modern art, despite several recent books claiming the contrary.

Mircea Eliade et la redécouverte du sacré(fr)

Mircea Eliade was a traditionalist Romanian novelist and philosopher. Following the disaster of the Second World War, he moved to Paris and Chicago, becoming a respected and influential historian of religions. He acquired something of the status of a guru, as poignantly told in the 1987 documentary Mircea Eliade et la redécouverte du sacré. The film features interviews with Eliade at the end of his life, artfully spliced with cuts to religious imagery on a background of moving spiritual music. It was released in 1987, the year after his death.

La grotte Chauvet — hors du temps(fr)

They Are Here(en)

Dangling from a high window, a young non-binary person is on the cusp of life and death. Flashes of film, literature, art (paintings) and cultural history pass them by, as if to tell a message. A postmodern treatise on connection to culture and the past.

The Rembrandt Century: How Art Became Big Business(de)

In the 17th century, the Netherlands experienced an unprecedented artistic explosion: painters such as Rembrandt, Vermeer and Hals were so prolific that they were able to make a living from their talent alone; so much so that, within a prosperous society, thanks to wealth from overseas colonies and financial speculation, collecting works of art became a status symbol.

La Victoire de Samothrace, une icône dévoilée(fr)

A documentary about the statue Winged Victory of Samothrace, unquestionably one of the most complete expressions of Hellenistic sculpture

Caravage - Dans la splendeur des ombres(fr)

Restitution? Africa's Fight for Its Art(fr)

There is an interlinking history of violent European colonialism and the cultural legacy of ethnographic collections in institutions. This documentary traces the progression of colonial history from the Berlin Conference of 1884-85 to the systematic elimination of cultural traditions, religions and lifeways which would occur sporadically through genocides and warfare until the early 20th century throughout the African continent—surveying the inquiries and movements for historical justice, the relationships between European institutions and colonial violence and following enduring struggles against these organisations to regain what was taken.

Raffael – Ein sterblicher Gott(de)