“Bald Women” delves into the life of women with alopecia who fight for the normalization and visibility of their bodies. Living in a society in which women are slaves of their own image, their viewpoint is found as a unique cry of self-development, revindication and freedom. After being hidden and forbidden during history, their existence will be an example for every woman.
Júlia Vincent
Sandra Tomás
Jihane Benassar
Núria Garriga
Clàudia Barbancho
Idoia Bilbao
“Bald Women” delves into the life of women with alopecia who fight for the normalization and visibility of their bodies. Living in a society in which women are slaves of their own image, their viewpoint is found as a unique cry of self-development, revindication and freedom. After being hidden and forbidden during history, their existence will be an example for every woman.
2025-03-07
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They take over on the fields of sport and show business. For a few years, bald people took a sensational revenge. But they had to impose themselves as they usually are targets of jokes in popular culture. For now, they show their baldness in broad daylight, or simply are comfortable with their difference. An intimate revolution, related by those who lived it.
Farewell braids, curls and other haircuts! Their time is now over. Director Christina Höglund lost all her hair within three months.
Gus is a fat cartoonist that recently won a battle against cancer, which explains his baldness. But he is also lonely. Therefore, his caring sister tries to set him up with suitable woman. But to do so, she must turn him into an irresistible man. When he falls in love with Emily, Gus takes the identity of a mysterious biker from New Zealand.
Juanjo (Antonio Pagudo) is a forty-year-old man who, despite not having low self-esteem due to his baldness, his wife, Inma (Eva Ugarte), obsessed with image and aesthetics, is in charge of making him complex about it. On the other hand, his friend Sebas (Carlos Librado "Nene") is affected by his lack of hair and is willing to do whatever it takes to regain his younger version, something that affects his ex-wife, Sofía (Amaia Salamanca) , and their daughters. Ready for anything, both get into a little trouble to get the money to allow them to travel to Turkey and have a hair transplant. In Istanbul they meet Rayco (Tomy Aguilera), a young reggaeton singer who is having great success, but after discovering his alopecia at a concert, he needs an urgent hair transplant. In this way, the three of them will try to seek happiness through aesthetics, but perhaps they will discover that there is something far beyond the physical.
At a party, someone goes insane and murders three women. Falsely accused of the brutal killings, Jerry is on the run. More bizarre homicides continue with alarming frequency all over town. Trying to clear his name, Jerry discovers the shocking truth...people are losing their hair and turning into violent psychopaths and the connection may be some LSD all the murderers took a decade before.
When premature baldness becomes apparent, Daitary's confidence is greatly affected, as his life was always identified by his voluminous hair. He ultimately finds a way of coping by inspiring other bald men to live happily.
In this funny and inventive animation, Paul Cabon shows us that you can come to terms with going bald, but that you don’t have to like it.
Rave Culture is one of Britain’s great cultural exports, but after its first wave in the late eighties and early nineties, it was soon forced into the underground by stringent new laws and superclubs. But forward 25 years into in the midst of a nationwide purge on the nation’s nightlife, where nearly half of all British clubs have shut down in the last decade, and a new kind of scene has emerged. Clive Martin investigates this 21st century version of Rave, where young people break into disused spaces with the help of bolt-cutters and complicated squatting laws, to suck on balloons and go hard into the early morning. But with the police using increasingly extreme tactics to clamp down on these parties, and more than one fatality causing nationwide media panic, can the scene survive?
Leo Hurwitz’s film, Here At The Water’s Edge, features the 1960 New York City’s waterfront. Made with photographer Charles Pratt, the film is a cinematic poem to the people who work on the water. Pratt, who largely financed the film, made it possible for Leo to use his vision as an artist and filmmaker while the blacklist still over-shadowed his life and ability to work in other areas. Here At The Water’s Edge, a film without narration, draws our attention to the often-neglected life in, on and around water – as well as bringing into view what workers on the water give us. Leo, in his own work, was always concerned with seeing what is happening in spaces in the world where others fail to look.
A “Cinéma, de notre temps” series episode directed by french filmmaker Jean-Pierre Limosin, originally aired 26 January 1996.
A “Cinéma, de notre temps” series episode directed by french filmmaker Karim Dridi, originally aired 2 July 1997.
A “Cinéma, de notre temps” series episode directed by french film filmmaker Jean-Pierre Limosin, originally aired sometime around 2006.
Remarkable life story of Henri Diamant-Berger, a director and screenwriter whose devotion to cinema led him to collaborate with some of the greatest actors and filmmakers of his time.
The majestic Neil Diamond live! Prepare to melt.
A German documentary on Hong Kong cinema.
Archeologists discover a pit filled with terracotta warriors buried to protect the grave of the First Emperor of China.
A new piece in which Linklater and actor-cowriters Julie Delpy and Ethan Hawke discuss the trilogy, moderated by critic Kent Jones.