1939-03-13
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Otakar Vávra walks through Prague in front of the camera and with the camera, and remembers those who in the 1930s determined the pulse of the cultural and political life of that time.
0.0The film looks at men and women of color in the U.S. Merchant Marine from 1938-1975. Through chronicling the lives of these men and women who, with a median age of 82, are beset with a host of life-threatening illnesses, the movie tells how they navigated issues of racism, disparities in the workplace, gender and familial relations.
6.6In 2016, a young Austrialian filmmaker began documenting amateur inventor Peter Madsen. One year in, Madsen brutally murdered Kim Wall aboard his homemade submarine. An unprecedented revelation of a killer and the journey his young helpers take as they reckon with their own complicity and prepare to testify.
5.5Leading biblical scholars and religious experts discuss the implications of the Rapture, when prophecies predict that Jesus Christ will return to Earth and his true believers will be transported to meet him.
Compilation short film about the Communist Revolution and Soviet Union.
5.5The first blitzkrieg, Hitler's invasion of Poland, is traced in this original Nazi propaganda film from 1940.
5.2An educational film about power sources that’s rendered as a lyrical meditation on heat and vapor, The Four Elements is a poetic and avant-garde documentary Curtis Harrington made for the United States Information Agency.
6.0North Korean propaganda film about orchards that yield bigger crops after Kim Il-sung visits. The films was presented as a gift to friendly-minded countries in the world. And expected by the North Korean Culture Ministry to be displayed publicly. Sweden was one of the countries honored by receiving a copy of "Gwasu-ui nara / Country of Orchards".
0.0They came to Donbass from different countries in search of truth. And they stayed on for the sake of those whose voices were not heard. Dialogues about war and duty, a long search for meaning amidst the ruins, working with tragic footage. This is a film about those for whom Donbass has become a refuge of truth.
6.5The story of Donald Trump's election told entirely through Russian propaganda. By turns horrifying and hilarious, the film is a satirical portrait of Russian meddling in the 2016 election that reveals an empire of fake news and the tactics of modern day information warfare.
7.3Explores Leni Riefenstahl's artistic legacy and her complex ties to the Nazi regime, juxtaposing her self-portrayal with evidence suggesting awareness of the regime's atrocities.
6.7From 1945 to 1989, after the capitulation of Nazi Germany, two rival ideologies, communism and capitalism, faced each other in a merciless battle. On one side of the Iron Curtain and on the other, throughout the Cold War, the USSR and the United States sought to shape children’s imaginations through their magazines and films. Never in the history of mankind have so many comic books been published and so many cartoons produced for young people. In November 1989, communism collapsed with the Berlin Wall; capitalism was left to decide the future of the world. What if this victory had been prepared for a long time, and our thinking conditioned, from our early childhood, to ensure this absolute triumph?
7.0Between 1931 and 1933, 4 million Ukrainians were to die of hunger. This famine was not preceded by any cataclysmic weather event, nor by a war. This was an ideological crime: decided by Stalin and approved by the Politburo, with the aim of punishing Ukrainian peasants who refused the collectivization of the countryside, cultivated a strong form of nationalism and showed resistance to communist ideology. Drawing on previously unpublished material, on many Soviet films and on a number of particular points of view, including that of Welsh journalist and whistleblower Gareth Jones, this film retraces the story of that famine.
7.4Film journalist and critic Rüdiger Suchsland examines German cinema from 1919, when the Republic of Weimar is born, to 1933, when the Nazis come into power. (Followed by Hitler's Hollywood, 2017.)
5.7Riding the Rails offers a visionary perspective on the presumed romanticism of the road and cautionary legacy of the Great Depression. The filmmakers relay the experiences and painful recollections of these now-elderly survivors of the rails. Forced to travel more by economic necessity than the spirit of adventure, the film's subjects dispel romantic myths of a hobo existence and its corresponding veneer of freedom. Riding the Rails recounts the hoboes' trade secrets for survival and accounts of dank miseries, loneliness, imprisonment, death, and dispossession. Sixty years later, the filmmakers transport their subjects back to the tracks, where the surging impact of sound and movement resuscitates memories of a shattered adolescence and devastating rite of passage.
3.0The epic story of the Russian Civil War (1918-21): the White Terror, the counterrevolutionary uprisings, the guerrilla war, the Kolchak front, the Wrangel front and the Kronstadt rebellion. Chaos and violence, devastation and death.
7.6A film about the noted American linguist/political dissident and his warning about corporate media's role in modern propaganda.
4.5A Nazi propaganda film made to promote anti-Semitism among the German people. Newly-shot footage of Jewish neighborhoods in recently-conquered Poland is combined with preexisting film clips and stills to defame the religion and advance Hitler's slurs that its adherents were plotting to undermine European civilization.