The Dreammaker
10
Geeky teenager David and his popular twin sister, Jennifer, get sucked into the black-and-white world of a 1950s TV sitcom called "Pleasantville," and find a world where everything is peachy keen all the time. But when Jennifer's modern attitude disrupts Pleasantville's peaceful but boring routine, she literally brings color into its life.
Throughout a night out in downtown Tijuana, Laura waits for her destiny to arrive.
Fate brought together Ode, a young man from Buton with big dreams, and Ade, a wanderer from Bali. Like two souls in love, they believed that fate would one day unite them. However, their journey was hindered by the presence of another man who shared the same faith as Ade, and Ode had to go to Jakarta to pursue his dreams. Will fate ultimately bring Ode and Ade together?
The first of two documentaries about Ingmar Bergman produced to mark his 70th birthday. Includes behind the scenes "home movies" from Bergman's personal archive, interviews with Bergman recorded over his 40 years in the film industry and passages from his autobiography read by Max von Sydow and Bergman himself.
A profile of writer-director Billy Wilder
Animated hijinks of a man whose car just will not start, no matter what he does.
May 1, 1929. A decomposing headless body is found inside an abandoned wooden box in Madrid's Atocha train station. The victim is later identified as a Barcelona businessman that vanished six months before.
July 21, 1958. Madrid wakes up to the news that a pawnbroker has been murdered in his shop. Soon, police finds that the victim's associate, his pregnant wife and their maid have been murdered as well in their own home across the street.
The wicked Blue Meanies take over Pepperland, eliminating all color and music. As the only survivor, the Lord Admiral escapes in the yellow submarine and journeys to Liverpool to enlist the help of the Beatles.
The point of departure for this film is the 1981 composition De Tijd by Dutch composer Louis Andriessen. Van der Keuken leaves the music undisturbed as an autonomous soundtrack and has the images engage in a sort of battle with it. These images are associations, fragments of events, scenes and situations. The film is preceded by a text by Bert Schierbeek.
The story of an odd family in which two uncles, apparently bachelors, play the role of mother and father for their two orphan nephews in the Valencia of the 1960s and 70s.
A barefoot contessa, a screwed-up princess, an exquisite drunk, a bawdy aristocrat, a nightmare for puritanical America and the moguls of Metro-Goldwyn-Mayer, Ava Gardner never stopped loving those she loved. She turned women green and made men sweat. And rejected with all her force the bulwark of normality.
A portrait of a Chilean middle-class family in the 1940s and 1970s.