Impressionism and expression of a view, Mavy uses fragments of the ocean landscapes of Alice Guy's studies through fluctuations of bright nuances and an imitation of these tormented waves in the eyes of a modern camera
Impressionism and expression of a view, Mavy uses fragments of the ocean landscapes of Alice Guy's studies through fluctuations of bright nuances and an imitation of these tormented waves in the eyes of a modern camera
2025-02-21
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From award-winning director Phil Grabsky comes this fresh new look at arguably the world’s favourite artist – through his own words. Using letters and other private writings I, Claude Monet reveals new insight into the man who not only painted the picture that gave birth to impressionism but who was perhaps the most influential and successful painter of the 19th and early 20th centuries. Despite this, and perhaps because of it, Monet’s life is a gripping tale about a man who, behind his sun-dazzled canvases, suffered from feelings of depression, loneliness, even suicide. Then, as his art developed and his love of gardening led to the glories of his garden at Giverney, his humour, insight and love of life is revealed. Shot on location in Paris, London, Normandy and Venice I, Claude Monet is a cinematic immersion into some of the most loved and iconic scenes in Western Art.
Three children living in a displacement camp in northern Uganda compete in their country's national music and dance festival.
Taking its lead from French artists like Renoir and Monet, the American impressionist movement followed its own path which over a forty-year period reveals as much about America as a nation as it does about its art as a creative power-house. It’s a story closely tied to a love of gardens and a desire to preserve nature in a rapidly urbanizing nation. Travelling to studios, gardens and iconic locations throughout the United States, UK and France, this mesmerising film is a feast for the eyes. The Artist’s Garden: American Impressionism features the sell-out exhibition The Artist’s Garden: American Impressionism and the Garden Movement, 1887–1920 that began at the Pennsylvania Academy of the Fine Arts and ended at the Florence Griswold Museum, Old Lyme, Connecticut.
At the beginning of the twenty-first century, abstraction - that most quintessentially modernist innovation - maintains a peculiarly contradictory position. Used, on one hand, by post-modernist artists as just one more quotable style amongst many, it is on the other hand still considered an elitist or hermetic language by audiences intimidated by its lack of recognizable subject matter. Yet ultimately, abstraction continues to be a viable creative path for contemporary artists of all generations, many of whom embrace it as the most inclusive and fundamentally resonant of artistic languages. Filmed at the artists' studios, the Dia Center for the Arts, and the Guggenheim Museum during their exhibition, "Abstraction in the Twentieth Century."
Lost Boundaries is comprised of footage shot by Julien on location, in England in the summer of 1985, during the making of the Sankofa film and video collective's first experimental feature film The Passion of Remembrance (1986), which he co-directed with Maureen Blackwood, another member of the collective. In recapturing those moment Lost Boundaries both deconstructs and foregrounds the means of 16mm film production while weaving together a fragile community of Black artists and actors who came to prominence at a time when debates in film theory - such as those of the Screen film journal and of "third cinema" discourses where cinema was intertwined within (Brechtian) filmmaking practices - were at the forefront of forging a new politics of artistic representation. A Black avant-garde.
Distortions and deconstructions of Y2K pop stars' seductive images and iconic hits.
Profile of the producer and former studio head of 20th Century Fox in the 1970s, Alan Ladd Jr.
Story of Annette Kellerman, the international swimming vaudeville and silent screen star whose life story inspired the MGM classic Million Dollar Mermaid starring Esther Williams, which featured lavish Busby Berkeley scenes.
Light is a fascinating phenomenon. Without light, there would be no cinema, no film – and no life. So light is at the origin of everything, and yet it remains invisible to the eye until it hits matter. This moment is – quite literally – the starting point of Thomas Riedelsheimer’s latest work, for the springtime spectacle of rainbow shreds in the cinematographer and documentary filmmaker’s flat became the starting point of a search for the origin of the images we form of this world. For this quest he dived deep into two spheres that seem to follow different laws but always strive to fathom the magical: physics and art.
Examines the history and legacy of the photo Guerrillero Heroico taken by famous Cuban photographer Alberto Díaz Gutiérrez. This image has thrived for the decades since Che Guevara's death and has evolved into an iconic image, which represents a multitude of ideals. The documentary film explores the story of how the photo came to be, its adoption of multiple interpretations and meanings, as well as the commercialization of the image of Ernesto "Che" Guevara.
The Untold Story of the Suffragists of Newfoundland (1999) is a docu-drama celebrating the thirty year struggle by the women of Newfoundland to win the right to vote.
A documentary-essay which shows Costică Axinte's stunning collection of pictures depicting a Romanian small town in the thirties and forties. The narration, composed mostly from excerpts taken from the diary of a Jewish doctor from the same era, tells the rising of the antisemitism and eventually a harrowing depiction of the Romanian Holocaust.
Documentary about the art of film editing. Clips are shown from many groundbreaking films with innovative editing styles.
How did the Impressionists view the world? What relationship did they have with technique, with color, with light and with the universe of shapes that made up reality before their eyes? How were their works received? How did they go from being rejected by critics and the public to becoming among the most loved in the world in a few years? Secret Impressionists is an immersive journey into the intimacy of the Impressionists and their paintings which aims to offer a "privileged" visit that stimulates the spectators' curiosity and gives them a perspective on the works complementary to the live experience, allowing spectators in the hall to immerse themselves in the work of painters and grasp unpublished details.
A series of 12 short movies from the start of the twentieth century. These movies were the first adult movies, and, according to the film-maker Michel Reilhac, show that "the modern porn industry did not invent anything – everything had already been filmed by our great-grandparents."
A documentary on the Z Channel, one of the first pay cable stations in the US, and its programming chief, Jerry Harvey. Debuting in 1974, the LA-based channel's eclectic slate of movies became a prime example of the untapped power of cable television.
An account of the life and work of US filmmaker Woody Allen as told by himself.
Monet, Cezanne, Degas, Renoir: some of the world’s most popular artists. Their works, and that of their contemporaries, fetch tens of millions of dollars around the globe. But who were they really? Why & how exactly did they paint? What lies behind their enduring appeal? To help answer these questions, this unique film secured unparalleled access to a major exhibition focussing on the man credited with inventing impressionism as we know it: 19th-century Parisian art collector Paul Durand-Ruel. This eagerly anticipated international exhibition is possibly the most comprehensive exploration of the Impressionists in history.
Providing behind the scenes footage of the director on set with clips from his own films, Martin Scorsese Directs depicts to riveting effect the way Scorsese brings the written story to life on the big screen. Additional interviews with the likes of Joe Pesci, Harvey Keitel, Thelma Schoonmaker, the director’s own parents, and others build a perception of Scorsese that not everybody knows.
Filmed at the Museum of Fine Arts, Boston and the Tate Britain, London, the exhibition reveals Sargent’s power to express distinctive personalities, power dynamics and gender identities during this fascinating period of cultural reinvention. Alongside 50 paintings by Sargent sit stunning items of clothing and accessories worn by his subjects, drawing the audience into the artist’s studio. Sargent’s sitters were often wealthy, their clothes costly, but what happens when you turn yourself over to the hands of a great artist? The manufacture of public identity is as controversial and contested today as it was at the turn of the 20th century, but somehow Sargent’s work transcends the social noise and captures an alluring truth with each brush stroke.