I Am Sitting in a Room(1970)

A Propos d'Enedice(fr)

Electronic Awakening(en)

A documentary following the conscious evolution of electronic music culture and the spiritual movement that has awakened within.

Our Boat(xx)

A curious miniature boat sails along the rivers and waterways of Sheffield, observing the people, places, and sights of the Peak District.

Being in a Place: A Portrait of Margaret Tait(en)

Drawing on a wealth of unseen archival material and unpublished notebooks, the film weaves a complex and personal portrait of Margaret’s life, from the perspective of a fellow artist sensitive to the potential Margaret envisaged for film as a poetic medium.

Making the Nature Scene(en)

Long before Kim Gordon was a cooler-than-thou multimedia artist in Body/Head, she was a cooler-than-thou multimedia artist in Sonic Youth. In the ’80s, Gordon and her bandmates were fixtures of New York’s downtown art and music scene; one regular haunt of theirs was legendary nightclub Danceteria, which served as the setting for a short film Gordon made sometime around 1985. Now, as Dangerous Minds points out, said video has surfaced online thanks to filmmaker/designer Chris Habib (a.k.a. Visitor Design). “Excellent video I found in my Sonic Youth archive,” Habib writes on the clip’s Vimeo page. “I digitized it for Kim during her [early 2000s] CLUB IN THE SHADOWS exhibition at Kenny Schachter’s old space in the West Village.”

Jaar. Lament of the Images(es)

Follows Chilean artist Alfredo Jaar as he finds his artistic voice and develops the socially critical perspective of his work.

INTERVENTIONS AND INTERFERENCES(en)

Through a collage of spaces and times, the interventions and interferences of nature and human beings in the south of Brazil reveals themselves... or try to hide.

The Warhol Effect(en)

Lifting the lid on the fascinating last decade of Andy Warhol's life and the legacy he left for future artists, through never-before-seen footage and interviews with insiders.

EXO PLANET #2 The EXO'luxion in Japan(ja)

EXO PLANET #2 - The EXO'luXion was the second tour of South Korean-Chinese boy band EXO. The tour began in Seoul's Olympic Gymnastics Arena on March 7, 2015. The tour was officially announced in January 2015 with the first five dates in South Korea. The tour had 39 dates throughout Asia and five dates in North America.

What's Going On?(en)

​The audience is taken through a range of years through archival footage exploring the ups and downs of our lives and the thing that connects us all, love. Seven interview subjects: a philosophy professor, a film professor, a humanities professor, a retired lawyer turned archivist, a volunteer, a dance student, and a fashion student, explore their backgrounds with religion, their current personal philosophies, whether or not they believe we have a purpose, or if the things we do have any meaning at all. Eventually everything wraps back around to love.

Les Couturiers de l'Église(fr)

Notes on Vanishing(en)

Moving image artist Lily Alexandre forces herself to ask an unspeakable question: should trans people make ourselves disappear?

Into the Clouds We Gaze(cs)

A gentle love story from the harsh environment of northern Bohemia.

cloud 1(xx)

Experimental short film showing a single 10-minute shot of the sky.

Jungle Mania(en)

This work by indie filmmaker Ikon documents 20 Years of Jungle Mania, a rave held on 6 April 2013 at the Coronet Theatre in London. The event celebrated and commemorated 20 years of drum and bass music in London dance culture. In addition to coverage of the live performances and the crowd, the film features interviews with reknowned drum and bass DJs and producers who performed that night.

A Shape of Time - the composer Jo Kondo(en)

Jo Kondo (*1947) is one of the most interesting composers of contemporary music in Japan. His music is composed intuitively and at the same time it is highly abstract. Without clear directionality and at the same time not without form. For a Japanese audience it sounds “Western” and in the West it is regarded “Japanese”. A music in between categories. Like Kondo’s music the film is shifting between places and directions: a concert in the Muziekgebouw in Amsterdam, an elaborate sushi bar in Tokyo, a CD-production in a Cologne radio station, the Zuisenji temple in Kondo’s neighborhood in Kamakura. Kondo wants his music to appear “normal”, without spectacular surface or narrative elements. A concept of “normality” you may also find in the films of Japanese filmmaker Yasujiro Ozu, who – like Kondo – spent most of his life in Kamakura.

To B or to B Flat - the composer Boudewijn Buckinx(en)

Who gets the idea to write “Nine unfinished symphonies” - one of them perhaps the shortest Symphony in music history? Or "1001 sonatas’ - each lasting about a minute but in total being one of the longest pieces ever written? Like a postmodern Erik Satie the Belgium composer Boudewijn Buckinx is using music history as a playing field. The classical music audience is irritated, the avant-gardist wrinkles his nose... "Daisies in a Meadow" - that's how Buckinx described his "1001 Sonatas” for violin and piano, They play a leading role in our film, in the supporting roles the Spanish sun and the Belgian rain. The latter, however, did not show up at the set - just as you always have to be prepared for surprises with Boudewijn Buckinx. "Why is my music so simple? - Why is my music so complex?" With a wink, Buckinx gives various answers to these recurring questions. The portrait of an immensely productive artist who is radically taking his own path.

Flotsam(en)

An urban essay film searching for meaning and philosophy: "When you enter an existential crisis, all filters fall. Reality is shaded in low contrast, low key, foggy. Every outside signal grinds down mind and teeth and gets caught in a feedback loop. Every thought is a downward spiral."

Madeleine(en)

A stop motion/collaged based independent short film plays with the recontextualisation of memories and how time distorts them.

Animot(cs)

The experimental documentary filmed at rescue centres in Prague and Vlašim refuses the anthropocentric perspective and views the world through the eyes of wounded animals. The term Animot was taken over from Jacque Derrida. While the French philosopher and deconstructivist uses the term to refer to everything animalistic and non-human, the film, on the other hand, uses intimate details to point out the proximity between human beings and animals. They are connected by their vulnerability, helplessness and mortality.