
Twenty-four images of a camera running in the woods, a moonlight and a cemetery through improvised gestures, mechanical abstraction and saturated colors

Twenty-four images of a camera running in the woods, a moonlight and a cemetery through improvised gestures, mechanical abstraction and saturated colors
2024-12-13
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A murky picture of collapse and disharmony
The filmmaker's mother, Ethel Wardrop, talks about her own body and the role it played in her loving relationship with her dear husband.
8.0Kyra Gardner's loving tribute to growing up in the world of the psycho killer doll, Chucky.
0.0Egypt's only modernist architect Hassan Fathy (1900-1989) was committed to ecology and sustainability in his architecture. This film takes us with slow steps, in still images, to two villages he created. Fathy's historically grounded, forward-looking designs prompt us to reflect on the past as well as contemplate new solutions for the future.
0.0“Nuuhkuum uumichiwaapim” (« My Grandmother’s Tipi ») is an exploration of the sensorial and textural experience of a grandmother’s tipi. It is based on memories of being in a tipi, observing in the bliss of cooking and the time in-between.
8.0Where there are humans, are also ravens and crows. No animal knows us better.
6.0A look at the horror movies of the 1980's.
A village meeting in communist Russia to pay homage to Stalin leads to a gossip marathon, which develops into an endurance test for the participants.
8.0Galapagos Suite is a 17-minute compilation of 16 days sailing around the Galapagos archipelago aboard the Anahi catamaran. It seeks to encapsulate and capture the experience with intimate videography by Jim Lawrence and an original music score by Christian Jessup.
0.0Bahman Kiarostami's charming documentary about mourners-for-hire who are called upon to attend funerals in Iran. With an understated, lighthearted style, Tabaki provides a fascinating view of a peculiar occupation within this religious culture, offering, in the process, an insightful portrait of the society as a whole.
5.8Shot on the Great Barrier Reef in Australia and in the Bahamas, Ocean Wonderland brings to you the amazing beauty of the many varieties of coral and the immense diversity of the marine life thriving there.
5.0An experimental film that lifts the veil on the world of African American drag racing.
7.8In the feature documentary, Summer 82 – When Zappa Came to Sicily, filmmaker and Zappa fan Salvo Cuccia tells the behind-the-scenes story of Frank Zappa's star-crossed concert in Palermo, Sicily, the wrap-up to a European tour that ended in public disturbances and police intervention. Cuccia had a ticket to the concert but never made it. Thirty years later, collaborating with Zappa's family, he re-creates the events through a combination of rare concert and backstage footage; photographs; anecdotes from family, band members, and concertgoers; and insights from Zappa biographer and friend Massimo Bassoli. The story is also a personal one, as Cuccia interweaves the story of Zappa's trip to Sicily with his own memories from that summer.
And urban planner's journey to making the impossible possible.
0.0A youngster writes a letter to his grandmother about his last trip to Donosti (Spain). This city inspires him to ponder about the language of cinema, time, cities, and sharing memories with our loved ones.
0.0Ronald Reagan and Richard Nixon on Camera 1983
0.0An essay film approaching trauma-related memory loss via reflections on light outside the visible spectrum – on what is felt but never seen.
0.0Life After opens the dialogue surrounding grief and how we experience it. Through conversations with Nicola Winstanley and Carmen Galavan about what grief is and how it affects us, we learn what it really means to live a life after.
6.8The first French anti-colonialist film, derived from an assignment in which the director was to document educational activities by the French League of Schooling in West Africa. Vautier later filmed what he actually saw: “a lack of teachers and doctors, the crimes committed by the French Army in the name of France, the instrumentalization of the colonized peoples.” For his role in the film, Vautier was imprisoned for several months. The film was banned from public screening for more than 40 years.