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SEVENTEEN [RIGHT HERE] WORLD TOUR IN JAPAN(2024)
SEVENTEEN 'RIGHT HERE' WORLD TOUR IN JAPAN by SEVENTEEN.
Movie: SEVENTEEN [RIGHT HERE] WORLD TOUR IN JAPAN
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SEVENTEEN TOUR 'FOLLOW' TO JAPAN: LIVE VIEWING(ko)
In their largest-scale dome tour since their debut, witness SEVENTEEN’s electrifying blend of dynamic performances and enchanting melodies live on the big screen. In the 'FOLLOW' tour, audiences can anticipate being swept away on an exhilarating journey filled with explosive energy and an unmatched level of passion. The K-pop icons also showcase their versatility with special unit performances by the Vocal Unit, Performance Unit, and Hip-hop Unit, each bringing their unique sound and charisma to the stage. Through their live show, SEVENTEEN aims to spread positivity, inviting CARATs to join them on this uplifting journey.

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Jam Films is a 2002 suite of 7 shorts produced by Sega/Amuse.

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When other Scanners in the Los Angeles area are left drained of life, Sam is forced back into action in a desperate attempt to stop Volkin, who is determined to become the most powerful - and ruthless - of his kind.

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An unsupervised junior soccer team loses its ace player to the leader of a rival gang. Since only an entire team can win, they must have her back to be able to win the game against the national team. The existence of The Wild Soccer Bunch is at stake ...

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Fourteen year old Polish boy Stas Tarkowski and eight year old Nel Rawlison from England are kidnapped as the hostages by Arabic fanatics and taken to their religion leader. Then they manage to escape and try to return to their fathers. Children have a lot of dangerous adventures, meet two Black kids; Kali and Mea, who also help them, make a friendship with an elephant and help one Black's tribe.

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Zezé is an 8 year old boy who, although a naughty boy, has a good heart. He leads a very modest life, due to the fact that his father has been unemployed for a long time, and has the habit of having long conversations with a sweet orange tree which is in his backyard. Until one day he meets Portuga, a man who begins to help him and soon becomes his best friend.

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The Three Friends(ar)
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Zero Woman R(ja)
A mysterious female spy is recruited to infiltrate the Japanese underworld and gather evidence for a clandestine secretive branch of the Tokyo Police Department.

The Shooting Star(fr)
The sudden approach of a giant meteorite to Earth gives Tintin nightmares of death. Luckily, it lands in the Arctic Sea. Then, Tintin is appointed press delegate aboard Captain Haddock's ship Aurora, along with an international expedition to find it.

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The Wild Soccer Bunch 5(de)
"The Wild Soccer Bunch" celebrate their last victory against the "Silver Lights" - and set one record in volley-pass game after another in the forest. But they are not alone: Vampires target the team. To lure them into their bunker, they kidnap Leon. Will Vanessa ever see him again?

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Ultraman Hayata: The Lost Films(en)
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Swedish intelligence officer Carl Hamilton's 7-year-old goddaughter Nathalie is kidnapped. When the kidnapping's underlying motive becomes known, the Swedish authorities assume a passive role, forcing Hamilton to action. With the help of international contacts, Hamilton manages to get them on track. Hamilton, along with some military colleagues, plans a daring rescue mission.

Tintin and the Picaros(fr)
Tintin falls into a dangerous trap after his friends are falsely arrested in a troubled South American country where a revolution is about to explode.

1-2-3(es)
How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.
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