Splatterfest Exhumed(2024)

Fulano de Tal(pt)

Cannes Uncut(en)

Looks at the glamour, red carpets, movies, craziness, stunts, deals, parties and personalities that have been part of the Cannes Film Festival over eight decades, as well as looking to the future.

Homo Cinematographicus(fr)

Homo Cinematographicus is a human species whose unit of measurement and point of reference is the cinema and its derivative, television. Filmed at the 1998 Cannes Film Festival, the film offers an unspecified number of statements, talking about memories and a thousand fragments of stories, titles and film scenes, the warp of a gigantic collective Chanson de geste.

The Pig and the Society(pt)

"The Pig and the Society," symbolizes the stark contrast between the excesses of wealth and the plight of those left behind. It invites viewers to reflect on their perceptions and prejudices, challenging them to see beyond the surface and understand the systemic issues perpetuating homelessness.

New York at the Movies(en)

Meryl Streep conducts us to a trip to New York City as presented in many films during the 20th Century, and how its cultural importance and impact are important to viewers. With a comprehensive gathering of clips from films between 1910's and 1990's, the documentary presents the mandatory classic films that presented the city and its multiple cultural variations, situations and the great stories filmed there. Actors and directors also discuss how they view the city in reality and also through the pictures.

De Wind(nl)

Alone In Movie Theater(ar)

This documentary was written with passion and love for cinema, and on the other hand, he blamed her. Our fictional character for this documentary talks about her passion for cinema and how it affected her life and recounts the decades that passed on the cinema one after the other.

Caro Nanni(es)

Room 999(fr)

In 1982, Wim Wenders asked 16 of his fellow directors to speak on the future of cinema, resulting in the film Room 666. Now, 40 years later, in Cannes, director Lubna Playoust asks Wim Wenders himself and a new generation of filmmakers (James Gray, Rebecca Zlotowski, Claire Denis, Olivier Assayas, Nadav Lapid, Asghar Farhadi, Alice Rohrwacher and more) the same question: “is cinema a language about to get lost, an art about to die?”

Cannes : Palmes, scandales et tapis rouge(fr)

How could the Cannes Film Festival become the biggest cinema event in the world? For 75 years, Cannes has succeeded in this prodigy of placing cinema, its sometimes paltry splendors but also its requirements of great modern art, at the center of everything, as if, for ten days in May, nothing was more important than it. This film tells how Cannes has become the largest film festival in the world by opening up to cinematic modernity while never forgetting that cinema remains a performing art, a popular art.

Satoshi Kon: The Illusionist(fr)

A subtle portrait of Japanese director Satoshi Kon by the specialist of Japanese cinema Pascal-Alex Vincent and a dive into a rich work. With interviews of the greatest Japanese, French and American directors inspired by his work.

Furias(es)

Discovering Christmas Films(en)

Gathering for a Christmas lunch, the film critics and writers of Discovering Film discuss the merits of 20 films from Bill Murray's star turn in Scrooged, the James Stewart classic It's a Wonderful Life, Ingmar Bergman's Fanny & Alexander, to Bruce Willis' memorable Die Hard.

méthodologie du tournage(fr)

The Exile(bn)

Gouranga, a young man in 1960s rural Bengal, embarks on a journey where he encounters not only the local myths about a supernatural presence, but also his own demons which were buried in his past. The film was in the list of TOP 10 Recommended Movies of NFDC Film Bazaar 2023. It also won the Film Bazaar Recommends Award in the Viewing Room Category.

Viva o Cinema! Uma História da Mostra de São Paulo(pt)

The series tells the story of the São Paulo International Film Festival, one of the most traditional cultural events in Latin America. For 48 years, the festival has showcased hundreds of films from all over the world, bringing vibrancy to the city. Filmmaker Marina Person provides an irreverent perspective, highlighting the exciting and unusual stories that have marked the festival’s journey of resistance. The series reveals the individuals who have embraced the challenge of organizing this significant cultural event in Brazil every year, despite often challenging conditions. We also delves into how the Mostra has grown to become one of the main festivals globally, shedding light on the changes in cinema, Brazil, and the world over the years.

Vestido Branco com Listras Vermelhas(pt)

Poilu[s](fr)

A young filmmaker is commissioned to write a documentary about the First World War. He tries to find a way to tell the story of the war. What is to be done with all these films waiting in the archives to be shown again? He tries his hand at different styles of writing and editing, keeping in mind the question: can you make a montage film without transforming the images?

What is Love?(de)

Coração Vazio(pt)