pertencer(2024)

Medo de Sobrar, Medo de Sonhar(pt)

Best of Three(pt)

Life is what we don't want it to be.

REEXISTIR(pt)

A documentary web-series that presents experiences and resistance in the fight stories of the LGBT community. These stories are told in order to generate more empathy and compassion among people inside and outside the community, and especially, to bring a message of hope, strength, and resilience to all LGBTs, encouraging us to keep our heads up and continue to resist.

Sou Jazz(pt)

Sound is a journey. Each note opens a door, closes another. Instruments chart the course. Through a poetic and immersive lens, Sou Jazz shines a light on musicians from the Paraisópolis community, reaffirming the social and transformative power of art. The film invites viewers into a reflective, sensory exploration of the relationship between jazz and life on the margins.

Nana Chela(es)

Reminiscence: A Life Through the Lens(en)

A visual essay on the stimuli that draw a bridge to past memories of my life; a real documentary about where I was and where I am, what I did and what I do; a reflection of the person I was and continue to be.

Filhos da Cratera(pt)

Aroak(eu)

Aroak is a documentary about the cycle of life through the passing of the seasons and the stories of 10 people from different generations, and the environment in which they live, closely connected to the land and animals. How they experience the passing of the seasons, how it was before and how they experience it now. They talk about their interaction with the environment, their feelings towards animals and plants. Aroak is also an audiovisual poem about nature and its magic, its sounds and its inhabitants.

Perspectiva (Versão da Diretora)(pt)

VIDA URBANA(pt)

Rider(es)

A young woman working as a rider is forced to make a dangerous delivery that will put her life at risk during a night filled with urgent personal problems that she must solve through phone calls. Millions of people make a living as riders around the world, Fio’s story of redemtion is but one of them.

Pessoas São Prédios(pt)

In a Porto Alegre swallowed by real estate speculation, elderly residents begin to disappear without explanation. As new buildings rise at a frightening pace, a woman finds herself facing a truth no one else seems to see.

dadme la muerte que me falta(es)

Fiado Só Amanhã(pt)

O Homem Que Escrevia Notas de Falecimento(pt)

Desejo Sintético(pt)

La vagancia(es)

86 Bilhões(pt)

Muerte Clínica(es)

FilmmaKErs(en)

Is it more difficult for a woman to direct a movie? To finance it? To be respected by her team? Does she have a different way of looking at the world? Does cinema have a gender? In our two previous documentaries, we had already asked these very contemporary questions to 20 female and 20 male directors in France. But we have been eager ever since to expand the borders of our work, to question women filmmakers around the world. That is what this film has achieved, from Asia to Africa and Europe… All the women we met were funny, sincere, committed, concerned, and all looking for the best possible way to exist in an environment always governed by men. All FilmmakErs and living witnesses of the dysfunctions that still exist in the film industry.