Huilende bruiden(2024)

Quid pro quo(nl)

The film is set on the streets of Groningen and highlights the intimate and invisible parts of Joram, his work and his studio: the street. Both the residents and visitors of the street are captured by Joram's raw, confrontational and intimate portraits. In the film, Joram and the many people he portrays talk about Joram, his work and life.

De Drie Gezusters: From Origin to Icon(nl)

Hart van de Halm(nl)

In Hart van De Halm, director Saskia Jeulink captures the farewell of the 112-year-old strawboard factory De Halm in Hoogkerk. Three former employees return to the place that shaped their lives—not only as individuals, but also as part of a close-knit community. While the past echoes through the halls one last time, a lasting memory is being built. A moving film about farewell, connection, and legacy.

Nomadenland(nl)

In recent years, the number of people living in a bus or camper has increased significantly. But for this growing group, there are fewer and fewer places where you can legally park. The Kardinge car park in Groningen, a popular refuge for people staying in their campers, is also under pressure. Does the Netherlands actually have room for nomads and what drives people to want to live off the beaten track? Filmmaker Tom Tieman temporarily goes into hiding at the Kardinge car park and meets the current residents. Read more

Theater te water(en)

Documentary about 35 years of this theater group.

Could Be Worse(nl)

'Could Be Worse' is a romantic, colorful, musical hybride film about the beauty of every day life in Groningen. Shots portrayed as paintings show the course of a very normal Friday. There is no drama to be found in this movie. Because thats not very 'Gronings' at all. Everything just goes as it goes. And all that everything is beautiful, calming and just fine as it is. Like a true Groninger would say: 'Could be worse’.

Schoem(nl)

Set between the sublime tranquility of the Wadden Sea and the restless pace of Groningen city life, Schoem follows the story of Hades, a young skipper whose family is slowly falling apart. As the world changes faster than he can keep up, Hades is confronted with the emotional weight of change, loss, and unexpected connection. Inspired by Ingeborg Nienhuis's novella "Schoem or De vaarende Zoltkamper," this short film combines poetic realism with emotional depth. Directors Kashani and Komelizadeh draw on their own intercultural experiences, creating a work that is simultaneously simple and aesthetically daring.

Koud Water(nl)

The friendship between two hooligans is showing cracks as one still thrives on the violent world, while the other tries to escape its empty existence. Raoul thrives on the chaos of the hooligan life, while Anouar searches for a way out of the violence and emptiness. This debut film shows how their friendship is tested when Anouar distances himself, afraid to face his true feelings. Raoul refuses to let go. For him, riled up and high on drugs, instilling fear is the way to command respect. His buddy Anouar, however, is increasingly fed up with the world rife with violence and toxic masculinity.

Velvet Underground's First Public Appearance(en)

Velvet Underground's first public appearance.

In Between(en)

Footage from 1964-1968 that did not find its way into the Walden reels is joined in this classic period piece. Mostly centered in New York, it also includes travel footage and appearances by David Wise, Salvador Dali, Allen Ginsberg, Jack Smith, Shirley Clarke, Jane Holzer and more. Mel Lyman plays his banjo on the roof.

Notes for Jerome(en)

During the summer of 1966 Jonas Mekas spent two months in Cassis, as a guest of Jerome Hill. Mekas visited him briefly again in 1967, with P. Adams Sitney. The footage of this film comes from those two visits. Later, after Jerome died, Mekas visited his Cassis home in 1974. Footage of that visit constitutes the epilogue of the film. Other people appear in the film, all friends of Jerome.

Paradise Not Yet Lost(en)

The film is arranged in six chronologically-ordered parts, each filmed in a different location during Oona's third year.

Off We Go!(de)

Documentary short on the Octoberfest in Munich.

Scenes from Allen's Last Three Days on Earth as a Spirit(en)

This is a video record of the Buddhist Wake ceremony at Allen Ginsberg's apartment. You see Allen, now asleep forever, in his bed; some of his close friends; and the wrapping up and removal of Allen's body from the apartment. You hear Jonas' description of his last conversation with Allen, three days earlier. You see the final farewell at the Buddhist temple, 118 West 22nd Street, New York City, and some of his close friends: Patti Smith, Gregory Corso, LeRoy Jones-Baraka, Hiro Yamagata, Anne Waldman, and many others.

To Barbara Rubin with Love(en)

This is a mini-portrait of one of the legendary figures of the 60s who should be credited for the discovery of the Velvet Underground, for saving Bob Dylan's mind after the motorcycle crash, for her pioneering sound/image installations, for keeping the New York Sixties' art community together, for one of the key works of erotic cinema Christmas on Earth, and etc. and etc.

Report from Millbrook(en)

Jonas Mekas documents Timothy Leary’s Millbrook estate in the wake of a police raid, juxtaposing serene images of the property with audio of officials justifying their actions. Blending diary footage with subversive reportage, the film exposes the gap between perception and authority, offering an oblique portrait of the counterculture and its suppression.

Williamsburg, Brooklyn(en)

Filmed in 1950 soon after Jonas Mekas arrived in New York, this short documents everyday life in Williamsburg, Brooklyn. It was the first film he shot with his 16 mm Bolex camera, but he did not edit and present the footage until 2003, making it both his earliest and one of his final works on film.

Håndværkerskolen: Brolægger(da)

Travel Songs(en)

Compiled from two decades of travels through Europe, Jonas Mekas’s Travel Songs gathers five diaristic segments filmed in Avila, Stockholm, Moscow, and Assisi. Shot with his characteristic spontaneity and playfulness, the film turns casual sightseeing into a lyrical meditation on place, memory, and movement.

Quartet Number One(en)

Quartet Number One (1991) 8 min.