A Short Film About Endings(2025)

Two Travellers to a River(ar)

When asked a question on politics, late Palestinian poet Mahmoud Darwish once answered: “I write about love to expose the conditions that don’t allow me to write about love.” In TWO TRAVELERS TO A RIVER Palestinian actress Manal Khader recites such a poem by Mahmoud Darwish: a concise reflection on how things could have been.

De Novo, Perdição(pt)

(NULL)(xx)

An unknown girl breaks out of her daily grind by undergoing an intense audio-visual trip.

Cain Rose Up(en)

Pigpen has a snore. Bailey has a lot of nerve. And Curt Garrish has a gun.

Between You and You All(fr)

A chronicle of the lives of a couple and the gradual dissolution of their relationship.

Seven Images of Disappearance(en)

Seven images, each staging their own disappearance.

De Lune(en)

Two women find companionship in emptiness.

Preface to a History(en)

A couple, Vlad and Sophy, navigate their relationship as well as their own struggles with mental health in the context of a highly connected, politically uncertain modern world while on a trip to a remote Canadian island in this avant-garde feature film. PREFACE TO A HISTORY, created with a tiny crew of four people, represents an experiment in using minimalist tools to create an overwhelming aesthetic experience in service of a simple, but specifically contemporary, story about two people attempting to navigate a fraying relationship amid all the anxieties and external pressures of modern adulthood in a technologically-interconnected and politically unstable era.

Lost In Harmony(en)

Jessica, a young carer, and her mum, who is deeply paranoid and who sees and hears unexplained things have a strong and loving relationship. But the misfit relationship they have brings many challenges they struggle to overcome. The mum's deterioration in her mental health causes her to be sectioned, leaving Jessica lost in her life.

Cala Mata(ca)

A woman goes to a cold and inhospitable abandoned cove to try to summon the spirit of her only son, who passed away during the war.

El Editor Versión Final(es)

Marcos, an independent film and video editor, works editing late into the night. On a typical night at work, he has a seizure that causes him to lose consciousness. Upon waking up, he discovers that his way of perceiving life has changed in such a way that he now lives everything and sees it in the same way as a cinematographic montage.

Deserted by the Masses(en)

Social media corrupts the mind of a young University student--but can he escape the psychological torment of alienation?

We Didn't Start The C-Trash(en)

An experimental and short compilation of rhythmic documents about the devolving state of entertainment and reactionaries in it's entirety. From the parodic controls between the obscure artifacts of media-consumed culture, to the real world consequences of how film discussion shapes the political and mental state in a society.

Cesta Dimensão(pt)

Shapeless Tracking(es)

Inside a computer a space-time is revealed in which image and sound become numbers and motion manifests as rhythm, flow and chaos. This tracking and integration experiment removes the superficial identity of video to detect kinetic disturbances in everyday environment.

Le crash(en)

Litraso(tl)

An artist holds a pen on paper and slowly starts drawing the line. The line gradually increases its pace, leading to curves, reversions, curveballs, and inconsistencies. As the artist nearly finishes, the artist lifts the pen to show the entire drawing. The artist slowly returns to drawing and continues the following chapters of life.

Remember me as Time(en)

An experimental short film about a woman who feels stuck in time after experiencing some form of trauma.

Seven(en)

A dreamy lo-fi pseudo-intellectual experimental short contemplating the role of the number 7 historically as a symbol across cultures filtered through the lens of 8th graders

Tierra(xx)

"Regina José Galindo’s Tierra (2013) explores connections between the exploitation of labor, resources, and human life in Guatemala. Presented at a larger-than-life scale, Galindo stands naked on a parcel of land that is excavated by an encroaching bulldozer. Conjuring imagery of machine-dug mass graves, the work draws attention to the massacre of hundreds of thousands of Indigenous people, mostly Maya Ixil, during the Guatemalan Civil War (1960–96). As the excavator digs around her, the artist stands fixed and unrelenting." - MoMA PS1