Tierra(2024)

Persistencia(es)

In Antarctica, an artist prepares his installation simultaneously with a group of scientists conducting research. An essay on the persistence and loneliness of the creative act; like the flight of a butterfly in chaos theory or a silent prayer. A sensory experience. A visual poem made of ice, snow and wind.

Being in a Place: A Portrait of Margaret Tait(en)

Drawing on a wealth of unseen archival material and unpublished notebooks, the film weaves a complex and personal portrait of Margaret’s life, from the perspective of a fellow artist sensitive to the potential Margaret envisaged for film as a poetic medium.

Making the Nature Scene(en)

Long before Kim Gordon was a cooler-than-thou multimedia artist in Body/Head, she was a cooler-than-thou multimedia artist in Sonic Youth. In the ’80s, Gordon and her bandmates were fixtures of New York’s downtown art and music scene; one regular haunt of theirs was legendary nightclub Danceteria, which served as the setting for a short film Gordon made sometime around 1985. Now, as Dangerous Minds points out, said video has surfaced online thanks to filmmaker/designer Chris Habib (a.k.a. Visitor Design). “Excellent video I found in my Sonic Youth archive,” Habib writes on the clip’s Vimeo page. “I digitized it for Kim during her [early 2000s] CLUB IN THE SHADOWS exhibition at Kenny Schachter’s old space in the West Village.”

The Devil Came on Horseback(en)

While serving with the African Union, former Marine Capt. Brian Steidle documents the brutal ethnic cleansing occuring in Darfur. Determined that the Western public should know about the atrocities he is witnessing, Steidle contacts New York Times reporter Nicholas Kristof, who publishes some of Steidle's photographic evidence.

The Decline of the Century: Testament L.Z.(hr)

An epic documentary of rise and fall of Ustasha regime in Croatia.

Rwanda, vers l'apocalypse(fr)

In The Pines(id)

This work re-examines the relationship between the elements that make up the quality of space, namely: "subject" and "object", "organic" and "mechanical", "reality" and "representation", "wholeness" and "partiality", " determinacy” and “indeterminacy”, “visibility” and “invisibility”, “natural” and “non-natural”.

1,2,3... Barcelona!(xx)

Tourists eating and taking photos. Tourists strolling and taking photos. Tourists bathing on the beach and taking more photos. Barcelona has become an overexploited photocall to the point of paroxysm, and this is what this film shows by turning the camera and pointing towards the visitors. A small gesture that, added to a powerful sound contrast and a caustic sense of humour, exposes without subterfuge a grotesque normality.

Our Boat(xx)

A curious miniature boat sails along the rivers and waterways of Sheffield, observing the people, places, and sights of the Peak District.

Quatre altitudes bosniaques(fr)

Quatre altitudes bosniaques is an exercise in topographic cinema shot in Bosnia-Herzegovina. The document draws on the geography of the city of Sarajevo, from which the filmmakers construct a visual ethnography fragmented into four levels of elevation.

Routine(hu)

An experimental half-documentary half-fiction about a young person’s routine of getting to sleep and waking up.

Last Words(en)

Linguist-philologist Mark Janse discovers speakers of the Cappadocian language – previously assumed extinct, linguists worldwide are exhilarated at the discovery, but Janse realizes the rediscovered language is doomed to die anyway.

Euphoria(en)

Artist and filmmaker Julian Rosefeldt creates elaborately staged films that investigate the power of language and the conventions of cinema as an allegory for societal and individual behaviors. With the multi-channel film installation Euphoria he continues this examination by exploring capitalism, colonialism, and the influential effects of unlimited economic growth in society.

Lake(en)

Lake gazes down at a still body of water from a birds-eye view, while a group of artists peacefully float in and out of the frame or work to stay at the surface. As they glide farther away and draw closer together, they reach out in collective queer and desirous exchanges — holding hands, drifting over and under their neighbors, making space, taking care of each other with a casual, gentle intimacy while they come together as individual parts of a whole. The video reflects on notions of togetherness and feminist theorist Silvia Federici’s call to “reconnect what capitalism has divided: our relation with nature, with others, and our bodies.”

The Noise of Time(es)

In the town of Xoco, the spirit of an old villager awakens in search of its lost home. Along its journey, the ghost discovers that the town still celebrates its most important festivities, but also learns that the construction of a new commercial complex called Mítikah will threaten the existence of both the traditions and the town itself.

Gaza, génération génocidée(ar)

Flotsam(en)

An urban essay film searching for meaning and philosophy: "When you enter an existential crisis, all filters fall. Reality is shaded in low contrast, low key, foggy. Every outside signal grinds down mind and teeth and gets caught in a feedback loop. Every thought is a downward spiral."

The Psychedelic Experience(en)

Experimental movie, where a man comes home and experiences LSD. His kaleidoscopic visions follow, with readings inspired by the Tibethan Book of the Dead.

Próxima Parada(pt)

Experimental documentary that poetically exposes the reality of public transport in the city of Curitiba.

Phantasia(xx)

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.