Dear Beautiful Beloved(2025)

Maidan(uk)

A chronicle of the civil uprising against the regime of Ukrainian president Viktor Yanukovych that took place in Kyiv in the winter of 2013/14. The film follows the progress of the revolution: from peaceful rallies, half a million strong in the Maidan square, to the bloody street battles between protesters and riot police.

Evacuation(uk)

In 2014, the war begins. Immediately, a system of evacuation of the wounded and killed is being built, the outpost of which is the Dnieper - it is here that the first will be delivered, it is here that they are still received. Tatiana Guba has been coordinating the evacuation for 5 years. She is called "Mom Tanya". Thousands of people are grateful to her for her life. Serhiy Kryvorotchenko, director of the Dnipro Airport, has deployed a helicopter evacuation system since the beginning of the war. Eugene Titarenko, the film's director, in 2014-2015 was part of a volunteer medical battalion, communicates with the heroes of the film about the evacuation system. The viewer will see the whole way of saving lives, will be directly in the vortex of events and will understand how many people are involved in the process of saving one person.

In Ukraine(pl)

Bombed-out streets, destroyed Russian tanks, evening meals in an Underground repurposed into a shelter. Image by image, the directors push beyond easily reproducible images of war to enter the reality the country has experienced since February 24, 2022.

Our War(fr)

Between February and April 2025, filmmakers Bernard-Henri Lévy and Marc Roussel filmed the Pokrovsk and Soumy fronts in eastern Ukraine, following the fighters of the Anne de Kyiv Brigade, armed by France. They filmed the daily lives of the inhabitants, bombarded by Russian forces terrorizing civilians on the eve of possible negotiations. They interview President Zelenskyy, who is reluctant to travel to Washington, and then watch the rebroadcast of the meeting with Ukrainian soldiers in a bunker. For the real heroes are the anonymous fighters and civilians who hold their heads high in the face of adversity and suffering, and who are filmed on a daily basis. The final part of Lévy’s “Ukrainian Quartet”, Our War is a diary, peppered with flashbacks in which the author recalls the high points of this war that began in 2014.

Eastern Front(uk)

On February 24, 2022, Yevhen, together with his friends, volunteered to join the first aid squad on the front line. They provided life-saving support and evacuation of the wounded. This film reveals the experiences of these young men for six months full of drama, despair, fear, hatred, bitterness, love, and, most importantly, faith in victory.

Slava Ukraini(fr)

One year after the beginning of the full-scale Russian invasion of Ukraine, philosopher Bernard-Henri Lévy takes us to the heart of the combat through this war diary made during the second half of 2022. From Kharkiv and Bakhmut to Kherson, in the aftermath of the city’s liberation, this documentary bears witness to the ravages of war through the testimonies of soldiers, chronicles of the front and portraits of civilians, and shares with us the struggle of the Ukrainian people.

We Will Not Fade Away(uk)

For five teenagers living in the conflict-ridden Donbas region of Ukraine, a Himalayan expedition provides a brief escape from reality. A portrait of a generation that, in spite of everything, is able to recognise and celebrate the fragile beauty of life.

Children beyond the war(en)

King Lear: How We Looked for Love During the War(uk)

Due to the full-scale Russian invasion of Ukraine, tens of thousands of Ukrainians, fleeing the war, found refuge in Uzhhorod in western Ukraine. The local director decides to attract non-professional actors -displaced people - in bringing his dream into life - to stage the King Lear play. The theatrical performance helps them find themselves and their purpose in a new world where there is war, and the director finds an answer to the eternal question of what love is and why this world should not perish.

Love+War(en)

Pulitzer Prize-winning conflict photojournalist Lynsey Addario reflects on a career working in some of the world's most dangerous war zones, including the Russian invasion of Ukraine.

Russians at War(en)

Anastasia Trofimova, a Russian-Canadian filmmaker, gains unprecedented access to follow a Russian Army battalion in Ukraine. Without any official clearance or permits, she earns the trust of foot soldiers and embeds herself over the span of a year with one battalion as it makes its way across Eastern Ukraine. What she discovers is far from the propaganda and labels pushed by the East or West: an army in disarray, soldiers disillusioned and often struggling to understand what they are fighting for.

Superpower(en)

Sean Penn and Aaron Kaufman’s documentary, shot just before and after Russian invasion of Ukraine on 24th February 2022, and featuring several interviews with Ukraine President Volodymyr Zelensky.

Change My Mind(cs)

The story of three Czechs who doubted the reality of the war in Ukraine. Together with the film crew, they went from Prague to Kharkiv, and then to the Donbas. The Czechs were under fire, saw the wounded, mass graves and underground schools.

Ukrainian Independence(uk)

The film’s events take place on a single day: August 24, 2022, the day Ukraine celebrates the 31st anniversary of the renewal of independent statehood. The film combines places and people that best capture the country’s wartime spirit. The locations are: the relatively safe cities of Kyiv and Lviv; the cities under daily missile fire of Kharkiv and Mykolaiv; a trench at the frontlines near Donetsk; and the beaches of Odesa. The film presents a day in the life of a beach police patrol, a woman anti-tank missile operator, a water delivery driver, a mortar unit soldier, a rapid assault unit soldier, a 14-year-old pub janitor, an artist and a former member of parliament. Together, these people and places create an engaging mosaic of a day in the life of Ukraine.

Breaking Point: The War for Democracy in Ukraine(en)

The film looks at people transformed by a democratic revolution, who give up their normal lives to fight a Russian invasion, in a war which has killed 10,000 and displaced 1.9 million Ukrainians.

War Note(uk)

Personal videos from the phones, camcorders, cameras and GoPros of Ukrainian soldiers are woven into a surreal journey to the frontline of the war with Russia. The film shows a bizarre world whose laws are quite different from what we are used to. The behaviour is different, the relationships unfold differently and the humour takes on different notes. The heroes wake up and fall asleep, rejoice and cry, always feeling that the recording may end at any moment.

In the Rearview(pl)

A Polish vehicle traverses the roads of Ukraine. On board, people are evacuated following the Russian invasion. This van becomes a fragile and transitory refuge, a zone of confidences and confessions of exiles who have only one objective, to escape the war.

Two Men at War(en)

As the war between Russia and Ukraine rages, this George Stephanopoulos documentary pulls back the curtain on the rise of the two men at the center of the conflict – Russian President Vladimir Putin and Ukrainian President Volodymyr Zelenskyy.

A Good Year(uk)

A year ago, on 29 December 2019, prisoners were exchanged with the self-proclaimed ‘LPR’ and ‘DPR’. Among the Ukrainians who returned home were journalist Stanislav Aseyev, tanker Bohdan Pantiushenko, and human rights activist Andriy Yarovoi. Four months earlier, on 7 September, Crimeans Oleg Sentsov and Oleksandr Kolchenko were released from Russian colonies. We spoke to the former prisoners about their first year of freedom.

Fugue(en)

A man hikes through late-winter woods. Russia invades Ukraine. It’s difficult to reconcile the scales of action described by those sentences, but this difficulty is what John Gianvito dwells on in his new video. It may simply be that this is a diary, movingly plain and provisional in construction, which recounts what its author did for a few months last year: he watched a war on the internet and went outside. Even if that’s true, such a description makes Gianvito’s images seem less strange than they are