
Giovanni, Francesco and Salvatore have passed the age of 80 and are proud to still consider themselves communist or socialist comrades. All three left their impoverished villages in southern Italy during the post-war years and, once settled in Montreal, maintained close links with parties of the Italian left, while militating in progressive Canadian unions and parties.

Giovanni, Francesco and Salvatore have passed the age of 80 and are proud to still consider themselves communist or socialist comrades. All three left their impoverished villages in southern Italy during the post-war years and, once settled in Montreal, maintained close links with parties of the Italian left, while militating in progressive Canadian unions and parties.
2019-06-06
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10.0BREAKING POINT brings viewers back to those tense, critical moments when Canada's future as a country was at stake.
This feature documentary studies the different faces of Montreal’s Greek community in 1969. Instead of giving voice to the businessmen and well-integrated few, the film highlights the cultural and economic problems encountered by new immigrants and their families.
0.0Fleeing their war-torn homeland, forty thousand Algerians come to Montreal, Quebec in the 1990’s. Many are refused refugee status and are not allowed to study or work normally. Years go by, children are born and Canada becomes home. Then comes 911. Deportations begin.
0.0This documentary focuses on immigrant teens between the ages of 12 and 17 who share the story of their migration and their adaption to life in Canada through theatre. Young but wise, these children describe their experiences with emotion and authenticity.
A portrait of three generations of wonderfully eccentric Italian American women living in a small town near Boulder.
0.0Qallunajatut (Urban Inuk) follows the lives of three Inuit in Montreal over the course of one hot and humid summer.Only two generations ago Inuit lived in small, nomadic hunting camps scattered across the vast Arctic landscape. Since the 1950s, this traditional lifestyle has undergone an astonishing transition from Stone Age to Information Age, as Inuit first relocated (often by force) to government-run settlements, and, more recently, beyond the settlement into southern cities.
0.0Gilles Groulx's first film shot in 1955 with a camera borrowed from his brother and edited during his spare time when he worked as an editor at the Radio-Canada news service a few years before he joined the NFB. Silent film, presented as its author left it, where the soil and the dialectic of Groulx's work are already there: documentary realism, the social space to be explored, daily life, the relationship between individual and society, social disparities, the consumer society, seduction and happiness.
10.0Born to an Algerian father and a Sicilian mother in Tunisia, I have always been wealthy of three cultures. This motherland is where were born my Algerian ancestors when it was called Ifriqya but also my Sicilian grand-parents whose parents were part of the important migration flux of the beginning of the last century. A reservoir of workforce by the thousands reached the shores of this "promised land". A hundred years later, I embark on a quest to rediscover my Sicilian family, exiled for the past sixty years, scattered between Italy and France.
0.0Alanis Obomsawin turns her lens to Le Patro Le Prévost, a recreational centre in the Villeray quarter of Montreal. On the eve of its 80th anniversary in 1989, Le Patro is a vital focal point in the predominantly working-class neighbourhood. Beloved by the many generations who use the facilities and partake in activities daily, Le Patro encourages a strong sense of togetherness through principles of cooperation, respect and sharing. Obomsawin presents a tender portrait of a neighbourhood of diverse residents and the community centre many of them consider a second home.
Roach and Starbuck, two hardcore punks from Montreal, try to form their own political party, but run out of time due to Canada's electoral process. Instead, they decide to campaign for political office as independent candidates in a rich Montreal district called Outremont.
8.0The film explores key moments in the history of the Expos as well as the relentless efforts to bring major league baseball to Montreal. Continuation of the work released in 2003.
1.0Show Girls celebrates Montreal's swinging Black jazz scene from the 1920s to the 1960s, when the city was wide open. Three women who danced in the legendary Black clubs of the day - Rockhead's Paradise, The Terminal, Café St. Michel - share their unforgettable memories of life at the centre of one of the world's hottest jazz spots. From the Roaring Twenties, through the Second World War and on into the golden era of clubs in the fifties and sixities, Show Girls chronicles the lives of Bernice, Tina and Olga - mixing their memories with rarely seen footage of the era.
0.0On March 15, 2020, Montreal sees appearing on a wall, written in black letters on white paper "Stop feminicides". It is at this moment that the Collages Feminicides Montreal collective sees the light for the first time. Now the streets of the city are carpeted with their words. Today, after the 17th feminicide, they will continue to fight and stick, until this violence stops.
0.0Investigating slavery in Canada through the story of Marie-Josèphe Angélique, a Black slave accused of burning Montreal in 1734. After an epic trial, this untameable slave is tortured and sentenced to death. But was she really guilty of this crime or was she the victim of a bigger conspiracy? Why this voluntary amnesia about this unknown page of Canadian history?
0.0In 1920 a group of young Montreal women artists formed the nucleus of what would later become known as the Beaver Hall Hill Group. Members recount how they created an artistic environment of mutual support that lasted for more than three decades.