2023-01-01
0
While her relationship with her mother worsens, a grieving young adult wants to see her father, one last time...
Looks at the emergence of lesbian feature filmmakers in the U.S. and how they produce films on a small budget. Interviews with directors Rose Troche (Go Fish); Sharon Pollack (Everything Relative); and Alex Sichel (All Over Me) as well as producer Dolly Hall, executive producer Christine Vachon and writers Sylvia Sichel and Guinevere Turner.
We all know Jack Nicholson the actor. But few know the history of Jack Nicholson the screenwriter, and especially Jack Nicholson the director. Nicholson's lifelong friend, filmmaker Henry Jaglom, reflects on the icon's behind-the-camera career, while film historian/filmmaker Daniel Kremer presents and analyzes the full scope of that history.
Onboard the Panerai container ship, the young sailor Rudmer dreams of becoming a captain himself one day.
In 1968, filmmaker Jules Dassin collaborated with Ruby Dee and civil rights activist Julian Mayfield on Uptight, a "politically radical" film noir about Black revolution, framed against the April 4 assassination of Dr. Martin Luther King, Jr. Director, producer and co-writer Dassin, a blacklisted American exile, returns to his birth country after having gone into a second exile from his adopted country Greece, then makes a film that roiled the powers that be (or "powers that were") in the U.S. government. The material so upset the FBI that they closely monitored the production up until the eve of its premiere, recruiting crew members as moles. The irony is rich, as Uptight was a remake of John Ford's The Informer (1935) and dealt with a turncoat character who engineers the assassination of a revolutionary leader. How is Uptight both an outlier (or anomaly) as well as simultaneously integral to the career of Jules Dassin?
Otto Preminger wasn't only one of the most famous directors of classic Hollywood. He was a presence, a brand, and the only one who rivaled Hitchcock as the greatest showman and self-promoter of his generation. But toward the end of his career, his attempts to "get with the times" (with films like Skidoo, Tell Me That You Love Me Junie Moon, Such Good Friends, Hurry Sundown, and others) shocked, alienated, and outright repelled audiences. What happened to Otto and how can one best appreciate and enjoy those confounding later works?
Canadian-born filmmaker Sidney J. Furie made his name with British hits like The Young Ones (1961), The Leather Boys (1964), and The Ipcress File (1965). When he arrived in Hollywood, Marlon Brando and Frank Sinatra wreaked havoc on his first major studio productions. In 1968, the newly emigrated director joined a stable of cutting-edge filmmakers at Paramount Pictures, under the new leadership of Bob Evans. His films saw both a stylistic departure and a shift in thematic focus. What was behind the evolution, and which aspects unite all of Furie's films?
Having worked in a wide range of fields from children's TV animation scripts to 'pink' films, independent auteur Okishima Isao directs and stars in this documentary. Upon hearing that the walkway along the Tamagawa Aqueduct, one of his favorite spots, was going to be closed to make way for a new road, he gathered his crew to document the scenery. Okishima gives accounts of various painters, writers, and manga artists, as well as his personal take on Saigyo, the traveling poet and Buddhist priest of the late Heian Period.
Drawing from the recent book, Reagan: The Life by best-selling biographer H.W. Brands, this Ronald Reagan biography dives deep into the pivotal events that shaped his life. Dramatic recreations reveal the untold, behind-the-scenes moments that shaped the trajectory of his career. Interviews and rare archival material illustrate his life through the Great Depression, WWII, Hollywood’s Golden Age, The Cold War, an assassination attempt (not unlike Bill O’Reilly’s book and recent Nat Geo movie, Killing Reagan), and public and personal heartache.
The rise and fall of a militant black power group based in Memphis, TN in the late 1960’s, from its creation, to their final negotiations with Martin Luther King Jr. minutes before his assassination.
For Seven Easy Pieces Marina Abramovic reenacted five seminal performance works by her peers, dating from the 1960's and 70's, and two of her own, interpreting them as one would a musical score. The project confronted the fact that little documentation exists from this critical early period and one often has to rely upon testimony from witnesses or photographs that show only portions of any given performance. The seven works were performed for seven hours each, over the course of seven consecutive days, November 9 –15, 2005 at the Guggenheim Museum, in New York City. Seven Easy Pieces examines the possibilities of representing and preserving an art form that is, by nature, ephemeral.
Lana Del Rey represents the next generation of diverse performers. Her impeccable voice, great music, and youthful beauty has sold over 5 million albums worldwide. However Rey's success is no coincidence. This is the story of how a young girl from New York City turned her dream into reality.
The story of how a humble Basque rural sport called zesta punta —or jai alai— was successfully exported from the Basque Country to nations as different as Egypt, China, the Philippines, Cuba, Mexico or the United States. In these places, the pelotaris were considered true artists at the fronton. But the splendour of the jai alai, the happy feast, could not last forever.