Lady Parts(2024)

The American Southwest(en)

The American Southwest is a feature length blue chip natural history film narrated by indigenous environmentalist Quannah Chasinghorse. The movie journeys down the mighty Colorado River, examining the astonishing beauty and biodiversity of the region, while confronting the environmental destruction from dams and the perilous fate of the river. The story is told through never-before-seen wildlife sequences such as beavers building wetlands, condors recovering from the brink, and the potential return of Jaguars to American soil. The film beautifully advocates for better management of the river and increased wildlife conservation efforts in the iconic landscapes of The American Southwest.

The Peasants(az)

A historical revolutionary film depicting the struggle of peasants and the Baku proletariat against landowners and Musavatists in 1919.

Dharmaveer 2(mr)

Explores Anand Dighe's life, tracing his political journey and capturing the essence of his impactful legacy as a prominent figure.

Skin of a Mandarin(et)

The film delicately follows 25-year-old Anna, whose mother has died suddenly. She wants to send her Orthodox mother on her last journey according to customs, but she runs into bureaucratic rules that do not allow Anna to dress her departed mother herself. This conflict brings her together with Maria, a 45-year-old funeral home worker, who in this story represents the hidden fears of death and grief on a deep emotional level.

Asli Naqli(hi)

Anand, the grandson of a rich businessman, walks out of his home to avoid an arranged marriage. But his grandfather goes to great lengths to bring the boy back, even if it means exploiting the sore spots of Anand's newfound lady love.

Venganza gaucha(es)

Dune(hu)

Sounds as witnesses. They blurr into memories, half-dreams, it is undecided if they are real or not. A fluctuation between imagination and reality.

Das Leben ist ein Bauernhof(de)

6 weeks before her 18th birthday Katharina inherits her mothers farm with all it's problems. At the funeral she meets her two uncles, which she never met before, but turn out to be very helpful.

Nevada(en)

In this stop-motion animated comedy, a young couple's romantic weekend getaway is interrupted by a birth control mishap.

Dragstrip Girl(en)

Among the backdrop of 1950s Los Angeles, Johnny, a working-class hoodlum caught up with a ring of car thieves, is floored when he meets Laura, a rich girl riding in a hot set of wheels. But nothing can prepare these teenage lovebirds for the head-on collision of cultures that results from their passion-fueled, high-octane relationship.

NO STEP(id)

A group of students are preparing works for an art exhibition, they belittle a myth that "Any inanimate object that resembles a living thing, is not just a dead-object"

48 Hours(tl)

A man has 48 hours to find the men who wronged him before a bullet lodged in his chest reaches his heart.

Karura Mau OVA(ja)

Shoko and Maiko Ougi are apparently two ordinary schoolgirls in pursuit of graduating and having fun. Shii-chan is the more serious while Mai-chan is more fun-loving. In reality, the two sisters are powerful exorcists from the Karura temple. Each wields half the power... Shii-chan can see the spirits, and Mai-chan can banish them. This is a spooky series with heavy emphasis on traditionally Japanese occult themes.

Circus Noël(nl)

A young girl runs away from her divorcing parents and joins a circus that she learns is being shut out of a famous festival by unknown evil forces.

Prelude 9(en)

...again, is "plein-aire abstraction" as defined above (painted in New York City) – with, for example, even a correctly toned green impression of The Statue of Liberty – and, then, impressions of Toronto with its architectural particularities appearing, midst hurrying people – shapes (almost as if photographed at times). This segment is Double-Printed (i. e., two frames for every painted one).

Equinox(en)

Estranged twins Henry and Freddy navigate their drastically different lives— one a troubled bookworm, the other a hardened criminal. As a young writer uncovers their royal lineage and inheritance, the brothers’ fate intertwines in unexpected ways.

James Brown with BB King - Live at the Beverly Theater(en)

The video contains amazing performances from both artists. The concert kicks off with a terrific set by B.B., which includes classics "The Thrill Is Gone" and "Let The Good Times Roll." Following B.B.'s set, James tears up the stage with some of his biggest hits. The Godfather showed he hadn't lost a step and delivered a powerhouse performance, which featured some of his dazzling footwork. He kept the audience on their feet with his raw funk and unrivaled charisma. Some of the tracks he performed in his set included "The Payback," "I Got the Feeling," "It's a Man's Man's Man's World," and "Get Up (I Feel Like Being a) Sex Machine." This is the legendary show where Michael Jackson and Prince were in the audience. James invites MJ on stage to sing and perform briefly.

The Nest(en)

A doctor must remove a parasite infestation from within a patient's breast.

Daemonrunner(en)

Ghostbusters meets The Matrix in this experimental short film from the makers of Wyrmwood: Road Of The Dead.

BOB(de)

A painter in a creative crisis gets help from a monster behind a door in her studio.

Veradens(en)

A Purple Vision(en)

Ellie Campbell is a shy outcast, trying to fit in at a party. Her jealousy gets the best of her and a special elixir changes everyone's perspective of her, for better and... for terror.

Reverb(en)

Helia Millville wants nothing more than to maintain an ordinary life after a sudden romantic break up. However, when a mysterious visitor disrupts Helia’s daily habits, the true horrors of her past become harder to repress.

Missing(en)

A man and his 92 year old grandmother kidnap, torture and kill women.

Spacca La Testa(it)

Antonia and Zeno struggle with their marriage during a surreal dinner - while a mysterious Aztec whistle seems to be influencing their actions.

Brother(ja)

After a woman's brother is killed in an accident, she hires the help of a psychic to prove that it was murder and to save her brother's soul.

The Room(ja)

Three friends sneak into an abandoned building only to find out they've bitten off more than they can chew.

Bones(en)

A killer makes preparations: Crushed teeth become the perfect primer for the costume and the blood from the human organs makes for an extra vibrant red on the lips.

LIMINAL(es)

The Tower(en)

A seemingly harmless party game leads to a horrifying spiral into madness, violence, and cosmic horror.

Good Business(en)

Humanity makes a deal with a new client. Based on the comic "Good Business" by Simon Roy

Run!(en)

Sometimes you're caught in the moment. Sometime you're just caught!

Static(en)

A freelance investigative journalist makes an insidious discovery.

Night of the Living Dread(en)

When a power-cut ruins Ruby's bedtime routine she finds herself haunted by embarrassing past versions of herself. The only way for Ruby to get a peaceful night of sleep is to confront her visitors and accept herself just as she is.

Red Skies(en)

A man tries to pack away his belongings before a storm hits his urban home. As the eye of the storm descends upon him, the man discovers that something is among the cardboard boxes.

Giallo(mr)

A quirky ode to Italian Giallo cinema, a young woman returning from a party is stalked by a mysterious masked killer who’s much more than what he seems to be. Starring Saiyami Kher and BhaDiPa fame Renuka Daftardar.

Refused(el)

Frieda Liappa in this short film casts an alternative gaze on the notion of historicity. Loukia is a teenager currently staying at her cousin’s house in Athens. Unlike her cousin she is timid and quite stressed for the school exam. She studies history. Between the lines of her book the historical events sprung up in a multidimensional way. Liappa transverses the dimensions of the real the imaginary and the symbolic. She invites the viewer to consider the construction of the filmic as well as the historical text. She succeeds in making a film with an open end and to leave room for our own contingent constructions.