Once, after being interrogated at the border, I saw a long fence through the car window. It was tinkling in the wind, overgrown with ruderal plants. That charged image was a manifestation not only of oppression but of resistance and desire. ||||||||/__ | is a lengthy passage that captures the liminal conditions of the exiled body. In emigration and exile, determination is juxtaposed with vulnerability: one must constantly break down barriers, including those of one's own body. The film employs various visual and sound techniques and performative gestures that sensitize surfaces, boundaries, media, and spaces.
Once, after being interrogated at the border, I saw a long fence through the car window. It was tinkling in the wind, overgrown with ruderal plants. That charged image was a manifestation not only of oppression but of resistance and desire. ||||||||/__ | is a lengthy passage that captures the liminal conditions of the exiled body. In emigration and exile, determination is juxtaposed with vulnerability: one must constantly break down barriers, including those of one's own body. The film employs various visual and sound techniques and performative gestures that sensitize surfaces, boundaries, media, and spaces.
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Diary Film, Experimental Film
How and why what we eat is the cause of the chronic diseases that are killing us, and changing what we eat can save our lives one bite at a time.
During the conflict in the former Yugoslavia many soldiers were convinced to kill fellow citizens including friends and relatives in the name of patriotism. The Kolaborator follows the story of Goran, 24, a promising young soccer player who is forced to become a soldier. Goran goes from being a talented athlete to an executioner virtually overnight. Following orders, Goran lines up civilians, shoots them and drags them into mass graves. Justifying his role as a protector of his people, Goran becomes increasingly detached from the task until his soccer coach and life-long friend, Asim, is led in front of him. As a familiar face stands defeated before him, Goran must reconsider his actions and choose between his own life and that of his dear friend.
Huo Yuan Jia became the most famous martial arts fighter in all of China at the turn of the 20th Century. Huo faced personal tragedy but ultimately fought his way out of darkness, defining the true spirit of martial arts and also inspiring his nation. The son of a great fighter who didn't wish for his child to follow in his footsteps, Huo resolves to teach himself how to fight - and win.
What would you do if your husband turned your house into a jungle? This is a short film focusing around mental entrapment in an emotionally abusive relationship, using plants as a metaphor.
On the border, the line as principle of property and belonging reaches an extreme dimension where it physically defines the sphere of its relations. Those who transgress it reconstruct these imaginary lines on a daily basis, redefining the traditional geography and occupying the non-spaces where others live in a temporary form of existence. These others, the non-citizens, are phantasmtic, exchangeable parts of a flexible market. Made invisible, they are permanently controlled persons. Under the pretext of a greater civilian security, they are kept clear from the public spaces reserved for the citizens with rights and pushed into non-public spaces, which are run by state and military surveillance, multinational operations servicing a European market and non-governmental organisations.
Set during the early part of his reign, Ivan faces betrayal from the aristocracy and even his closest friends as he seeks to unite the Russian people. Sergei Eisenstein's final film, this is the first part of a three-part biopic of Tsar Ivan IV of Russia, which was never completed due to the producer's dissatisfaction with Eisenstein's attempts to use forbidden experimental filming techniques and excessive cost overruns. The second part was completed but not released for a decade after Eisenstein's death and a change of heart in the USSR government toward his work; the third part was only in its earliest stage of filming when shooting was stopped altogether.
In a time of war and disease, a young officer gallantly tries to help a young woman find her husband.
A joint fight of Macedonian and Greek people against the fascist monarchical government of Greece ended with their defeat in 1949, after many years of bloodshed. Many members of the democratic party DAG, as well as the innocent inhabitants experienced the destiny of political exile.
This is the story of Pablo, a young uruguayan exiled in México, whose father was disappeared during the military dictatorship.
A feature-length documentary forming a diptych at each end of France. Two guided visits through the eyes of the people who inhabit each place. In Marseille, a deteriorated housing project is surrounded by walls cutting it off from the neighbouring private properties. In Calais, the fences and and the barbwire aim to push back the refugees hoping to reach the UK and build a better life there. "Écoute les murs tomber" (Listen to the Walls Fall) shows how human beings, moved by the desire to come and go, to live and to set themselves free from restrictions and dead ends, bypass what imprison them, prevent them and restrain them. When coming face-to-face with walls, "Écoute les murs tomber" offers pathways of hope.
Dr. Peter Blood, unjustly convicted of treason and exiled from England, becomes a notorious pirate.
A sorcerer (played by the director himself) controls all activities in a village. Manipulating the different parties, the sorcerer promises love, good health and riches in exchange for the most extravagant rewards. One day someone exposes him, and the sorcerer becomes the laughing stock of the whole village. Desperate, he throws himself of a cliff.
Bad Boy of Bonsai is an experimental art-house documentary that focuses on Guy Guidry, a Louisiana local, and his passion for bonsai.
A haunted Vietnam veteran, living in exile in the forests of the Pacific Northwest, is faced with a life-changing decision after he is visited by a former platoon member and his young Amerasian daughter.
In medieval Japan, a woman and her children journey to find the family's patriarch, who was exiled years earlier.
Unit 2 of the StB receive information from their Polish counterparts on a suspicious Indonesian diplomat. He is to be stationed in the Indonesian Embassy in Warsaw but flew early and is headed towards Prague instead. He was seen to be carrying a nondescript box. Agent Tomáš of the StB is assigned to stalk him and find out why he decided to go to Prague.
No hay olvido, composed of three parts, each directed by a young Chilean filmmaker forced to flee his country, is about the difficult condition of exiles in a specific political and social context, in this case, Quebec. The first part, entitled J'explique certaines choses, is in Spanish with French subtitles, and shows us more precisely the lifestyle of a group of Chileans. In Slowly, which forms the second part, we are asked, through Lucia, a young Chilean exile, the problem of integration into a new social environment. Finally, Jours de fer (Steel Blues), the third and only part available in English, is a cruel reminder of the harsh condition of the uprooted man who must find work at all costs to ensure his survival.
In 1375, China was in chaos between Yuan Dynasty and Ming Dynasty. Coryo (an ancient kingdom of Korea then) sent a delegation of many diplomats, soldiers and a silent slave to make peace with the new Chinese government. However, this delegation got charged as spies and sent in exile to a remote desert.
The tragedy of the Syrian people: War, conflict, loss, migration, exile, asylum, detention, drowning… A deserted place. Abandoned people. Abandoned country. The doors slammed shot; the doors are now locked - the keys thrown away...for what seems forever.