A Primavera Há de Chegar(2022)

The Mark Of The Day(fr)

In a settlement in the northern mining country. The Marles, Bréhard and Gohelle families wake up and prepare for a new day at work. The young engineer Larzac, newly appointed to the mine, will soon oppose the authoritarian and conservative methods of his superior Dubard. Georges Gohelle would like to marry Marie Bréhard, but housing difficulties thwart their plans. Brezza, a Polish immigrant, who must return to his country, would like to hate his marriage to Louise Gohelle. Roger, Marie's little brother, has just turned 14. He does not want to go down to the mine as his elders have always done. He will however have to resign himself to it. Marles evokes for him the social struggles of 1906. Roger is injured during a landslide. In front of his family and his friend Marles, who had come to the hospital, he announced his decision to continue his profession. Larzac, invited to the Marles, reveals that he refused a quiet position at the Charbonnages de Paris. He too stays.

Fulano de Tal(pt)

1900(it)

The epic tale of a class struggle in twentieth century Italy, as seen through the eyes of two childhood friends on opposing sides.

Noua(ar)

Directed by Abdelaziz Tolbi.

KM 100(pt)

Young African-Brazilian Miguel drives across the country in search of a long-lost relative to find out about his ancestry. However, a deeper understanding emerges through his encounters along the way.

Sociedade do Caos(pt)

Donna: Women in Revolt(nl)

The story of those Italian women who, for eighty years, have fought against power in all its forms.

Elza(pt)

Movimento Hip-Hop: Londrina, 2024(pt)

A Odisseia de Joe Anne Glitter(pt)

mondano(it)

The Lower Depths(ja)

Residents of a rundown boardinghouse in 19th-century Japan, including a mysterious old man and an aging actor, get drawn into a love triangle that turns violent. When amoral thief Sutekichi breaks off his affair with landlady Osugi to romance her younger sister, Okayo, Osugi extracts her revenge by revealing her infidelity to her jealous husband.

Europe '51(it)

A wealthy, self-absorbed Rome socialite is racked by guilt over the death of her young son. As a way of dealing with her grief and finding meaning in her life, she decides to devote her time and money to the city’s poor and sick. Her newfound, single-minded activism leads to conflicts with her husband and questions about her sanity.

Twentieth Century(en)

In this remake the Bertolucci's 1900, Olmo Dalco and Alfredo Berlingheiri's complicated friendship and struggles with the constantly changing political scope are chronicled as well as the rise of fascism and the communist revolution.

Soluços em Português(pt)

Brenda Lee and the Palace of Princesses(pt)

A musical that brings a bit of the history of Brenda Lee, called the "guardian angel of transvestites", activist who founded the first support house for people with HIV/AIDS in Brazil. She has a pension for transvestites who, for the most part, live off prostitution. Despite the reality of violence in which they live, inside the house, the transvestites are welcomed by Brenda, who teaches them to want more out of life.

The Crow of Death(pt)

"The Crow of Death" is a short film inspired by Edgar Allan Poe's "The Raven". The film show us a man disturbed by her lover's death and in the midst of his depression and alcoholic issues his mind begins to be no longer sane.

Le Grand Détour(ar)

The young Amar, father of two children, lives on expedients and looks in vain for a job in Algiers. He decides to emigrate to France, and finds a job there, but quickly loses it after a roundup and custody for several days. Led by two shady Europeans he met in a café, he embarks with other unemployed people for well-paid work on the plantations of Madagascar. The boat that takes them finally docks in Algiers! This film had disappeared for almost fifty years. Ahmed Bedjaoui mourned it until the Berlin Cinematheque found the only copy of this work in its archives, restored it, subtitled it and screened it at the opening of its festival in 2015. The film was thrilled the large audience present, made up of professionals and knowledgeable film buffs. Due to the modesty of its self-produced means, but also by aesthetic choice, the film oscillates between neo-realist cinema and cinema vérité.

Lunch Break(pt)

1979. Four female workers have lunch break inside the ladies' room, at a metallurgical factory. Between laughs and scuffles, each one has a secret of their own.

The Knot(hi)

Shirish and Geeta run a rickshaw driver over and have dramatically opposing reactions to the tragedy. Shirish moves on, hiding behind the invisible protections afforded to him by class structure, and the visible walls and locked gates of his home. In parallel, Geeta’s guilt drives her to surreptitiously employ Manoj, the victim’s younger brother, intertwining two lives otherwise separated by class and power. The small collision quickly turns into a dramatic suspense, spurred by greed, betrayal, guilt, as the nocuous effects of grave inequality threaten to unwind the very fabric of each of their lives.