Documentary film from a National Socialist perspective on the political development of Germany from the First World War to the annexation of Austria by the German Wehrmacht. The film is presumably one of a series of films intended to convince voters of the achievements of the NSDAP and Adolf Hitler in particular in the run-up to the referendum and Reichstag elections on April 10, 1938
Self
Self
Self
Documentary film from a National Socialist perspective on the political development of Germany from the First World War to the annexation of Austria by the German Wehrmacht. The film is presumably one of a series of films intended to convince voters of the achievements of the NSDAP and Adolf Hitler in particular in the run-up to the referendum and Reichstag elections on April 10, 1938
1939-01-01
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A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
Images complement what is always lacking in words. The poems complement what is always present in the city. Freely inspired by the poetry Cidade City Cité, by Augusto de Campos.
Four unrelated moments following a young cat wandering the living room of her house.
This black-and-white archival film outlines the importance of Canada's forests in the national war effort during the Second World War.
Nazi propaganda film about the Condor Legion, a unit of German "volunteers" who fought in the Spanish Civil War on the side of eventual dictator Francisco Franco against the elected government of Spain.
Documentary about filmmaker Jean Grémillon.
“Aguas Negras” is an experimental documentary about the Cuautitlán River. The film examines the passage of time and the pollution of the river by focusing on conversations with multiple generations of women in the filmmaker's family that have grown up by the river in a municipality identified as having the highest perception of insecurity in the State of Mexico.
A man ventures out into the streets of a pandemic-ridden London.
Rhythmic composition of moving photographs of cyclists in Amsterdam, ‘set’ to Vivaldi’s The Four Seasons.
Bajo el signo libertario is a propaganda documentary, with the script and direction of Les (known for his articles in Solidaridad Obrera and the magazine Espectáculo) whose central theme is the reconstruction of the development of life in a libertarian community in the Aragonese town of Pina de Ebro.
A meditation on the human quest to transcend physicality, constructed from decaying archival footage and set to an original symphonic score.
Compilation of images of the amateur recordings of Madronita Andreu, Catalan intellectual of the nineteenth century, daughter of Dr. Andreu, famous for its pills and cough syrup.
A young girl’s fiery dance, accidentally caught on 16 mm film in the street. The viewer is confronted by the sacrificial and the passionate, the strong and the fragile, the fleeting and the eternal. These are the faces of femininity.
The documentary tells the story of Uschi, a farmer living free and recluded in the bavarian alps. Shot in epic black and white pictures, Still follows Uschi's life over a ten year period. From an untroubled summer of making cheese through pregnancy and the uncertain future of the parental farm, Matti Bauer portrays Uschi's struggle to keep alive the dream of a way of life that has become rather untypical in this day and age.
An expedition through the mountains of Nepal, during which 9 peaks are climbed.
The film documents the ascent of Monga ma loba, the mountain of the gods in the Cameroon Mountains, and a visit to the town of Buea. The material was shot on an expedition to Cameroon in 1934.
Filmmakers Alan and Susan Raymond spent three months in 1976 riding along with patrol officers in the 44th Precinct of the South Bronx, which had the highest crime rate in New York City at that time.