

This documentary follows three parallel stories. First, that of the masterpiece, The Little Girl with the Blue Ribbon, this melancholic Renoir work with the "musical face" described by Henri Michaux. The painting was constantly tossed around, shelved by its patrons, looted by the Nazis, found by the Monument Men, recovered by the family, sold to a controversial collector, before finally arriving at the Kunsthaus Zurich. We also discover the painter's biography, and the eventful life of his model, Irene Cahen d'Anvers. Born into the Jewish upper middle class, this free and divorced woman long disowned the painting and left it to her daughter, who was murdered at Auschwitz. Discover the tumultuous journey of this painting, its model, Irene Cahen d'Anvers, and its connection to the dark hours of the Nazi regime.


This documentary follows three parallel stories. First, that of the masterpiece, The Little Girl with the Blue Ribbon, this melancholic Renoir work with the "musical face" described by Henri Michaux. The painting was constantly tossed around, shelved by its patrons, looted by the Nazis, found by the Monument Men, recovered by the family, sold to a controversial collector, before finally arriving at the Kunsthaus Zurich. We also discover the painter's biography, and the eventful life of his model, Irene Cahen d'Anvers. Born into the Jewish upper middle class, this free and divorced woman long disowned the painting and left it to her daughter, who was murdered at Auschwitz. Discover the tumultuous journey of this painting, its model, Irene Cahen d'Anvers, and its connection to the dark hours of the Nazi regime.
2019-01-01
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A picture about the fine art of prehistoric times, the remains of which have been found in various places on the European continent.
The first part of the documentary about the work of the Czech painter Mikoláš Alš called "The Song of Life", which focuses on the part of his work that draws its themes from life in the village.
The second part of the documentary about the work of the Czech painter Mikoláš Alš called "Glorious Homeland", which focuses on the part of his work drawing on Czech history.
0.0One public housing flat in Moscow stood out above all others: the home of George Costakis, the foremost collector of early 20th century Russian avant-garde art. Its walls were crowded with banned and forgotten works by artists such as Malevich, Tatlin, Kandinsky, Chagall, Lissitzky, Rodchenko, and Kliun; public figures such as Edward Kennedy, Stravinsky, and Alfred Barr visited. Barrie Gavin met the collector in 1982 at his home in Athens. Costakis, a Greek born in Russia, passionately shares his story and those of the great Russian avant-garde artists. Their works are his legacy – without him, they would not have survived the political upheavals in Russia.
8.5“This is a film about the end of a friendship. It wasn’t meant to be. Fifteen years ago, they painted my portrait.” (Mariano Llinás)
8.0The documentary is titled after Arkadaş Z. Özger’s poem “Hello My Dear” which had caused much controversy in the period it was first published. Considered to be in defiance of heteronormativity, the said poem includes references to the poet’s personality, his family, his relationship to the society, and his “unexpected” death, which came three years after its publication. Today, 50 years after it was written, the documentary follows these same lines in the poem utilising cinematic elements. The documentary also rediscovers the poetics; reaches out to the family, the comrades, the friendships, departing from the official historical accounts, cognizant of his experience of otherness, in pursuit of the “lost” portrait of Arkadaş Z. Özger.
7.4An experimental shortfilm in line with "Lux Æterna", showcasing the footage from Cecil B. DeMille's "King of the Kings". A voiceover pronunces word "Relax" in a hypnotic tone, which was Lux Æterna's working title. It was shown only once in Paris at L'Étrange Festival, at the opening of "Lux Æterna".
6.0This ninety-minute film takes audiences on an epic journey across nine countries and over 1,400 years of history. It explores themes such as the Word, Space, Ornament, Color and Water and presents the stories behind many great masterworks of Islamic Art and Architecture. Narrated by Academy Award winning performer Susan Sarandon, this dazzling documentary reveals the variety and diversity of Islamic art. It provides a window into Islamic culture and brings broad insights to the enduring themes that have propelled human history and fueled the rise of world civilization over the centuries
6.0Celebrating Billy Connolly's 75th birthday and 50 years in the business, three Scottish artists - John Byrne, Jack Vettriano and Rachel MacLean - each create a new portrait of the Big Yin. As he sits with each artist, Billy talks about his remarkable life and career which has taken him from musician and pioneering stand-up to Hollywood star and national treasure.
6.6"Meat Joy is an erotic rite — excessive, indulgent, a celebration of flesh as material: raw fish, chicken, sausages, wet paint, transparent plastic, ropes, brushes, paper scrap. Its propulsion is towards the ecstatic — shifting and turning among tenderness, wildness, precision, abandon; qualities that could at any moment be sensual, comic, joyous, repellent. Physical equivalences are enacted as a psychic imagistic stream, in which the layered elements mesh and gain intensity by the energy complement of the audience. The original performances became notorious and introduced a vision of the 'sacred erotic.' This video was converted from original film footage of three 1964 performances of Meat Joy at its first staged performance at the Festival de la Libre Expression, Paris, Dennison Hall, London, and Judson Church, New York City."
7.0In 2003, eight Rhode Islanders created a secret apartment inside a busy mall and lived there for four years, filming everything along the way. Far more than a prank, the secret apartment became a deeply meaningful place for all involved.
A documentary by Olivier Gonard, shot partly in Paris’s Musée d’Orsay, that examines Olivier Assayas' film Summer Hours, and its approach to art.
0.0Max Gimblett: Original Mind documents the life and process of eccentric, creative genius Max Gimblett. One of New Zealand’s most successful and internationally prominent living painters, Gimblett has been working in America since 1962. The filmmakers spent a week in Gimblett’s Soho loft where he and his devoted studio assistants generously revealed the techniques and philosophy behind his beautiful art.
This MGM Passing Parade series short takes a look at changing definitions of art in the United States.
0.0Tilburg artist Tommy van der Loo searches for the influence of superiority thinking, racism and colour in his life. Van der Loo is an emerging artist and his work has been purchased by Boijmans van Beuningen in Rotterdam. He also had an exhibition at the Kunsthal. He also made the memorial for the abolition of slavery in Eindhoven. He has had multiple experiences with discrimination and incorporates that into his sculptures. Identity and image formation are important to him: How do you look at others, how do others look at you. The search is the inspiration for his new sculpture.
0.0A film documenting the soulful art, environments, and voices of self-taught artists on the back roads of the American South.