Speaking in Tongues: Take One(2024)

The Chill of Loneliness(en)

Two people attempt to connect over a great distance.

Thunderstruck(en)

Flashing lights explode across an apartment as images of a naked woman in bed flicker in and out. Light paintings and projections illuminate a space of confrontation and an assault on the senses.

The Inexhaustible Variety of Life(en)

A conversation between reality and consciousness.

Birth(en)

During Childbirth, a mother is told the child is stillborn, and she struggles to finish the birth in order to survive.

Lázaro(es)

Arte-Artemisia(de)

Experimental short directed by Dorothea Grießbach

Sticky Fingers(en)

A microscopic view into American youth in suburbia through the eyes of Robert, a young man who becomes fixated on his own identity after moving back to his small Texas town.

Prelude: Dog Star Man(en)

A creation myth realized in light, patterns, images superimposed, rapid cutting, and silence. A black screen, then streaks of light, then an explosion of color and squiggles and happenstance. Next, images of small circles emerge then of the Sun. Images of our Earth appear, woods, a part of a body, a nude woman perhaps giving birth. Imagery evokes movement across time. Part of the Dog Star Man series of experimental films.

Escargots(fr)

An adaptation of a children's poem called Chanson des escargots qui vont à l'enterrement by Jacques Prévert, starring Joseph Gordon-Levitt. Filmed in Paris, France and Los Angeles, California.

Cochlea(de)

Echo(en)

A reframing of the classic tale of Narcissus, the director draws on snippets of conversation with a trusted friend to muse on gender and identity. Just as shimmers are difficult to grasp as knowable entities, so does the concept of a gendered self feel unknowable except through reflection. Is it Narcissus that Echo truly longs for, or simply the Knowing he possesses when gazing upon himself?

The Right Side of My Brain(en)

Lydia Lunch and Richard Kern's first collaborative effort, The Right Side of My Brain, is a glimpse into the world of unsatiable female lust, narrated by Lydia Lunch. The film was initially dismissed and dismayed by critics such as J. Hoberman, but the criticism of The Right Side of My Brain received only pushed the two to go one step further with Fingered (1986).

Bramayugam(ml)

A folk singer in 17th-century Kerala discovers a mansion. Inside, he encounters an enigmatic cook and a powerful master, setting in motion a chain of events that changes his life.

Kids(es)

Rift(es)

Daniela (24) is a ghost in pain. Her life ended suddenly and painfully, leaving her friend and roommate, Mónica (22) alone in their shared apartment in Santiago, Chile. Daniela feels her frustration grow within her, as she fears that her time in limbo will never end.

The Grass Dwellers(es)

Juan Méndez Bernal leaves his house on the 9th of april of 1936 to fight in the imminent Spanish Civil War. 83 years later, his body is still one of the Grass Dwellers. The only thing that he leaves from those years on the front is a collection of 28 letters in his own writing.

Stone(ru)

A young night watchman at the Anton Chekhov museum in Yalta encounters a mysterious, weary intruder who appears to be the playwright himself, returned from the dead. Over the course of a single night, the two share a series of quiet, existential interactions within the preserved rooms of the estate.

La otra mirada(es)

Aimé sees her reflection in the mirror and does not recognize herself. After several days of moving, she allows herself to look at herself. Objects such as a camera, a mirror and a window will push her to go through a rediscovery of pleasure and the transformation of her body. Themes that have always been recurrent in her head and that she decides to show through an audiovisual journey that she will undertake.

My Body, My Rules, & Them(tl)

The film is an exploration of the queer body’s struggle to attain validation and evade exploitation. In a society where queer identities have always struggled to be recognized, our bodies have often been a medium of our expression and avenue for satisfaction. However, we, as a community, have subjected ourselves as victims to a system that exploits our vulnerabilities and bodies, to the point of moral decay.