Never Again Is Now Global(NaN)

Human Lampshade: A Holocaust Mystery(en)

This story follows one man's quest to uncover the origins and reveal the mysteries of a possible Holocaust artifact some historians now say never existed: lampshades made of human skin. When the flood waters of Hurricane Katrina receded, they left behind a wrecked New Orleans and a strange looking lamp that an illicit dealer claimed was 'made from the skin of Jews.'

The Eichmann Trial(en)

In 1961, history was on trial... in a trial that made history. Just 15 years after the end of WWII, the Holocaust had been largely forgotten. That changed with the capture of Adolf Eichmann, a former Nazi officer hiding in Argentina. Through rarely-seen archival footage, The Eichmann Trial documents one of the most shocking trials ever recorded, and the birth of Holocaust awareness and education.

Memories of a Nazi Camp(fr)

Holocaust survivors describe their experiences being interred at the Natzweiler-Struthof concentration camp.

Force of Evil(en)

This Emmy Award-winning documentary traces the rise of Nazism in general and the career of Adolf Eichmann in particular by documenting the small incremental steps the Nazis took to introduce their ideology of anti-semitism in Germany and Nazi-occupied Europe during World War II.

Sin descanso(es)

Star Spangled Salesman(en)

A collection of television celebrities pitch United States Savings bonds.

Four Years of Night(en)

For four years (1977-1981) Esaias Baitel documented a violent Parisian neo-Nazi gang. Having gained their trust, he was able to get close to them. Living among the gang members, he witnessed horrific events, and while hiding his real identity, he photographed a one-of-a-kind collection of gripping stills. Over thirty years have passed. Esaias Baitel has laid his camera down. He returns to the dark nights he spent in the City of Lights, the city where he lived a double life, going back and forth from the gang to the young family he had just started.

Hacking at Leaves(en)

Hacking at Leaves documents artist and hazmat-suit aficionado Johannes Grenzfurthner as he attempts to come to terms with the United States' colonial past, Navajo tribal history, and the hacker movement. The story hones in on a small tinker space in Durango, Colorado, that made significant contributions to worldwide COVID relief efforts. But things go awry when Uncle Sam interferes with the film's production.

18. April(da)

Coronavirus(en)

Struggling with fear, tension, and anxiety amid the early stages of the COVID-19 pandemic, a high school student reflects upon what really matters.

Hard ♡(fr)

Since 2013, the Casual Gabberz collective has been storming dancefloors and the stages of the biggest festivals with its gabber surge, that hardcore techno sound born in Holland in the 90s. Until a virus causes the planet to go haywire. And triggered an existential crisis within the collective.

The Paper Brigade(fr)

Lithuania, 1941, during World War II. Hundreds of thousands of texts on Jewish culture, stolen by the Germans, are gathered in Vilnius to be classified, either to be stored or to be destroyed. A group of Jewish scholars and writers, commissioned by the invaders to carry out the sorting operations, but reluctant to collaborate and determined to save their legacy, hide many books in the ghetto where they are confined. This is the epic story of the Paper Brigade.

John Huston War Stories(en)

During World War II, the propaganda engine of the U.S. government made a pivotal decision with unforeseeable results: they tapped John Huston to shoot war documentaries with an expressly patriotic spin. Few could guess the degree to which Huston's documentaries would depict the sheer brutality and horror of modern warfare - particularly his Let There Be Light and The Battle of San Pietro. The films served (by default) as cinematic protests, even as they graced new and brilliant heights within the scope of American documentary. (Indeed, Light was banned by the government for 35 years). Midge Mackenzie's 1998 documentary John Huston: War Stories explores this little known facet of Huston's career, intercutting clips from the various documentaries with a Huston interview shot just prior to his death.

The Four Elements(en)

An educational film about power sources that’s rendered as a lyrical meditation on heat and vapor, The Four Elements is a poetic and avant-garde documentary Curtis Harrington made for the United States Information Agency.

Drømmen om i Morgen(en)

Social democracy propaganda film about future dreams for Denmark in 1960. Although Denmark is free again, the former opponent and worker, Svend, is disillusioned: "It is all something soft". The dream of the future is incarnated by a young woman, Karen, who shows Svend the visions of a better life in the 'youth's land'. There are homes and a nuclear-powered car for everyone.

Years of the Eagle(it)

The story of Istituto Luce and it's newsreels, full of visual records of the social and political history of Italy under Mussolini's leadership.

Butterflies Do Not Live Here(cs)

A documentary about the life of Jewish children forced to live in the Theresienstadt concentration camp.

FASCISM(s): A Film in Six Parts(en)

Six sequences about Fascism and its segments throughout history.

A Hero's Death(de)

It was the biggest escape in the history of the Berlin Wall: in one historic night of October 1964, 57 East-Berliners try their luck through a tunnel into West Berlin. Just before the last few reach the other side, the East German border guards notice the escape and open fire. Remarkably, all the refugees and their escape agents make it out of the tunnel unscathed, but one border guard is dead: 21-year-old officer Egon Schultz.

Elie Wiesel Goes Home(hu)

A documentary chronicling the adolescent years of Elie Wiesel and the history of his sufferings. Eliezer was fifteen when Fascism brutally altered his life forever. Fifty years later, he returns to Sighetu Marmatiei, the town where he was born, to walk the painful road of remembrance - but is it possible to speak of the unspeakable? Or does Auschwitz lie beyond the capacity of any human language - the place where words and stories run out?