
Through a series of interviews with leading British AIDS activists and cultural theorists, this documentary investigates the way in which AIDS has been used by the media and by the government to increase state harassment of gay men and lesbians, black people and women. Framing the problem in terms of a left politic, the tape reveals how both homophobia and puritanism have been responsible for the slow government response to AIDS.
Himself
Himself
Herself

Through a series of interviews with leading British AIDS activists and cultural theorists, this documentary investigates the way in which AIDS has been used by the media and by the government to increase state harassment of gay men and lesbians, black people and women. Framing the problem in terms of a left politic, the tape reveals how both homophobia and puritanism have been responsible for the slow government response to AIDS.
1987-01-01
0
The film provides information about the course and symptoms of AIDS, the effect of AIDS viruses on the immune system, the routes of infection, the main risks of infection and the protective measures against them.
6.7The story of the extraordinary final chapter of Freddie Mercury’s life and how, after his death from AIDS, Queen staged one of the biggest concerts in history, the Freddie Mercury Tribute Concert at Wembley Stadium, to celebrate his life and challenge the prejudices around HIV/AIDS. For the first time, Freddie's story is told alongside the experiences of those who tested positive for HIV and lost loved ones during the same period. Medical practitioners, survivors, and human rights campaigners recount the intensity of living through the AIDS pandemic and the moral panic it brought about.
7.0This follow-up to the 1989 documentary ONE YEAR IN A LIFE OF CRIME revisits three of the original subjects in New Jersey during a five-year period in the 1990s. We share in their triumphs and setbacks as they navigate lives of poverty, drug abuse, AIDS, and petty crime.
Seminal documentary featuring interviews conducted with early AIDS patients at San Francisco General Hospital's wards 67 and 5B in 1983. Friends, family, health care workers, and caregivers contribute to the narrative as a generation of brave, young men face a terrifying disease with grace, humor, and dignity.
7.4It explores the last two years of Brazilian singer Cazuza's life, from his AIDS diagnosis until his death. Nilo Romero, Cazuza's music producer and the film's director, created a collection of rarely seen and controversial images.
8.0From the sweaty basement bars of 70s New York to the glittering peak of the global charts, how disco conquered the world - its origins, its triumphs, its fall and its legacy.
7.2A collage-like, incisive look at the life of writer, painter and thinker David Wojnarowicz, whose powerful, unapologetic way of seeing the world gave voice to queer rights at a critical time in US history.
0.0Linda and Kenya narrate their testimony about being women and living with HIV in a time where stigma, negligence and androcentricity force them to start an activism that is still present in their community.
6.8Though legendary lyricist Howard Ashman died far too young, his impact on Broadway, movies, and the culture at large were incalculable. Told entirely through rare archival footage and interviews with Ashman’s family, friends, associates, and longtime partner Bill Lauch, Howard is an intimate tribute to a once-in-a-generation talent and a rousing celebration of musical storytelling itself.
0.0A musical documentary accompaniment to the 1994 benefit compilation album concerning AIDS in the African-American community.
6.0The story behind the Uganda-based YouTube dance sensations who have endured devastating personal loss from famine and war, and use the power of dance and song to overcome hardship.
8.0This is the story of death and survival, exclusion and hope told by those who lived through it. 40 years ago an HIV infection seemed like a death sentence.
7.1As the AIDS epidemic was spreading in 1987, the Swedish government commissioned Roy Andersson to make an educational film about the disease. In these twenty or so monotone scenes, Andersson criticizes the medical community for its dehumanizing and racist tendencies when researching HIV and AIDS.
5.7This timely exploration of Hollywood and LGBTQ+ identity examines the life of legendary actor Rock Hudson, from his public "ladies' man" persona to his private life as a gay man.
0.0The film presents the experiences of women who contracted the AIDS virus from their husbands or steady partners, and highlights the main factors responsible for the feminisation of the disease in Brazil.
0.0A.I.D.S has become a convenient excuse to desexualize gay culture and to terminate the gay liberation movement. This film confronts the viewer to these facts. A.I.D.S.C.R.E.A.M. was selected for the A.I.D.S. Media: Counter - representations program of the Whitney Museum, 1989.
0.0Seizing her power as she confronts her mortality, trailblazing trans activist Connie Norman evolves as an irrepressible, challenging and soulful voice for the AIDS and queer communities of early 90's Los Angeles.
0.0Daily spleen, drunkenness among friends, conversations and the passage of time: the video diaries composed by Lionel Soukaz chronicle the early 1990s, the comet tail of those never-ending winter years and the nightmare of the AIDS years. But edited thirty years later with Stéphane Gérard, they are also a tribute to Hervé Couergou, the beloved partner at the center of all the filmed scenes. Slowly, in conversations between couples and friends, the dandy spirit and intimate confession overlap. What emerges is a portrait of a way of dealing with the times and their pain, which, beneath the act of commemoration, seeks to inscribe a living presence.
7.0At the height of the AIDS crisis, many gay men sold their life insurance policies to investors for quick cash. This documentary charts the rise and fall of the hundred-million-dollar “gay-death-profiteering” industry that grew out of their desperation, and spotlights one of its earliest investors: the filmmaker’s father.
The San Francisco Foundation Community Leadership Awards presents Bishop Yvette A. Flunder, founder and director of Ark of Refuge, with the Robert C. Kirkwood Award for courageously addressing the issues of HIV/AIDS prevention, response, and care within the African American faith community. As a pastor, scholar, teacher, and activist, she has united gospel and social ministries to create unique programs that improve the quality of life of some of the most marginalized in our community.