Why do people no longer see this type of stories nowadays? How can this notion be awakened? Which films should begin to feed back from the past and balance them with the current horror?
Horror Film Expert
Following a failed suicide attempt, Sarah watches herself leave her body and become an empty vessel for anything to crawl into. When she re-enters her body she learns that she isn't alone.
A traumatized cheer captain races to stop a masked killer and the new tourist attraction aimed to exploit her tragedy from a year earlier.
Celebrating his birthday with his mother in the village, Ilkin wants to go to the house where his grandfather and father disappeared for unknown reasons. Along with Ilkin, his wife and four friends visit that house. The house, which gives the impression of an old and abandoned place, starts gradually startling its guests. Paranormal events and dark forces turn the friends' night into a nightmare...
When a creepy Jack-in-the-Box is discovered and opened on the grounds of an exclusive girls' school, six brave students soon enter a fight to the finish against the unleashed demon.
A group enters a forest to participate in a reality show, everything seems fine until they encounter a Demonic entity. Cruel and murderous, she hunts and kills one by one, now the remaining survivors have to flee from that place before it is too late.
Pesadilla delves into themes of greed, loss, destruction, and the raw vulnerability embedded in family dynamics. While some may interpret it as a horror film, others might view it as an unflinching exploration of brute, unfiltered human nature.
A group of students are preparing works for an art exhibition, they belittle a myth that "Any inanimate object that resembles a living thing, is not just a dead-object"
Life brings Luke Wolf back to his hometown where his sister, who has Down Syndrome, is. Things are different, or maybe it's just that now he's different. After years of running from his problems, Luke must face his monsters.
A girl fears that the repeated knocks on her door are the beginning of a terror that will soon follow her.
In this found footage film, five adventurous friends decide to spend a few days in an old, abandoned house. As they settle in and explore the eerie, timeworn house, they begin to experience strange and unsettling occurrences. Their excitement quickly turns to terror when they realize they are not alone.
An account of the life of actress Jeanne Moreau (1928-2017), a true icon of the New Wave and one of the most idolized French movie stars.
The powerful story of the Vegas Golden Knights in their very first year of existence, when they healed and unified their home city after the worst mass shooting in U.S. history and took an unprecedented run for the Stanley Cup.
Who is Koca Popovic? Artist, poet, surrealist, philosopher, warrior, general, cynic, statesman, spoiled son of a rich man, genius war leader or a bon vivant? A Serb who learned French language before his own, a convinced communist who made fun of the communist dogma, sportsman, vice-president of Yugoslavia who drove to work in his Spacek? Answers to these questions could be: all of this and none of it really. In fact, who is Koca Popovic remains a mystery even today. A mystery that this film will at least try to unravel.
The wonders of nature are viewed from the backyards of communities across the nation.
Akerman, Monteiro, Oliveira, Ruiz, Schroeter and Wenders are among the directors he produced: Deux, trois fois Branco is a portrait of Portuguese producer Paulo Branco, between life and legend.
The series explores the transformative years following the American Civil War, when the nation struggled to rebuild itself in the face of profound loss, massive destruction, and revolutionary social change. The twelve years that composed the post-war Reconstruction era (1865-77) witnessed a seismic shift in the meaning and makeup of our democracy, with millions of former slaves and free black people seeking out their rightful place as equal citizens under the law. Though tragically short-lived, this bold democratic experiment was, in the words of W. E. B. Du Bois, a ‘brief moment in the sun’ for African Americans, when they could advance, and achieve, education, exercise their right to vote, and run for and win public office.
Approximately ten minutes of 35mm footage survives at the Svenska Filmminstitutet from a documentary (probably not completed or even edited) shot in the convent of the Swedish sisters of Saint Brigid, Rome, at the request of the Swedish Red Cross, for victims of the Polesine flood of November 1951.