A tale of blood, sex, spit, spunk and cult recruitment. “This Is the Salivation Army” was, in his own words, a queer pagan punk publication produced by Scott Treleaven from 1996-1999. The film tracks the rise and demise of Treleaven's zine and the strange cult it spawned.
A tale of blood, sex, spit, spunk and cult recruitment. “This Is the Salivation Army” was, in his own words, a queer pagan punk publication produced by Scott Treleaven from 1996-1999. The film tracks the rise and demise of Treleaven's zine and the strange cult it spawned.
2002-04-20
5.7
Jakub and Vladimir, two brothers in their late teens, join in the Cossack army to flee poverty. Elias and Roman, two other brothers, on their own as well, steal horses to survive... When fate brings them together, the encounter proves lethal. Vladimir gets killed. Jakub now burning with anger, is obsessed with revenge. A wild track begins, no one will be left unharmed...
Owen, a young man is dissatisfied with his life. He heads into the forest to escape and learns a lot during his time there.
A tale of terror. Cathy Reed has been institutionalized most of her life because of Schizophrenia, as a child her parents thought she was possessed by demons and had her exercised by priests. Medical science saw different. Now decades later Cathy is freed, relocated to her own flat and given a chance to be independent. Once alone things are not what they all seem and when her nightmares turn real she questions her state of mind before she is left to face her demons.
Eyüp decides to cross mount Ararat looking for his aunt in Yerevan after following a madman's words. His aunt has also been expecting someone to come from behind this mount for many years. Eyüp cannot be sure about the woman he finds behind the blue door, whether it is his aunt or not because they can't understand each other.
A girl is at school. Suddenly it's as if she can't breathe. As she runs down the stairs we follow her into her mind. It takes us deep into dark woods.
Cartoon Network holds an awards show awarding cartoon excellence.
Static images of an old country house are combined with voices of the past to evocative effect. Haunting and nostalgic, 'Return' conveys the life that exists in old, abandoned places.
‘RETURN’ follows Torstein Horgmo, Mikey Ciccarelli, Mons Røisland, Brandon Cocard, Brandon Davis, and Raibu Katayama as they push the boundaries of what can be accomplished snowboarding when innovative minds join forces.
"Behind every strong man is a strong woman!", Mumine shouts as her husband is arrested. She has 4 children, she's in her mid-30s, and she's the wife of a Crimean Tatar political prisoner. Muslim Crimean Tatars have been oppressed for a long time. They were deported under Stalin, allowed to return under Gorbachev, and since the occupation of Crimea in 2014 under Putin, they are being persecuted again. "Return" is a portrait of Mumine and Maye, two strong women struggling with the consequences of oppression. Their traditional understanding of their role as women does not stand in the way of their dedication. They possess strength, beauty and dignity. Only in their most intimate moments, they are overwhelmed by desperate helplessness.
A collection of short parodies of the Mobile Suit Gundam saga. Episode 1 pokes fun at key events that occurred during the One Year War. In episode 2, Amuro, Kamille and Judau fight over who runs the better pension when Char comes in to crash their party. Episode 3 is the SD Olympics, an array of athletic events pitting man with mobile suit.
The special is hosted by Tony Danza and Annie Potts celebrating 50 years of William Hanna and Joseph Barbera's partnership in animation. This is the first animated project to be broadcast in Dolby Surround sound system.
The main character of the film is an outstanding physicist who was invited to Armenia from Russia to head a lab. He comes across many troubles in his homeland, but nevertheless finds his true love there.
How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.
When the gang goes on safari, they encounter a variety of freaky, glowing demon animals.
Return is a methodical construction of the approach of an individual towards an unseen goal, which assumes metaphorical significance. Viola moves toward the camera/viewer, pausing every few steps to ring a bell, at which point he is momentarily thrust back to his starting place, and then advanced again. Finally reaching his destination, he is taken through all of the previous stages in a single instant and returned to the source of his journey.
4 TV Episodes Spectacle!
The SD Gundams are at it again: first with a race among all of the prior SD Gundam characters, then the SD Zeons run a space travel agency in the second episode.
When his sister disappears after leaving their home in hopes of singing stardom, Luis tracks her down and discovers the grim reality of her whereabouts.
Celebrate the season Scooby-Doo style as Scooby-Doo and the Mystery, Inc. gang face off festive frights, frosty nights and - jeepers - the ghost of Christmas, who wants to wish everyone a scary Christmas! In this collection of cold-weather capers, Scooby-Doo and the gang unwrap a series of mysteries in order to stop a group of chilling crooks from stealing the spirits of the season!
At 18, George Ward left the Gypsy community. He had felt rejected having come out as gay. Leaving his Gypsy identity behind, he invented Cherry Valentine, a drag alter-ego. Now he wants to find out if he can be accepted as a queer Gypsy and feel proud.
A documentary filmmaker sleeps with his camera to film the dreams he has at night.
Sailors row a whaling boat in a medium-tight shot.
A small boy brings a plate of milk to a big cat, grooming itself.
With a dual motion a cruise ship and a fishing boat pass one another on the Nile and butlers in turbans set up a wooden gangway. Thanks to a rope and pulley system cows climb skywards then disappear into the hold of the sailing vessel. On the bank, black-haired women rock back and forth, bursting out laughing and showing the first signs of going into a state of trance. Never-before filmed gestures and faces of the people of the Nile succeed one another, uprooted to an unknown, magical world. The Banks of the Nile is one of the first experiments of film in colour that uses the Kinemacolor process.
The film begins with a shot of Wilbur Wright starting the engine; an unidentified assistant (quite likely his brother, Orville) is seen at the front of the aircraft. From there, shots of the aircraft in flight with Wright at the controls along with an unidentified passenger cut to shots of onlookers on the ground, presumably military and press liaisons. The aircraft is shown in side-to-side flybys as well as low-altitude passes directly toward and away from the camera. The aerial shots begin at the 1:34 mark immediately after a shot of the aircraft coming to a landing directly approaching the camera. (Wikipedia)
Charming animated illustration of one of nature's wonders from Britain's most inventive pioneer of wildlife filmmaking.
A man performs tricks on a theatre stage with a bowler hat and a billiards ball in equilibrium on his arms and body.
Eight circus performers known as the Grunato family perform their famous balancing act.
“A scene representing Southern plantation life before the war. A jig and a breakdown by three colored boys.”
Three men are chopping and transporting firewood, among passers-by, on a square in Lausanne.
A Lumière Brothers film showing a street scene in Budapest.
Jude addresses the transformation of an Orthodox Jewish Rebbetzin (Rabbi’s wife) in a British Synagogue to a single, non-binary person coming to terms with their parenthood, religious identity, sexuality and gender, using the Internet as a way of forging new possibilities for their existence and self-expression.
Two gay leather beauty pageants form the core of this German documentary. The events, the International Mr. Leather Pageant and the Mr. Drummer Pageant held in San Francisco and Chicago respectively, are filled with scads of strangely dressed leather aficionados. These leather men are seen sauntering down streets, and hotel corridors; some of them are interviewed. Also interviewed are former Mr. Leathers who discuss the inherent responsibilities of their titles and the groupies they attract.
The film is a panorama shot-scene lasting just under a minute. The panorama film, as coined by Lumière, is a moving-camera shot--usually accomplished by placing the camera on a moving transport, such as a boat or train.
“A marvelously clear picture taken from the top of the elevator of the Eiffel Tower during going up and coming down of the car. This wonderful tower is 1,000 feet in height, and the picture produces a most sensational effect. As the camera leaves the ground and rises to the top of the tower, the enormous white city opens out to the view of the astonished spectator. Arriving at the top of the tower, a bird's eye view of the Exposition looking toward the Trocadero, and also toward the Palace of Electricity, is made, and the camera begins its descent. The entire trip is shown on a 200-foot film. 30.00. We furnish the ascent in 125 foot film.” (Edison film catalog)
Special effects film with a train double exposed on the negative, creating a ghostly image.