Salving a Steamer(1915)

The Gleaners and I(fr)

Varda focuses her eye on gleaners: those who scour already-reaped fields for the odd potato or turnip. Her investigation leads from forgotten corners of the French countryside to off-hours at the green markets of Paris, following those who insist on finding a use for that which society has cast off, whether out of necessity or activism.

Lost Liners(en)

Dr. Bob Ballard explores the histories and the final resting places of famous 20th-century passenger liners, including the Titanic, the Lusitania, and the Empress of Ireland.

Guy Martin's Lost WW2 Bomber(en)

Guy joins an ambitious engineering project to recover a crashed WW2 Lancaster Bomber – and the remains of its missing crew members – from the depths of the Dutch lake where it’s lain for 80 years.

Salvage(en)

With a massive, unrestricted salvage area, the Yellowknife dump is one of the last and largest open dumps in North America. People from all walks of life go there, to search for everything from tools to clothes to home décor. This documentary follows a group of passionate salvagers over five years as the dump evolves and eventually succumbs to the inexorable efforts of city bureaucrats to subject it to sensible regulations and controls.

Titanic: Building the World's Largest Ship(fr)

The virtually untold story of the supersize steamship’s construction: how 15,000 men toiled day and night in life-threatening conditions to create a state-of-the-art floating city.

Between Two Worlds(en)

Passengers on an ocean liner can't recall how they got onboard or where they are going. Soon it becomes apparent that they all have something in common.

Ghost Ship(en)

After discovering a passenger ship missing since 1962 floating adrift on the Bering Sea, salvagers claim the vessel as their own. Once they begin towing the ghost ship towards harbor, a series of bizarre occurrences happen and the group becomes trapped inside the ship, which they soon learn is inhabited by a demonic creature.

You Can't Save Yourself Alone(it)

Gaetano and Delia, a separated couple, try to pick up the pieces of their broken love, recalling all the faults and the mistakes which led them to where they are now.

Girl Overboard(en)

A beautiful girl on a passenger ship is suspected of murder.

Outward Bound(en)

A group of strangers find themselves aboard an unmanned ship, surrounded by fog and uncertain of their destination. As they attempt to make sense of their situation, the group of passengers discover a commonality that changes their perception of the nature of their journey. The film was later remade, with some changes, as Between Two Worlds (1944).

Salvageland(tl)

In a fictional town near Metro Manila against the volcanic landscape of Mount Pinatubo, a veteran police officer and his rookie son must defend their station when a crime syndicate target seeks sanctuary with them. The scenario forces the family duo into a violent confrontation that will challenge their relationship and survival skills.

The Sea Hornet(en)

"The Sea Hornet" was a merchant ship sunk, supposedly by a torpedo, less than a mile off the California Coast during World War Two. Six years later when his buddy is killed, attempting to blow up the sunken ship, on the orders of Suntan Radford and Tony Sullivan, deep-sea diver "Gunner" McNeil has his suspicions aroused... especially since Suntan is the daughter of the ship's captain that died when the ship sunk, and Sullivan was a crew member. Plus the fact the ship had over a million dollars in cash on board. During the course of his investigation, he becomes romantically involved with Ginger Sullivan

Buongiorno natura(it)

A weekend in the mountains.

What the Wind Took Away(ku)

"We, the Yazidis, became doves. Doves without wings", says Hedil. Stranded with her family in a Yazidi refugee camp in Eastern Turkey, she reminisces about her former life in Northern Iraq and recounts the horrors of her escape. The film follows two families' attempts at normality in an otherwise miserable place. (ML)

Amal(ar)

Amal is 14 years old when she ends up on Tahrir Square during the Egyptian revolution, after the death of her boyfriend in the Port Said Stadium riot. During the protests, she is beaten by police and dragged across the square by her hair. This coming-of-age film follows her over the years after the revolution. As the film cuts between the unfolding current events and Amal’s rapidly changing life and appearance, we see her searching for her own identity in a country in transition. Amal is fiery and fearless, sinking her teeth into the protests and constantly lecturing her mother, who works as a judge. A girl among men, she also has to fight for respect and the right to take part, both in the street and in the rest of her life. In Egypt, even for a young woman like Amal—her name means "hope"—the choices open to her for her future are limited.

East of Walbrzych(fr)

Dans la forêt de Borek(fr)

September September(de)

"[This film] embodies (...) one of his [Hahnemann's] most mature films. Rainy rides along Schönhauser Allee, which seems to be depopulated. Past the 'Viennese Café', the meeting place par excellence. From a moving train the view of idyllic landscapes, on the horizon a castle. The camera tilts, turns, until the world is upside down. Scenes of an action with the artist friend Heike Stephan: in the sanctuary Hahnemann, black painted with a white turban, and Stephan, stack cages with rabbits on top of each other. Then TV recordings of a discussion forum with Jean-Luc Godard and Rosa von Praunheim - scenes as from another planet. From the off again and again a poem Hahnemann, recited by Peter Mario Graus. The diction is initially calm, almost factual, increases, eventually overturns, but then falls back, resigned. " (Claus Löser in "Gegenbilder")

Models: The Film(en)

Chronicles five of fashion photographer Peter Lindbergh's muses, the supermodels of the early 1990s.

Into the Light with Cité Mémoire(en)

Joyful, magical, inspiring, Into the Light with Cité Mémoire soars above the city, revealing history through giant projections that compel us to slow down, look up and breathe as characters of the past emerge from the stone walls of Old Montreal, touching us deeply with their human stories.