Two Syrian refugee girls document each others' attempts at making their first films.
Shaimaa
Hana
Poor Girl
Rich Girl
The Baker
Nice Girl
A father and son cross a world of imagination in order to return a forgotten lunch. Written by and dedicated to the late Marvin "Stro" Bynoe.
Mr. Follavoine plans to supply the French army with chamber pots. In preparation for this lucrative contract, he invites a doctor from the Ministry of War. The business dinner takes a different turn when Mme Follavoine appears, obsessed by their son Toto's constipation.
This movie was incredibly touching. The story revolves around a young girl "Em" (played by Laura Goodwin). The movie opens with the image of a small, close knit family. Almost at once we are made aware that Emily's father (played by James Fox) is a diplomat whose demanding job barely allows him time to give attention to his wife (played by Twiggy) and of course his daughter Emily. As expected Emily's mother "Fen" soon begins to have an affair and thus begins the child's torment. The movie is poignant in the way it deals with this very real issue. We are given the impression of divorce and the very real adult problems occurring in marriage through the eyes of a young child and the picture painted is not a pretty one. It brings forth awareness, especially to adult viewers, and is a definite must see for all families. I personally found Laura Goodwin's acting to be both intense and innocent, and it was a delight to see such intensity in one so young. A definite thumbs up for this movie!!
Known for his unmistakable cascading strings and recordings such as Charmaine, Mantovani enthralled the world with his sublime arrangements. This is the story of the man and his music.
Louis C.K. recruited his Conan and Dana Carvey Show cohort Robert Smigel to star in another Sunny Skies segment, with Smigel playing the host of a Sesame Street-esque childrens’ show host pushed to his limits.
A college sophomore, on a visit to his friend's village, explores a dilapidated and haunted villa, falls unconscious and learns completely about his past life of love and sorrow.
In this Biblical epic, a brave Chaldean rebel takes on his evil nemesis, a cruel Assyrian king. En route to his fateful meeting, the rebel hides in the humble hut of a luscious peasant girl.
In this documentary film, nurses in a variety of care settings confront serious ethical dilemmas which effect their patients. The film’s four sequences involve the ethical principles of beneficence, autonomy, justice and fidelity.
The Throwaways takes a timely and provocative look at the impact of mass incarceration and police brutality on black males in America through the story of homeless filmmaker and ex-felon, Ira McKinley.
Based on A.J.Cronin's 'Beyond This Place', this movie narrates the story of an untiring crusade for justice. A young man, learning about his father's wrongful implication in a fifteen-year-old murder, vows to bring the true criminals to justice and release his innocent father from 'kaala paani' (life imprisonment), for which he enlists the help of a press reporter, a retired police inspector and an unwitting prostitute who happens to possess some key evidence.
In December 1965, at the height of the Cold War, Che Guevara mysteriously disappeared. Using a false identity, he is escorted by former agents of the Cuban Intelligence Service who are now revealing unprecedented details of the operation.
The cinematic adaptation of "The Storm" play by Aleksandr Ostrovsky. In a provincial town on the Volga River, the young and sensitive Katerina marries Tikhon, a violent drunkard, and thus enters the crude milieu of greedy salesmen, the "dark kingdom". Her mother-in-law, Kabanikha, rules the family with an iron fist and endlessly harasses Katerina. One day, when Tikhon is away, she meets Boris, a man who embodies everything Katerina is longing for.
Part 1 of a 2-part romance based on a story by noted author Kikuchi Kan. The central character here is Toyomi (played by Takako IRIE, star of Mizoguchi’s "Water Magician), a rich young woman in love with Shintaro (Minoru TAKADA), a rich young man. Unfortunately, Shintaro’s father is in the process of arranging a marriage for him with Yurie (Chieko TAKEHISA), the scion of an even wealthier family. In order to avoid this, the two young lovers flee to Tokyo to live together. When Shintaro comes back to proclaim his intent to marry Toyomi, his father browbeats him into attending the long-arranged marriage meeting with Yurie. While Shintaro is back home, Toyomi goes on a vacation trip with her closest chum, Michiko (Yumeko AIZOME). At a class reunion, Toyomi is to distressed (at not having heard from Shintaro for so long), she doesn’t go out on the town with her classmates. Michiko, however, runs into Shintaro and Yurie (also out on the town), and pulling him aside, demands an explanation.
A film crew was granted unprecedented access to NASA and to SpaceX headquarters, giving viewers a rare glimpse inside Launch Control and firsthand accounts from SpaceX founder and chief engineer Elon Musk, Bridentstine and the astronauts flying the mission: Bob Behnken and Doug Hurley.
A morbid curiosity leads Andrea and her friends to spy on a couple of young people during their amorous outings. Javi, the boyfriend, feels bothered because that situation, but ignores that Andrea is attracted to him.
An overworked executive vacationing in Hawaii finds that his romance with an attractive businesswoman he meets there is threatened by the supernatural powers of a strange native curse on his bloodline.
Eden is driving down the road when the engine fails and her car comes to a stop. Eden calls Haewon and tells him she wants to see him before she leaves Korea, but Haewon keeps saying he just can’t come. The hot summer heats up the road and Eden’s wish to say a proper goodbye does not seem to be coming true.
The story of those Italian women who, for eighty years, have fought against power in all its forms.
In the summer of 2018, an unlikely group of citizens each took a stand against the systems that refused to acknowledge the global warming crisis. REBELLION reveals the moments that sparked a global movement. From 15-year-old Greta Thunberg's “School Strike for Climate” outside of the Swedish parliament, to Academy Award winning actress and activist Jane Fonda's multiple arrests following her participation in some of the biggest climate change protests in US history, the people’s resistance has been fierce. Through the streets of Delhi, and up the steps of Congress, REBELLION is the story of a generation marching in revolt.
Doaa el-Adl, the first woman to be awarded the esteemed Journalistic Distinction in Caricature, serves as a catalyst for transformation within the predominantly male-dominated realm of Egyptian political cartoonists. Challenging patriarchal norms, she routinely confronts censorship, harassment, and even threats to her life. In a remarkable fusion of documentary, cartoons, and animation, Egyptian director Nada Riyadh breathes life into el-Adl's most renowned works. This dynamic and fearless presentation delves into the issue of violence against women, stretching the boundaries of freedom of speech in a society often characterized by restrictions. Through her exceptional talent, el-Adl not only champions women's rights but also serves as an inspiration for societal change.
Hajar is a 55-years-old Bahktiari woman from Iran who is betrayed by her family and forced to abandon her nomadic lifestyle. Climate change, urbanization and social issues have drastically diminished the traditional migratory activities of the Bakhtiari tribe from Southwestern Iran.
To achieve women's rights and gender equality, these three pioneers were willing to risk their livelihood and their future, as well as their reputations.
"Dance or Die" is a moving documentary about a young Syrian dancer who escapes the war and finds a new life in Holland. But the ghosts of the past won't let him go. With the war and the advance of the Islamic State in Syria, the young classical dancer Ahmad Joudeh lost everything – part of his family, his home, but also the right to practice his art. However, he will use dance as a weapon against Daesh. Three words adorn the neck of Ahmad Joudeh: Dance or Die. The tattoo is a declaration of war against IS if it takes him over. (Text: arte)
Filmmaker Anand Patwardhan looks to history and psychology as he delves into the possible reasons behind the demolition of the Babri Mosque.
A film portrayal of a pioneering aviator and best-selling author whose extraordinary public life had a deep impact on her inner world.
In an era of antifeminist backlash, this articulate documentary by the makers of Thank God I’m a Lesbian forcefully reminds us that the revolution continues. Powerful interviews with feminist leaders including bell hooks, Gloria Steinem, and Urvsahi Vaid are intercut with documentary sequences to engagingly explore the past and present status of the women’s movement. Discussing the unique contributions of second wave feminism, they explore their racial, economic and ideological differences and shared vision of achieving equality for women. Anessential component of women’s studies curricula, My Feminism introduces feminism’s key themeswhile exposing the cultural fears underlying lesbian baiting, backlash, and political extremism.
A harrowing account of Europe's migrant crisis. A family of Syrian refugees separated by the borders of Europe, fight to be reunited as they migrant from Syria to Germany.
As politicians debate and argue, the men, women and children at the heart of the European immigration wave have found themselves caught in the midst of a humanitarian crisis. On the frontline is the Greek island of Lesvos – the first point of entry into Europe for over half of the refugees. One week at the end of August 2015 marked a tipping point in the crisis. More refugees arrived than ever before, volunteers were inundated and local infrastructure just couldn’t cope; trains were overflowing, refugees were dying in the back of lorries and on beaches, and politicians responded by closing borders and arguing about how to stem the tide of people. Filmed over just five days, this first-hand account of that dramatic week on Lesvos is seen through the eyes of the refugees and volunteers caught in the crisis.
A 3-year-old girl and her family's long journey from a Greek refugee centre to Uppsala.
This film shows the work done by the "socorristas" feminist network. Through informative talks and stories about the actions of emotional containment these women have with others who need support, it seeks to eliminate the stigmas on abortions while also bringing out the reality of the clandestine abortion.
After their mother's femicide, three siblings are separated and forced to live in different places. Years later they gather to raise their voices and fight to be made visible in a country where orphans for femicide are ignored by the state and invisible to society. It's up to them to tell their story.
A film about a woman who doesn’t exist. Moroccan Hind was raped and consequently denied an official identity – she has no other choice but to work as a prostitute and traditional wedding dancer, but despite the odds of her situation, refuses to give up her dream of dignity, motherhood and love. This is a story of modern day outlaws, children of prostitutes, abandoned child brides and those who have had to escape to the fringes of patriarchal Moroccan society. Through the eyes of one young woman we see a life of constant struggle, but also a life free of the society’s norms and boundaries. The woman in the centre of the film, Hind, is both vulnerable and courageous as she tries to regain her life, her children and her mere right to live as an equal human being in the 21st century.
Diana, Ilana, Rona, Shelly, Rucha and Liat openly speak about their life in prostitution: from the initial lure, through learning the rules, to survival strategies. They present stories of independence, resourcefulness, pain and trauma, expressing an extreme feminine and human experience. Michaela (pseudonym) – a young woman currently engaged in prostitution, sounds off on the struggle to survive, turning her cellphone camera into a weapon. The women challenge what is expected of them – to be ashamed and conceal themselves.
The women of Ghana have a reputation for independence. They, rather than the men, sit enthroned at the market stalls and run a large proportion of the nation's retail trade. But Ghanaian women are now thrusting even more vigorously into the arena of power and influence