The Shadow's third movie short, an adaptation from a Donald Van Riper story, "Dying Lips," which appeared in an issue of Detective Story Magazine.
Stanwyck
The Shadow's third movie short, an adaptation from a Donald Van Riper story, "Dying Lips," which appeared in an issue of Detective Story Magazine.
1931-11-11
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A SHADOW DETECTIVE STORY
Based on the 1930s comic strip, The Shadow is put up against his archenemy Shiwan Khan, who plans to take over the world by holding a city to ransom using an atom bomb. Using his powers of invisibility and "the power to cloud men's minds", The Shadow comes blazing to the rescue with explosive results.
The Shadow's second movie short, an adaptation from a Ray Humphreys story, "The Cat's Paw," from Detective Story Magazine.
A group of people in an old dark house are terrorized by a mysterious hooded figure dressed in black who proceeds to kill them off one by one.
Lamont Cranston, aka The Shadow, investigates the murder of a New Orleans bandleader.
Lamont Cranston assumes his secret identity as "The Shadow", to break up an attempted robbery at an attorney's office. When the police search the scene, Cranston must assume the identity of the attorney. Before he can leave, a phone call summons the attorney to the home of Delthern, a wealthy client, who wants a new will drawn up. As Cranston meets with him, Delthern is suddenly shot, and Cranston is quickly caught up in a new mystery.
The Shadow battles a villain known as The Black Tiger, who has the power to make himself invisible and is trying to take over the world with his death ray.
Falsely accused of murdering a crooked newspaper reporter, suave detective Lamont Cranston -- aka the Shadow -- vows to track down the real killer.
While investigating the theft of a valuable jade statue known as "The Missing Lady" -- and the subsequent murder of an art dealer -- imperceptible sleuth Lamont Cranston aka the Shadow (Kane Richmond) finds himself being blamed for the crime. It doesn't help the Shadow's claims of innocence when more bodies begin piling up. Good thing he knows exactly who's guilty among an increasingly smaller group of suspects.
The Shadow (Kane Richmond) cracks a case of missing jewels, murder and plastics.
The second and final Grand National Pictures film to feature The Shadow, played again by Rod La Rocque. In this version, Lamont Cranston is an amateur detective and host of a radio show with his assistant Phoebe (not Margo) Lane. Cabbie Moe Shrevnitz and Commissioner Weston also appear.
Lamont Cranston, a psychiatrist on retainer to the police department, is asked to assist in the Case of the Cotton Kimono murder investigation. Lamont and his girlfriend Margot Lane are not satisfied with Detective Harris' analysis and call on the two prime suspects: the victim's voice instructor and her boyfriend. When Harris, convinced that the boyfriend is guilty, frames the young man for the crime, Lamont is forced to assume his secret identity as "The Shadow", and cloaked by his power of invisibility, seeks to force the true killer to reveal himself.
An aged king decides to divide his kingdom between his three daughters, according to which of them is most eloquent in praising him. His favourite, Cordelia, says nothing. Simon Russell Beale, whose recent appearances at the National include Timon of Athens and Collaborators, takes the title role in Shakespeare’s tragedy.
Based on an autobiographical novella by Ivan Olbracht, the film tells the story of Hanele Safarová, who grows up just after the First World War in a little Ruthenian schtetl which, in true Hassidic fashion, awaits the arrival of the Messiah. But Hanele decides to follow the Zionists instead. She moves to the city to prepare for her departure to the Promised Land, where she meets a successful businessman named Ivo Karadzic, who has renounced Judaism to become a free-thinker. Their love for each other doesn’t only drive Hanele’s parents to distraction, it also threatens to destroy the entire community in the schetl.
A group of archaeologists uncover a strange structure in Northern Canada, dating over ten thousand years before the present. The team finds themselves isolated when their communication systems fail and it's not long before they begin to feel the effects of the solitude.
When Angela refuses to leave her planned-parenthood clinic after it is shut down by the state, a family of fanatical evangelists vow to make her pay.
As a 15-year-old, Marcus survived several concentration camps, changed his name after liberation, and settled in Germany. From then on, he suppressed his past until it caught up with him again, now over 80 years old. Since he wants to be buried according to Jewish tradition, he needs proof of his identity—the tattooed prisoner number is not enough for the bureaucratic rabbis. So the young German-Turkish woman Gül drives him to his Hungarian village of birth, where no one knows him anymore. Only a blind woman seems to have been expecting him.