

Adopted Montreal filmmaker Adrian Wills discovers, on camera and in real time, the startling truths of his complex beginnings in Newfoundland. Shocking details drive Wills to the core of his birth mother’s resilience, and ultimately his own. In this moving feature documentary that combines 16mm footage and contemporary images with deeply personal conversations, Wills’ voyage transforms from an urgent search for identity into a quest to give a quiet girl her voice.

Himself
1.0Gerry Rogers, a filmmaker in Newfoundland, documents her personal battle with breast cancer. With her partner Peggy and lots of support from family and friends, she makes her way to recovery.
0.0If you want to find world-class artisans, the small northern Labrador community of Hopedale offers you some of the best. Created through the St. John's International Women's Film Festival's FRAMED film education series, in partnership with the Nunatsiavut government, this film focuses on three prominent local craftspeople- two carvers and one traditional sewist.
10.0At age 31, after experiencing her second miscarriage, Tahyna MacManus was devastated, lost, angry and, despite those around her, felt terribly alone. She picked up a camera and started to record her story and in doing so found her tribe. Resilient, courageous women speaking of their sadness, their shame and their guilt while still holding onto hope. Tahyna discovers that 1 in 4 Australian women experience miscarriage so why aren’t we talking about it? In this highly intimate journey, Tahyna is on a mission to lift the lid on all that shame, provide some answers and make sure that women no longer walk this path alone. But first, she has to face her own fears.
0.0What does it mean to adopted and brought up far away from your country of birth? In “Given Away,” this week’s moving new Op-Doc by directors Glenn and Julie Morey, Korean adoptees who grew up in Western countries reflect on the complicated emotional terrain that they’ve navigated in their lives. Glenn Morey was himself adopted from Korea in the wake of the Korean war, and the directors have channeled that connection to create a beautifully nuanced and emotional film. As the Moreys write of Glenn’s experience interviewing adoptees, “He has needed others like him … to help him make sense of his life. They have also helped him make peace with the universe.”
Stan Hill Jr. is a Haudenosaunee artist living in Miawpukek First Nation Reserve, Conne River, Newfoundland. In “The Bear Inside a Whale,” he and his family discuss racism, identity, religion, creation and art, along with the cultural extinction of the Beothuk of Newfoundland. Throughout the film, we follow Stan carving a bear out of a whale vertebra. And we visit The Rooms (museum) in St. John’s, Newfoundland, where Stan talks about viewing and reclaiming Indigenous artefacts.
8.1My Flesh and Blood is a 2003 documentary film by Jonathan Karsh chronicling a year in the life of the Tom family. The Tom family is notable as the mother, Susan, adopted eleven children, most of whom had serious disabilities or diseases. The film itself is notable for handling the sensitive subject matter in an unsentimental way that is more uplifting than one might expect.
0.0The cod fishery off the east coast of Newfoundland was a way of life, the backbone of society -- until it collapsed. A review of the history leading up to the crisis and the subsequent call for a moratorium of the northwest Atlantic cod fishery.
0.0Despite the warm images in the family archive, photographer and filmmaker Jonnah misses an intimate bond with her (adoptive) parents. Over the years, a wall has been built between them that Jonnah is now trying to break down with her parents.
From 2000 to 2008, China was the leading country for U.S. international adoptions. There are now approximately 70,000 Chinese adoptees being raised in the United States. Ninety-five percent of them are girls. Each year, these girls face new questions regarding their adopted lives and surroundings. This is a film about Chinese adopted girls, their American adoptive families and the paradoxical losses and gains inherent in international adoption. The characters and events in this story will challenge our traditional notions of family, culture and race.
Denese Joy Becker, a manicurist living in Iowa, discovers she is indeed Dominga Sic Ruiz, a survivor from a 1982 Guatemalan massacre, when more than 200 people were killed in the small village of Rio Negro, after opposing the construction of a dam, sponsored by World Bank. She then tries to unveil the truth.
0.0What's it like to "make a family" when you're not part of the traditional hetero couple? Can two best buddies living on the same floor become a family? Océan and his best friend Sophie-Marie Larrouy will question their friendship, their desire for children and their ability to commit to each other, going to meet people who have made families "differently" to draw inspiration from them and invent their own model.
6.7At age 25, Olivier Rousteing was named the creative director of the French luxury fashion house, Balmain. At the time, Rousteing was a relatively unknown designer, but in the decade since, he’s proven his business prowess and artistic instinct by leading Balmain to new heights. Wonderboy gives the viewer the rare opportunity to experience the inner sanctum of the fashion world, as we stand shoulder-to-shoulder with this extraordinary individual while he works.
1.0Traces the new Cold War between Russia and the West from the ban on American citizens adopting Russian children to the Kremlin’s anti-LGBTQ campaign, which positions the international marriage equality movement as a national threat.
9.0In the collective imagination, international adoption evokes images of children being saved from a life of destitution in poorer countries by being adopted by families in Europe or America. But the reality that has emerged is one of child trafficking, falsified documents and governments around the world turning a blind eye.
7.4Questions of race, identity and heritage are explored through the lives of young American women growing up as adoptees from China. These four distinct individuals reflect on their experiences as members of transracial families.
7.3New York, 1980. Three complete strangers accidentally discover that they're identical triplets, separated at birth. The 19-year-olds' joyous reunion catapults them to international fame, but also unlocks an extraordinary and disturbing secret that goes beyond their own lives – and could transform our understanding of human nature forever.
0.0A dash of youth, a pinch of age, and an unrecorded recipe: Mudder's Hands is a charming documentary conversation about arthritis, centered around the tradition of baking Newfoundland raisin bread.
7.3Adopted from South Korea, raised on different continents & connected through social media, Samantha & Anaïs believe that they are twin sisters separated at birth.
6.5In 1966, Deann Borshay Liem was adopted by an American family and sent from Korea to her new home in California. There, the memory of her birth family was nearly obliterated, until recurring dreams led her to investigate her own past, and she discovered that her Korean mother was very much alive. Bravely uniting her biological and adoptive families, Borshay Liem embarks on a heartfelt journey in this acclaimed film that first premiered on POV in 2000. First Person Plural is a poignant essay on family, loss and the reconciling of two identities.
