Count Almaviva
Bartolo
Rosina
Basilio
Berta
Fiorello
Ambrogio
Officer
Self – Choirmaster
2023-03-06
0
"Who plays me, hears my voices”, shows a recent moment in the life of Gaston Lafourcade, a classical pianist and harpsichordist who, at the age of 83, enters a recording studio for the first time in his life to record a solo album and to join his daughter, Natalia Lafourcade, who during a recess period in her career, decides to embark on this adventure as a love letter to her father and as a way to enjoy what brings them together, beyond blood ties: their deep love for music.
Officers Ferrando and Guglielmo are certain that their lovers Dorabella and Fiordiligi are faithful to them, but the cynical Don Alfonso challenges them to a bet that the women will be unfaithful given the chance. The officers thus pretend to go off to war, and return in disguise as Albanian strangers, to woo Dorabella and Fiordiligi incognito. The ladies are initially frosty, but soon warm to their new suitors, spurred on by their maid Despina. Performed at the La Scala Theatre in Milan.
A destitute, crippled child and his mother are visited late one night by three traveling strangers who claim to be following a star so that they may bring gifts to a newborn king. The yearly live telecasts of Gian Carlo Menotti’s Amahl and the Night Visitors were a cherished Christmas tradition throughout the 1950s. In addition, since its premiere in 1951, Amahl has been performed regularly by community groups and small opera companies throughout the US, making it the single most popular American opera. This production, staged by the composer himself and originally telecast on Christmas Day, 1955, is a testament to the work’s enduring power to move the heart and stir the soul. Starring Rosemary Kuhlmann as the Mother and Bill McIver as Amahl. Members of the Symphony of the Air are under the direction of Thomas Schippers.
Franco Zeffirelli directs these two legendary La Scala productions telling tragic tales of jealousy. Mascagni's Cavalleria Rusticana features performances by Elena Obraztsova, Plácido Domingo, and Renato Bruson. Leoncavallo's I Pagliacci stars Teresa Stratas, Plácido Domingo, and Juan Pons. Both are conducted by George Pretre. This production of Pagliacci earned director Franco Zeffirelli the coveted Emmy as Best Director in the category of Classical Music Programming.
A doctor with a talent for playing the piano finds artistic inspiration in hospital patients and composes her last melody.
Utterly astounding, iridescent sand animation from Aleksandra Korejwo based around Bizet's Carmen.
The gorgeous and evocative Otto Schenk/Günther Schneider-Siemssen production continues with this second opera in Wagner’s Ring cycle. Hildegard Behrens brings deep empathy to Brünnhilde, the favorite daughter of the god Wotan (James Morris) who nevertheless defies him. Morris’s portrayal of Wotan is deservedly legendary, as is Christa Ludwig, as Fricka. Jessye Norman and Gary Lakes are Sieglinde and Siegmund, and Kurt Moll is the threatening Hunding. James Levine and the Met orchestra provide astonishing color and drama. (Performed April 8, 1989)
Siegfried is the third of the four operas that constitute Der Ring des Nibelungen (The Ring of the Nibelung), by Richard Wagner.
01. The Godfather Waltz (N. Rota) 02. Romance Anonyme (Anonyme) 03. Lagune Waltz (J. Strauss) 04. O Mio Babbino Caro (G. Puccini) 05. The Rose (A. McBroom) 06. Italiana (O. Respighi) 07. You Are The Emperor Of My Heart (R. Stolz) 08. Sous Le Ciel De Paris (H. Giraud) 09. Roses From The South (J. Strauss) 10. My Heart Will Go On (J. Horner) 11. Intermezzo Sinfonico (M. Mascagni) 12. Moonlight (Kojo No Tsuki) (R. Taki) 13. The Last Rose (F. von Flotow) 14. Limburg Anthem (H. Thijssen / G. Krekelberg) 15. Concierto De Aranjuez (J. Rodrigo) 16. Swinging Bells Of Limburg (J. Hoes) 17. Nightingale Serenade (E. Toselli) 18. Auld Lang Syne (Traditional) 19. Ode To Maastricht (Y. Duteil) 20. Lullaby (J. Brahms)
Soprano Anna Netrebko appears in her highly anticipated Met role debut as Leonora, the tortured heroine who sacrifices her own life for the love of the Gypsy troubadour. Dmitri Hvorostovsky sings Count di Luna, Yonghoon Lee is Manrico in his Met role debut as the title character, Dolora Zajick sings her signature role of the gypsy Azucena, and Štefan Kocán is Ferrando. Marco Armiliato conducts Sir David McVicar’s Goya-inspired production.
Renée Fleming sings one of her signature roles, the title character in Dvořák’s sumptuously melodic Rusalka. The story of the opera, which is about a water spirit’s tragic romance with a human prince, is drawn from several folktale sources including Hans Christian Andersen’s “The Little Mermaid.” Star conductor Yannick Nézet-Séguin leads a cast that also includes Piotr Beczala as the handsome Prince whom Rusalka yearns to love; Dolora Zajick as the cackling swamp witch Ježibaba; Emily Magee as the Foreign Princess, Rusalka’s rival; and John Relyea as Rusalka’s father, the Water Sprite.
Radiant mezzo-soprano Susan Graham and dashing Italian tenor Marcello Giordani are unlucky lovers in La Damnation de Faust, Hector Berlioz’s classic take on dancing with the devil.
Valery Gergiev conducts Mariusz Trelinski’s thrilling new production of these rarely heard one-act operas. Anna Netrebko stars as the blind princess of the title in Tchaikovsky’s lyrical work, opposite Piotr Beczala as Vaudémont, the man who wins her love—and wakes her desire to be able to see. Nadja Michael and Mikhail Petrenko are Judith and Bluebeard in Bartók’s gripping psychological thriller about a woman discovering her new husband’s murderous past.
Lyrical biography of the classical composer, depicted as a romantic hero, an accursed artist.
This all-star cast is framed by Peter Hall’s gritty, realistic production and conducted by James Levine, who brings out all the surging emotion and gripping drama in Bizet’s score. At the center of the story is Agnes Baltsa, whose smoky mezzo is tailor-made for the gypsy Carmen, an independent woman who glories in obeying only her own rules, but who is haunted by fate. Superstar tenor José Carreras is Don José, the solider from a small town who catches Carmen’s eye and is destroyed by his growing obsession with her. Samuel Ramey is the charismatic matador Escamillo, who lures Carmen away from Don José with tragic result. Leona Mitchell is Micaëla, the simple girl from Don José’s hometown who cannot save him. March 21, 1987 Matinee Broadcast.
Composer Thomas Adès conducts the Met premiere of his powerful opera based on Shakespeare’s last play, in Robert Lepage’s brilliantly inventive production. Simon Keenlyside is the magician Prospero, who conjures the storm that shipwrecks his enemies and sets in motion the course of events. Rising Met stars Isabel Leonard and Alek Shrader are the young lovers, Miranda and Ferdinand, Alan Oke sings the sinister Caliban, and Audrey Luna gives a memorable performance as the sprite Ariel.