Obsessions du deuxième étage(2000)

Larisa(ru)

Elem Klimov's documentary ode to his wife, director Larisa Shepitko, who was killed in an auto wreck.

Daybreak Express(en)

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.

A Fan's Guide to Ms. Marvel(en)

A documentary short that gives you an exclusive look behind the groundbreaking original series, "Ms. Marvel", from its comic book origins to its development and production as Marvel Studios’ next hit series on Disney+. It features interviews with its award winning filmmaking team and the show’s captivating star, newcomer Iman Vellani.

Kill Shot: The Making of 'FD3'(en)

Go behind the pre-production, production, and post-production process of making New Line Cinema's Final Destination 3, exploring the history of not only the film itself but of its filmmaking partners, Glen Morgan and James Wong, and gain insight on the production as a whole. Includes early development meetings, on-set action, interviews with cast and crew, visual effects development, test screening process as well as an elaborate ending re-shoot.

The Unfinished Journey(en)

A short about American life and history produced for the millennium New Year's Eve celebration.

In Between(sq)

In rural Kosovo, identical houses are built for family members working abroad, in the hope that they will one day return to settle in their old homeland.

Mario Camus según el cine(es)

A look at the life and work of Spanish filmmaker Mario Camus (1935-2021).

Making Frankensense of Young Frankenstein(en)

Via reminiscences from writer/actor Gene Wilder and others, this documentary recalls the making of the 1974 film Young Frankenstein.

Hannas baby(sv)

Fajr(ar)

In the Moroccan desert night dilutes forms and silence slides through sand. Dawn starts then to draw silhouettes of dunes while motionless figures punctuate landscape. From night´s abstraction, light returns its dimension to space and their volume to bodies. Stillness concentrates gaze and duration densify it. The adhan -muslim call to pray- sounds and immobility, that was condensing, begins to irradiate. And now the bodies are those which dissolves into the desert.

The Simón's Jigsaw: A Trip to the Universe of Juan Piquer Simón(es)

A journey through the work of Spanish filmmaker Juan Piquer Simón (1935-2011).

The Real Glory: Reconstructing 'The Big Red One'(en)

Documentary about the efforts to reconstruct Sam Fuller's The Big Red One closer to the film Fuller had originally envisioned.

Gifted and Challenged: The Making of 'Shortbus'(en)

A look at the unusual process used in the making of the film Shortbus (2006) featuring interviews, behind the scenes footage and clips from the feature film. Director John Cameron Mitchell starts with the concept of using real sex in a film with a positive message. The cast of unknowns is selected from homemade audition tapes and then a callback audition workshop. More acting workshops are used to develop the characters and script. The project overcomes a number of obstacles and the rest of the film's development is followed up until its premiere at the Cannes Film Festival.

Like a Spiral(fr)

Like a Spiral is a dialogue between Beirut and five women, migrant domestic workers, under the Kafala system. Expressing their belonging to a society in collapse, the women's voices rise through the film's grainy images to denounce their stolen freedom with an inalienable thirst for existence. Their memories dance in the rhythm of oppression. Caught within life's spiral, they lift themselves up to not sink into oblivion.

Visions of Europe(en)

Twenty-five films from twenty-five European countries by twenty-five European directors.

Night and Fog(fr)

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Passing(en)

A short documentary profiling the lives of three transgender Black men, exploring what life is like living as a Black man when no one knows you are transgender, and their journeys with gender in the years since they transitioned.

Workers Leaving the Lumière Factory(fr)

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

The Voice of Hollywood(en)

The Voice of Hollywood hosted by Pat O'Brien. Features Joan Blondell, Robert Montgomery, Elissa Landi, Warner Baxter, and the coronation of Mary Pickford as "Queen of the Arts." It is not currently clear which number in the series this is because it isn't on IMDB or any listing).

The Arrival of a Train at La Ciotat(fr)

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.