Shadow(1975)

Artificial Intelligence, 2023(en)

Composed entirely of AI-generated visuals and providing an abstract representation of the evolution of AI video, processed entirely through a VCR.

3-D(en)

3-D is a hand-painted experimental short film by Riley Hogan. Acrylic paint, ink and scratching were used to animate on clear Super 8mm film leader.

Stairs to Above(en)

Norman, arrives at a giant building and climbs up the countless stairs that exist in the building until he reaches the top.

Emptiness(en)

A man sits in his living room, doing absolutely nothing while morning arrives.

Functional Block Diagrams(en)

A synthesis of sound and movement; colourful characters dance and move in repetitive patterns to percussive and melodic elements. A combination of motion and music that is hypnotic and beautiful. At first it feels structured and orderly but as more elements are added becomes quixotically expressive.

FOREIGN AFFAIRS(en)

Shot on 16mm film in New York and composed in Berlin, the work explores polarizing themes of the metropolis. Audibly and visually, the viewer is put in a flicker between serenity and intensity; harrowing ambience cut with sharp beeps, vulnerable steps mashed in high velocity.

Fullmetal Alchemist the Movie: Conqueror of Shamballa(ja)

Munich, Germany, 1923. Two years have passed since Edward Elric was dragged from his own world to ours, leaving behind his country, his friends and his younger brother, Alphonse. Stripped of his alchemical powers, he has been all this time researching rocketry together with Alphonse Heiderich, a young man who resembles his own brother, hoping to one day find a way back home. His efforts so far had proven fruitless, but after lending a hand to a troubled gipsy girl, Edward is thrown in a series of events that can wreak havoc in both worlds. Meanwhile, at his own world, Alphonse Elric ventures deeper into the mysteries of alchemy in search for a way to reunite with his older brother.

Dark Mixer(ja)

Iwasaki’s ink oscillates like an evil lava lamp that might actually be alive and its progression into more and more disturbing images create an impressive sense of dread in a film that is basically just some pencil drawings on a blank background. (Film School Rejects)

All Souls Carnival(en)

Len Lye usually timed his films with great care to match their soundtracks, but for All Souls Carnival, he and composer Henry Brant worked separately, preferring to see if the score and visual track would synchronise by chance. Lye also experimented with a new Direct Film technique, drenching the filmstrip in colourful paint and marker pen.

Everybody Dies(en)

Utilizing super 8mm and an economical shooting method of quick, short shots building idiosyncratic rhythms via rapid editing techniques, time, nature, and even the body folds in on itself. Everybody Dies (2020) is a poetic journey into the desert. It’s a reflection on the nature of death as something not to be feared, but embraced as a part of a personal and universal human experience. Super 8mm.

The Silent Route(en)

Vestige(en)

A room-scale VR creative documentary that uses multi-narrative and volumetric live capture to take the viewer on a journey into the mind of Lisa as she remembers her lost love, Erik. Within an empty void, fragments of past memories appear of their life together.

Woman Is My Last Name(en)

This visual poetry is a celebration of the full spectrum of womanhood, from the complex vulnerability to the hidden power.

Ace of Light(en)

"Light animation and original poetry in this initiatic journey by Dennis Pies, who is now known as Sky-David." - Daily Psychedelic. Preserved by the Academy Film Archive in 2013.

Angel(en)

In this short film, a young man, a girl and a dog attempt to fly with wings more symbolic than practical.

And Um(en)

Direct animation on 35mm.

La dissolution du paysage(xx)

Becoming Air(de)

Breathe deeply: in 3 years, your molecules will circle Earth, as today’s oxygen came from nature.

Things to Come(en)

A vibrant animation by Patricia Marx. Preserved by the Academy Film Archive in 2000.

The End(et)

It is said that if a man is fading away, he sees his life running quickly in front of his eyes. What does a hundred-year old film strip see before it gives way to digital vehicles? Does it see broken frames, scratched film stock or something else? This is a film about time and its ephemeral nature.