À l'horizon des événements(2023)

Two Travellers to a River(ar)

When asked a question on politics, late Palestinian poet Mahmoud Darwish once answered: “I write about love to expose the conditions that don’t allow me to write about love.” In TWO TRAVELERS TO A RIVER Palestinian actress Manal Khader recites such a poem by Mahmoud Darwish: a concise reflection on how things could have been.

Habibi(en)

Filmed in New York in the summer of 2006: a march across the Brooklyn Bridge in support of the Palestinian and Lebanese populations. Habibi means "beloved" in Arabic.

Fulano de Tal(pt)

Seven Images of Disappearance(en)

Seven images, each staging their own disappearance.

Inside the Iranian Uprising(en)

In September 2022, a 22-year-old Iranian woman, Mahsa Amini, died in police custody. She had been arrested by Iran’s religious police, accused of not wearing her hijab properly. The authorities said she had died of a heart attack, but rumors spread that she had been beaten on arrest. Citizens took to the streets in their thousands in fury. This is an extraordinary and shocking insight into what has been happening across Iran, revealing a regime under huge pressure and resorting to extreme cruelty to control its citizens.

Chronicles of revolution that didn't happen(ru)

The documentary follows Oleg, Andrey, and other long-distance truck drivers from all over Russia, who turned their outrage against the 2015 bill that required truckers to pay taxes when driving on federal roads into a 9 month long protest.

Shapeless Tracking(es)

Inside a computer a space-time is revealed in which image and sound become numbers and motion manifests as rhythm, flow and chaos. This tracking and integration experiment removes the superficial identity of video to detect kinetic disturbances in everyday environment.

Le crash(en)

i will grow old, and what will i remember?(en)

A meditation on childhood, loss, and the desire to recreate one’s innocence; the recalling of memories.

The Third Man(en)

The moment where American sprinters Tommie Smith and John Carlos raised their gloved hands in defiance on the podium at the 1968 Mexico City Olympics is one of the most memorable images in sports history. But there is a third man in the photo, the white Australian who finished second to Smith and ahead of Carlos in the 200 meters. His name is Peter Norman, and he stands in quiet solidarity with them. Norman’s story is retold in this film with passion and perspective.

Tierra(xx)

"Regina José Galindo’s Tierra (2013) explores connections between the exploitation of labor, resources, and human life in Guatemala. Presented at a larger-than-life scale, Galindo stands naked on a parcel of land that is excavated by an encroaching bulldozer. Conjuring imagery of machine-dug mass graves, the work draws attention to the massacre of hundreds of thousands of Indigenous people, mostly Maya Ixil, during the Guatemalan Civil War (1960–96). As the excavator digs around her, the artist stands fixed and unrelenting." - MoMA PS1

Le regard de Georges Brassens(fr)

An atypical portrait of singer, songwriter, poet Georges Brassens.

A Collection of Images from the Point of View of Lightness of Being(en)

A collection of images taken on 35mm film with a point-and-click Holga135BC during the year after I dropped out of school.

Third Shift Coming Home(en)

This audio-visual tone poem uses the language of filmmaking to offer a first-hand evocation of the turbulent psychological effects one can experience due to prolonged lack of sunlight.

HRV(es)

Things That Were There(en)

Experimental video art compiled from video taken on an LG Env3 flip phone circa 2009-2010

WigWigWig(en)

Experimental self portrait

Darling, Mister Graphophone(en)

A short, three minute documentary exploring audio recordings from the year 1894 to 1922, layered over home-footage from the year 1920 to 1985, as an indulgent social-commentary on our collective human experience as well as a testament to the everlasting nature of art.

Artificial(en)

Innocent nature walk leads to a discovery of the morbid nature of humans.

In Home God Remains(pt)

Religious imagery in Curado I, a small neighbourhood in the northeast of Brazil.