
Jomo Kenyatta's death in 1978 brought to an end a political career that encompassed more than 50 years of African history. Kenyatta entered politics in the mid-1920s and then spent 17 years in exile in Europe. He returned to Kenya in 1946, and was elected president of the nationalist movement, the Kenya African Union. Arrested and imprisoned in 1952 for allegedly leading 'Mau Mau', he was released in 1961 and two years later became Kenya's first Prime Minister. In power, the man whom European settlers had once reviled as "the leader to darkness and death" was eulogized by them as a pillar of stability, while former allies challenged him by creating a left-leaning political opposition. Kenyatta weaves archival and contemporary images with interviews with friends and relatives, comrades and opponents, to create a biographical portrait of a key figure in 20th century politics, and a case study of what Frantz Fanon called the pitfalls of nationalism as a political force in Africa.
Narrator

Jomo Kenyatta's death in 1978 brought to an end a political career that encompassed more than 50 years of African history. Kenyatta entered politics in the mid-1920s and then spent 17 years in exile in Europe. He returned to Kenya in 1946, and was elected president of the nationalist movement, the Kenya African Union. Arrested and imprisoned in 1952 for allegedly leading 'Mau Mau', he was released in 1961 and two years later became Kenya's first Prime Minister. In power, the man whom European settlers had once reviled as "the leader to darkness and death" was eulogized by them as a pillar of stability, while former allies challenged him by creating a left-leaning political opposition. Kenyatta weaves archival and contemporary images with interviews with friends and relatives, comrades and opponents, to create a biographical portrait of a key figure in 20th century politics, and a case study of what Frantz Fanon called the pitfalls of nationalism as a political force in Africa.
1973-01-01
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6.1The film tells of the beginnings of the Serengeti National Park in Tanzania. At the end of the 1950s, the Tanzanian National Park Administration wanted to fence in the protected area around the Ngorongoro Crater. Bernhard and Michael Grzimek were invited by the national park administration in 1957 to get a precise picture of the animal migrations and to provide the national park administration with the values they needed for their project. Using a new counting method with two airplanes, the Grzimeks found out that the migration of the herds was different than assumed.
A history of racialism in Rwanda, from the European colonization to the 1994 genocide.
7.8A documentary detailing an indiscriminate terrorist attack that left 71 dead in Kenya.
For African athletes making money abroad is the big goal. But Kenyan marathon runners need to be careful – the industry is ruthless and only few make it. For years, sports managers have been bringing African athletes to Europe to run in marathons with promises of potential prize money and a top career. For many it’s a means of escaping poverty. But what price do the marathon runners themselves pay? Long-distance running is among the toughest disciplines in the world. Professional marathon runners battle over seconds in a race more than 40km long - seconds that are often worth huge sums of money. Running has become a business. The prize money for a major event can be in five figures. Participants have to be world-class athletes to win these amounts.
0.0When his family tries to kill him, Sidney, who is intersex, flees to Nairobi where he meets a group of transgender friends. Together, they fight discrimination and discover life, love and self-worth.
A woman asks "what's the meaning of democracy?" as she looks back over the politics of Kenya from the 1960s to the 2007 election.
This early travelogue film, made in a Kenyan train station, captures an impromptu musical performance. Some passengers eagerly join in while others sleep—blissfully unaware of the performance taking place around them.
0.0A look at the Mau Mau Rebellion of the 1950s as experienced by filmmaker Donald McWilliams.
0.0A short film documenting the time the filmmaker spent in Kenya.
Kibera is the largest slum area in Nairobi, and the largest urban slum in Africa. This documentary depicts three important problems; violence, drugs (miraa) and albinos killing.The 2009 Kenya Population and Housing Census reports Kibera's population as 170,070, contrary to previous estimates of one or two million people .Most of Kibera slum residents live in extreme poverty, earning less than $1.00 per day. Unemployment rates are high. Persons living with HIV in the slum are many, as are AIDS cases. Cases of assault and rape are common. There are few schools, and most people cannot afford education for their children. Clean water is scarce. Diseases caused by poor hygiene are prevalent.
8.0How’s the Big Everything? Garba asks Nicole. For them, the “Big Everything” encompasses family, politics, History, daily life, the stars, small things, and time passing like the wind. By delving into their memories, at the time of Niger’s independence, we come face to face with the complexity of the present.
6.0The story of Kenyan athlete David Rudisha, the greatest 800m runner the world has ever seen, and his unusual coach, the Irish Catholic missionary Brother Colm O'Connell.
6.4The ruthless dictator Teodoro Obiang has ruled Equatorial Guinea with an iron hand since 1979. Juan Tomás Ávila Laurel is the most translated Equatoguinean writer, but he had to flee the country in 2011, after starting a hunger strike denouncing the crimes of the dictatorship. Since then, he has lived in Spain, feeling that, despite the risks, he must return and fight the monster with words.
7.3In the Namunyak Wildlife Conservancy in Kenya drought is a menace to both humans and animals. This documentary follows two Elephant Guardians in their tireless work to protect this endangered species.
0.0The film portrays the trajectory and life of the “Agudá” people today. This is a group of descendants of Africans enslaved in Brazil, who returned to their homeland with the end of slavery, and also descendants, Brazilian and Portuguese, of slave traffickers, who settled in that region of Africa in the 18th and XIX. Present in Benin and Togo, the “agudás” assimilated the surname and part of the culture of their masters.
0.0Numerous Kenyan women allege that they were raped by British soldiers from 1970 to 2003 — battered and abandoned by their husbands for bringing "shame on the community" — a number of Samburu women gathered and created "Umoja", a sex-segregated village where only women are allowed permanent residence.
As if they were showing their film to a few friends in their home, the Johnsons describe their trip across the world, which begins in the South Pacific islands of Hawaii, Samoa, Australia, the Solomons (where they seek and find cannibals), and New Hebrides. Thence on to Africa via the Indian Ocean, Suez Canal, North Africa, and the Nile River to lion country in Tanganyika. (They are briefly joined in Khartum by George Eastman and Dr. Al Kayser.) Taking a safari in the Congo, the Johnsons see animals and pygmies, and travel back to Uganda, British East Africa, and Kenya.
6.5Thousands of royal artifacts of Dahomey, a West African kingdom, were taken by French colonists in the 19th century for collection and display in Paris. Centuries later, a fraction returned to their home in modern-day Benin. This dramatized documentary follows the journey of 26 of the treasures as told by cultural art historians, embattled university students, and one of the repatriated statues himself.
8.0Leah and Purity are rangers in the Kenyan bushland. They roam around Amboseli National Park every day to track down wildlife. The Maasai shepherds also have their villages here. Conflicts can hardly be avoided. The young women are often called to missions to mediate or comfort. The two Maasai women themselves have to fight against discrimination
7.0In Brussels, Belgium, the Royal Museum of Central Africa is undertaking a radical renovation, both physical and ethical, to show with sincerity, crudeness and open-mindedness the reality of the atrocities perpetrated against the inhabitants of the Belgian colonies in Africa, still haunted and traumatized by the ghost of King Leopold II of Belgium, a racist and genocidal tyrant.