Narcotic Deaths(1970)

Jim Morrison: The End(fr)

Paris, Rue Beautreillis, July 3, 1971. The corpse of rock star Jim Morrison is found in a bathtub, in the apartment of his girlfriend Pamela Courson. The chronicle of the last months of the life of the poet, singer and charismatic leader of the American band The Doors, one of the most influential in the history of rock.

Dig!(en)

A documentary on the once promising American rock bands The Brian Jonestown Massacre and The Dandy Warhols. The friendship between respective founders, Anton Newcombe and Courtney Taylor, escalated into bitter rivalry as the Dandy Warhols garnered major international success while the Brian Jonestown Massacre imploded in a haze of drugs.

Nightcrawlers(en)

For five years, Stephen McCoy documented street life in Boston. This is what he captured.

Bliss(en)

After a tragic series of events in his life, Rob discovers the over-the-counter drug known as codeine. The effects of the pill are so strong and addictive, that soon, Rob becomes dependant and consumes them daily. But the less he feels the more he misses, as his life degrades into a deep, dangerous, oblivion of bliss.

Life of Crime 2(en)

This follow-up to the 1989 documentary ONE YEAR IN A LIFE OF CRIME revisits three of the original subjects in New Jersey during a five-year period in the 1990s. We share in their triumphs and setbacks as they navigate lives of poverty, drug abuse, AIDS, and petty crime.

Heroin(e)(en)

This documentary follows three women — a fire chief, a judge, and a street missionary — as they battle West Virginia's devastating opioid epidemic.

Autopsy(es)

Mondo-style docudrama about a war correspondent who comes back home and has a spiritual crisis about his own mortality. Surreal fantasy sequences are mixed with graphic real autopsy footage.

Hype!(en)

This documentary examines the Seattle scene as it became the focus of a merging of punk rock, heavy metal, and innovation. Building from the grass roots, self-promoted and self-recorded until break-out success of bands like Nirvana brought the record industry to the Pacific Northwest, a phenomenon was born.

Methadonia(en)

Shot over the course of 18 months in New York City's Lower East Side, METHADONIA sheds light on the inherent flaws of legal methadone treatments for heroin addiction by profiling eight addicts, in various stages of recovery and relapse, who attend the New York Center for Addiction Treatment Services (NYCATS).

Ciao! Manhattan(en)

Fiction and documentary mingle in a freewheeling portrait of Susan Superstar, a New York celebrity on a drug-fueled downward slide that mirrors Edie Sedgwick’s own self-destructive spiral.

What Did You Take?(en)

Stresses recognition and treatment of drug abuse emergencies, accurate identification of symptoms, and immediate clinical procedures. Presents scenes of actual cases in the emergency room and adjoining physician's offices of Beth Israel Medical Center in New York City. Viewers observe emergency treatment of patients in the major classes of drugs commonly abused, opiates, depressants, stimulants, and hallucinogens. The film demonstrates to health professionals that successful management of drug overdoses can save most lives and avert additional organic and psychiatric complications.

Overdose(en)

This program is an overview of best practices to keep a person who has overdosed alive between discovery and hospitalization. Practices include quickly finding or identifying the substance the person on which the person has overdosed and traveling to a hospital or other treatment site immediately. Several simulations of different situations are shown, and the narrator asks the viewer what he or she would do differently. It provides an excellent overview of the basic prehospital approach to an overdosed patient. The initial field management of a patient is covered, accompanied by well-done scenarios illustrating incorrect technique. Although the inclusion of more medical detail would have been beneficial, this is a compelling presentation which is highly recommended for use.

Faces of Death(en)

A collection of death scenes, ranging from TV-material to home-made super-8 movies. The common factor is death by some means.

Run for Your Life!(de)

He lived the junkie's life as a heroin addict. Triathlon transformed him. Biopic of the record breaking Ironman Andreas Niedrig.

US(en)

This experimental 1970 color documentary film, ostensibly designed to provoke classroom discussion employs a boldly unconventional approach to addressing the issues of drug addiction, featuring the music of Canadian singer-songwriter Bruce Cockburn. The film eschews narration for montage effects and extended fly-on-the-wall scenes of various drug users in conversation.

Budapest, végállomás(hu)

Last Days Here(en)

Documentary follows Bobby Liebling, lead singer of seminal hard rock/heavy metal band Pentagram, as he battles decades of hard drug addiction and personal demons to try and get his life back.

Storia di Filomena e Antonio: Gli anni '70 e la droga a Milano(it)

Documentary on the penetration of drugs in Milan in the 70s. Filomena is only 24 years old and recounts with a lucidity that takes her breath away her journey as a child locked up in boarding school, ran away from home, taken back by her family and treated as a lost woman. She talks about her marriage to a boy who emigrated to Germany, and her inability to adapt to this new situation. She narrates the arrival in Milan, the meeting with Antonio and the one with drugs. A dialogue for two voices traces the ruthless picture of drug addiction, the daily search for the dose and the attempts to get out of it. It is a poignant document, above all for the lucidity, measure, maturity and intelligence of two unforgettable figures.

Dead Is Dead(en)

An educational video exploring drug addiction, including footage of real-life addicts going through rehab therapy.

Drug Addiction(en)

Marty, a "good boy," experiments with marijuana and experiences "profound mental and emotional disturbances." As in all anti-drug films of this vintage, marijuana leads straight to "H," and Marty's decline continues until he is busted, rehabbed and reformed. Drug Addiction's stilted view of the urban drug culture and unrealistic portrayals of stoned slackers make it entertaining viewing today. It belongs to that little-known "second wave" of anti-drug films, the postwar scare stories about middle-class kids overcome by junkiedom. What this wave of films reveals is that drugs were an issue for white adolescents long before the psychedelic Sixties, and that the official response to the threat expressed a general, not specifically targeted paranoia.