Postmodernism: The Substance of Style(2011)

Plane Days(en)

Old friends. Young friends. Lovers and loners. They all wait, hoping to see something they have never seen before. A Virgin? Thai? Singapore? Hopefully another one for the book. A flask of tea or bottle of wine to keep warm, and every day around the perimeter fence at Heathrow is a plane day.

Mutts(fr)

For the 750 dogs that live in a Moroccan shelter, the daily routine consists of eating, resting, a bit of fighting and eating again. Could they possibly expect more from life? A pointed, cinematic commentary on mass confinement.

Drogenproblem Alkohol(de)

A typical group of young people get together at the weekend. Drinking is part of it because, according to them, alcohol is a social drug. But Rudolf knows better, because he is an alcoholic. He has been trying unsuccessfully to overcome his addiction for years. He observes young people as they deal with alcohol.

Frühraucher(de)

Jean, a schoolboy who started smoking at the age of 8, talks about his addiction. Jean's smoking career is an example of how addiction develops. In a futile attempt to give up smoking again at the age of 18, Jean comes to the frustrating realization that the addiction has him in its grip.

ダメな奴 ～ラッパー紅桜 刑務所からの再起～(ja)

Bamboo Theatre(cn)

This film is a portrait of unique cultural space for Spirits, Gods and People. While permanent theatres are commonly built in most cosmopolitan modern cities, Hong Kong preserves a unique theatrical architecture, a Chinese tradition that has lasted more than a century - Bamboo Theatre.

Cool Water(en)

21-year-old Keith Blauschild, formally trained in the culinary arts, is also a self-taught ice carver. Together with his fiancee Angela Boone, Keith sculpts intricate but impermanent artworks for catered affairs, hotels, cruise ships and for advertising promotions. In this short documentary profile, Keith is filmed as he fashions a prototype (a sword-bearing warrior fighting a dragon) for an upcoming ice carving competition. At the contest site, the young man joins scores of other chainsaw-wielding sculptors busily freeing their creations from blocks of ice. Although Keith does not win a prize, his devotion to ice-carving remains intact. Moving from his home in New Jersey to a new life in Florida, Keith is featured as the "Person of the Week" on a Florida news broadcast

Kaarel Kurismaa. The Limits of Timelessness(et)

A documentary about the Estonian artist Kaarel Kurismaa shows the viewer an insight into the world of artists. Kaarel changed his creative direction several times; he explored different artistic styles. Kaarel Kurismaa laid the foundations for Estonian kinetic and sound art. He is a highly versatile artist whose creative energy is divided between painting, sound, installation, monumental art, and film. On the crest of the avant-garde wave of the 1970s, he created several important sound and kinetic objects in Estonian art history.

Kokoschka: Work and Life(fr)

Painter, poet and playwright, teacher and freethinker, lover and traveler, Austrian artist Oskar Kokoschka (1886-1980) was a rare individual who remained lucid and passionate throughout his long life.

Are You Really My Friend?(en)

In 2011, photographer Tanja Hollander decided to visit each one of her Facebook "friends" (all 626 of them) in their homes and make formal portraits of each of them. Armed with her cameras and iPhone, Tanja traveled throughout the U.S. and around the world for 5 years, meticulously documenting her experiences in real time and creating a historical narrative, both visual and written, along the way. Her project is an exploration of friendships, the effects of social networks, the intimate places we call home and the communities in which we live.

Jo(en)

Jo; or The Act of Riding a Bike is Zefier's third film.

Bunk #7(en)

Documentary about the production of Bunk #7.

Breaking Rachmaninoff(en)

A humorous documentary about the search for a great composer who managed to overcome his depression by spelling his own name wrong.

Benek Blues(pl)

The action is placed in a cramped flat in Warsaw’s district of Ochota. A father and a son, both bedridden, live in a fascinating symbiosis. The son, a well‑known photographer Bernard ben Dobrowolski, is lying in bed because a chronic condition has deformed his body and immobilized him. The father, Dominik, has recently suffered from a stroke. Now they are taking care of each other and crowds of visitors move through their room.

Meat Joy(en)

"Meat Joy is an erotic rite — excessive, indulgent, a celebration of flesh as material: raw fish, chicken, sausages, wet paint, transparent plastic, ropes, brushes, paper scrap. Its propulsion is towards the ecstatic — shifting and turning among tenderness, wildness, precision, abandon; qualities that could at any moment be sensual, comic, joyous, repellent. Physical equivalences are enacted as a psychic imagistic stream, in which the layered elements mesh and gain intensity by the energy complement of the audience. The original performances became notorious and introduced a vision of the 'sacred erotic.' This video was converted from original film footage of three 1964 performances of Meat Joy at its first staged performance at the Festival de la Libre Expression, Paris, Dennison Hall, London, and Judson Church, New York City."

Journey Around My Room(fr)

The camera slowly pans through a room as Smolders offers various observations and memories.

Le Coureur de fond(fr)

Children of Wool(en)

Shot on location in a very remote part of southern Morocco, this short film looks into the amazing craftsmanship and dedication of the Berber rug weavers in the region. These incredibly talented people are part of an ancient tradition that still employs centuries-old techniques to produce beautiful and unique handwoven rugs.

Workers Leaving the Lumière Factory(fr)

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

A.(es)

Having lost her memory, A. could barely recall glimpses of her childhood in Argentina. After her death, her son visits the empty house for the last time. A sensory journey through a house without objects but filled with memory.