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In 1980, a teenage boy escapes the unrest in Iran only to face more hostility in America, due to the hostage crisis. Determined to fit in, he joins the school's floundering wrestling team.
A successful mod photographer in London whose world is bounded by fashion, pop music, marijuana, and easy sex, feels his life is boring and despairing. But in the course of a single day he unknowingly captures a death on film.
A self-assured businessman murders his employer, the husband of his mistress, which unintentionally provokes an ill-fated chain of events.
THE BRIGHT DAY weaves a story that has its roots in the complexity of Iran’s draconian laws governing capital punishment. A kindergarten teacher hopes to aid the father of one of her young students, a man accused of manslaughter, by convincing each of seven reluctant witnesses to come forward. No one lacks a hidden agenda in this drama in which shades of truth collide with self-interest and the specter of payback. (Gene Siskel Film Center)
Lemmy Caution is on a mission to eliminate Professor Von Braun, the creator of a malevolent computer that rules the city of Alphaville. Befriended by the scientist’s daughter Natasha, Lemmy must unravel the mysteries of the strictly logical Alpha 60 and teach Natasha the meaning of the word “love.”
A director of a television series on the history of cinema, who has been grappling with the screenplay of his first feature film, receives an assignment to oversee the installation of a television relay station in a remote region of Zahedan province. He has already hired Turkmen tribespeople for his film and selected his filming location. Meanwhile his wife, who is working on her Ph.D. dissertation about the Mongol invasion of Iran, attempts to dissuade him from accepting the assignment. One night, while working on his history of the cinema series, the director fantasizes a diegetic world that consists of clever juxtapositions of his different worlds: the history of cinema, the history of the mongol invasion, his own film idea and his imminent assignment to the desert.
Denmark, 1755. Captain Ludvig Kahlen sets out to conquer a Danish heath reputed to be uncultivable, with an impossible goal: to establish a colony in the name of the king, in exchange for a royal title. A single-minded ambition that the ruthless lord of the region will relentlessly seek to put down. Kahlen's fate hangs in the balance: will his endevours bring him wealth and honour, or cost him his life...?
The Dance is a 1962 French comedy film directed by Norbert Carbonnaux and starring Jean-Pierre Cassel, Françoise Dorléac and Arletty. The film is based on the French comic strip 13 rue de l'Espoir.
Seeking refuge on an island in Upstate New York, a married couple's final attempt to salvage their failing relationship takes a turn for the worse when the husband begins to regress emotionally, mentally, and physically.
Sy "the photo guy" Parrish has lovingly developed photos for the Yorkin family since their son was a baby. But as the Yorkins' lives become fuller, Sy's only seems lonelier, until he eventually believes he's part of their family. When "Uncle" Sy's picture-perfect fantasy collides with an ugly dose of reality, what happens next "has the spine-tingling elements of the best psychological thrillers!"
A young advertising executive's life becomes increasingly complicated when, in order to impress her boss, she pretends to be engaged to a man she has just met.
At dawn, Kelsey Akioka hikes out onto the Kalapana lava fields with a camera in hand and 80 lbs of gear on his back. We observe his methodical photography process amid one of nature’s most beautiful and chaotic events. Under the shade of a pop-up tent, he sells these photos at a small makeshift marketplace to apathetic tourists. By the end of the day, Kelsey returns home, exhausted and worn, to his son and elderly father. When he learns his friend is sacrificing his passion and moving away from home to pursue a better life for his family, Kelsey begins to question his own choices. As his frustrations spill into his home life, Kelsey must confront the turmoil stirring within him.
A young woman's wedding becomes a ritual of mourning when her sister and family die in an auto accident on the way to the wedding. The sisters' mother refuses to accept her daughter's death, and in the midst of wedding guests and mourners, including the drivers of the truck that caused the accident, she orders the wedding to take place. But how can the daughter marry in the midst of a wake and without the family's traditional mirror, which the sister was bringing to the service?
Stories of families who live in the Zanjan city in the 1980s. Family atmosphere of those years of war and its impact on their lives A family tradition in the 1980s they live in the city. Families who affected by the war between Iran and Iraq.
Sarah and Ayda are two close friends, one of whom was notorious and now they must work together to bring their conditions to normal, but they stand to where for their friendship?
A love story about chance meetings, instant attractions, and casual betrayals. Four strangers - with one thing in common: each other.
Bhanwar, a simpleton young man in the rural Rajasthan wants a bride for him but gets duped. Instead of a woman, he is married off to a transgender person – Sanwri. Having no resort Bhanwar and his uncle decide to keep Sanwri for their household work but fearing the social ostracization they also try to keep her actual identity a secret. Bhanwar and Sanwri eventually fall in love and fight to survive as a couple in a conservative, oppressive society where marriages are meant to take place only between a man and a woman, and traditional norms are more important than humanity.
In 1949, Alice Mitchell works as a prostitute on the street. After her situation worsens, she unsuccessfully attempts to reconcile with her estranged family over her homosexuality. She grows infatuated the daughter of a Christian household, Annabel. But she ultimately decides to give up the relationship in order to make peace with her parents.
Iranian director Jafar Panahi, who has been barred from leaving the country, arrives at a village on the Iran-Turkey border to supervise a film based on a real-life couple seeking passports to Europe being shot in Turkey, but both his stay and the production run into trouble.