The Day of the Dead is one of the most deeply rooted and celebrated traditions in our country and when this festivity takes place in a magical town, the event becomes something memorable. The Day of the Dead tradition in Huautla de Jiménez, Oaxaca begins on October 27 with the arrival of the chá to xo´o´ and the celebration lasts six days. Hand in hand with its inhabitants, we will take a tour to witness all the colors, smells, flavors, sounds, textures, and visions that surround this ancestral festival and that of the Mazatecs.


The Day of the Dead is one of the most deeply rooted and celebrated traditions in our country and when this festivity takes place in a magical town, the event becomes something memorable. The Day of the Dead tradition in Huautla de Jiménez, Oaxaca begins on October 27 with the arrival of the chá to xo´o´ and the celebration lasts six days. Hand in hand with its inhabitants, we will take a tour to witness all the colors, smells, flavors, sounds, textures, and visions that surround this ancestral festival and that of the Mazatecs.
2020-11-02
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A look at the traditions of Huautla de Jiménez
0.0A documentary film about men, women, and children fleeing northward from the existential threats in their home countries of Honduras, El Salvador, and Guatemala. They embark on a perilous journey with an uncertain outcome. Shortly after crossing the southern Mexican border, they find shelter with people who want to help them survive the ordeal of the at least 1,700-kilometer journey to the US.
6.0Around the film hang fascinating questions about border politics, which I’ll touch on in an introduction before the screening. One of Eugene Buck’s motivations for making the film may have been his rough cross-examination during his kidnappers’ first trials, in October 1913, when defense attorneys cast him as a confused and unreliable witness against idealistic freedom fighters. On film he could reproduce the pursuit, the shootouts, his kidnapping, and his friend’s murder just as he had testified. Reenacting the crime on film may have been the best revenge—and a way to honor the sacrifice of Deputy Ortiz, a twenty-year police veteran and, for the era, a rare Mexican American lawman.
0.0Set against the vibrant spectacle of the jaripeo, a symbol of Mexican cowboy tradition and machismo, this story unveils a hidden world of queer desire and quiet rebellion. As glances and gestures disrupt the rigid norms of masculinity, the rodeo becomes a stage for our protagonists to navigate identity, community, and the search for belonging in an oppressively traditional space.
A Kellergasse – the cellar lane – is one of the distinguishing cultural and physical features of the winegrowing region Niederösterreich – Lower Austria. There are more than a thousand of them. Until recently, wine was not only stored in the Kellergasse, but pressed and fermented there as well. Today, the Kellergassen have less to do with occupation and more with recreation. A documentary by Georg Riha follows a year in the life of this valuable cultural legacy.
0.0This documentary rescues the valuable work of Martha Colmenares, an indigenous woman from the Zapotec highlands, who in the 1980s filmed the life and customs of her own community, becoming a pioneer of indigenous documentaries. And for the first time, her forgotten story, for forty years, will no longer be invisible.
7.0Takeda is a film about the universality of the human being seen thru the eyes of a Japanese painter that has adopted the Mexican culture.
7.0When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.
6.7Is the story of a generation of thieves who achieved their greatest victories in the sixties; their distinctive code of ethics, the various categories of delinquents inhabiting the citys streets, their alliances with high ranking police officials that allowed them to operate, the betrayals that followed, and the price they ended up paying.
6.2As police and DEA agents battle sophisticated cartels, rural, economically-disadvantaged users and dealers–whose addiction to ICE and lack of job opportunities have landed them in an endless cycle of poverty and incarceration–are caught in the middle.
7.2Rosa is a Mexican woman who, at the age of 17, migrated illegally to Austin, Texas. Some years later, she was jailed under suspicion of murder and then taken to trial. This film demonstrates how the judicial process, the verdict, the separation from her family, and the helplessness of being imprisoned in a foreign country make Rosa’s story an example of the hard life of Mexican migrants in the United States.
7.0In 1994, the Zapatista National Liberation Army, made up of impoverished Mayan Indians from the state of Chiapas, took over five towns and 500 ranches in southern Mexico. The government deployed its troops and at least 145 people died in the ensuing battle. Filmmaker Nettie Wild travelled to the country's jungle canyons to film the elusive and fragile life of this uprising.
0.0In the heart of Durango, the Low Biker community has forged a unique bond through a shared love for cumbias and custom bicycles, uniting neighborhoods across the city in a vibrant, collective passion. Amid the joy of their culture, they face the harsh realities of discrimination and prejudice, navigating daily challenges from a society that struggles to accept their way of life.
0.0Traditions during Easter holidays in the remote village of Grešnica. The film was a research project of the newly opened Ethnological Museum to preserve the disappearing customs at least on film for future generations.
8.0Mexico, March 2015. Carmen Aristegui, incorruptible journalist, has been fired from the radio station where she has worked for years. Supported by more than 18 million listeners, Carmen continues her fight. Her goal: raising awareness and fighting against misinformation. The film tells the story of this quest: difficult and dangerous, but essential to the health of democracy. A story in which resistance becomes a form of survival.
8.0The horses in Denys Colomb Daunant’s dream poem are the white beasts of the marshlands of the Camargue in South West France. Daunant was haunted by these creatures. His obsession was first visualized when he wrote the autobiographical script for Albert Lamorisse’s award-winning 1953 film White Mane. In this short the beauty of the horses is captured with a variety of film techniques and by Jacques Lasry’s beautiful electronic score.
6.6The enigma of the personality cult is revealed in the grand spectacle of Stalin’s funeral. The film is based on unique archive footage, shot in the USSR on March 5 - 9, 1953, when the country mourned and buried Joseph Stalin.
6.3Luis Rivera, the best Mexican high jumper of the history, seeks to inspire a generation by qualifying for the Olympic Games as he finishes his doctorate studies. Injuries threaten his dream while his younger brothers follow in his path and example.
7.0My grandfather fought alongside Pancho Villa, became Master Mason, was an elected official who represented Oaxaca three times, and president of the national Association of Cattle Hands. In 1942, he formed the Legion of Mexican Fighters, a group of 100,000 cattle hands training to repel a possible Nazi invasion in Mexico. His story of success, however, held a secret that affected my family, and that I discovered while making this documentary.
7.8Follows unaccompanied child migrants, on their journey through Mexico, as they try to reach the United States.
7.2Accompany Osvaldo, "El Mariana", on an intimate six-month journey as he prepares for his fight at La Velada del Año 4, at the Santiago Bernabéu stadium in Madrid. Through his training, we not only see him face physical and emotional challenges, but also discover new facets of himself, where his public and personal lives become deeply intertwined.