Last Riot(2006)

A Paw Over Dark(en)

A washed up actor performs night after night in a grimy theater to a nearly empty audience. However, everything changes when a clueless dog jumps on stage.

The Death Ox(en)

An experimental and video art film in which an ox is butchered by a butcher.

Red Autumn(de)

A Experimental Docu-Drama about the Red Army Faction's formation, and events leading up to their imprisonment and death, from 1970 to 1977.

Mary(xx)

Moving through its five parts, the work describes a cycle of birth through to death, depicting both an eternal, universal Mary, and an earthly Mary representing human life on Earth.

47 Days, Sound-less(en)

47 Days, Sound-less by Vietnamese artist Nguyễn Trinh Thi is a film that explores the relationships between sound and silence, vision, language, colours and their absence. Nguyễn identifies “peripheries”—including natural landscapes used as backdrops, uncredited characters and soundtracks from American and Vietnamese movies—that reveal more-than-human perspectives. Offering new ways of looking and listening, 47 Days, Sound-less invites audiences to reflect on the inextricable relationship between a place and its inhabitants.

Killer Girl, Odyssee III(en)

In 1989, Jun-Jieh Wang enrolled in Hochschule der Künste, Berlin, a year when the Berlin Wall was pulled down and the fall of Communism in the communist states of Central and Eastern Europe and beyond. He was astonished by these dramatic events. Several issues concerning politics, ideologies, aesthetics as well as the forms, market and power of art had been preying on his mind for so long that he lost the ability to make artworks and even questioned the value of the existence of art. His passively reactionary state of mind in this period was clearly reflected in the works simulating low-quality B-movies or TV programs, such as Killer Girl, Odyssey III (1990), Love, Die, Daredevil, Odyssey IV (1991).

Toll of a bell(zh)

Chen Cheng-Tsai works primarily in video art, photography, and mixed media installations. This work was created during his postgraduate studies in Germany. The trees rotate 360 degrees, and the artit's face reflected in the water, distorted by the ripples, iss overlapped by the trees. The sound of a bell also plays a continuous rythm.

The Glass II(zh)

A ritual about"memory". The words and phrases written on the paper are easy to understand but difficult to define, substituting the usual " incantations to gods". The spat out red matter suggests kind of "refusal". This kind of "nauseous" mixture combined with these moods represents a space : a space for painting.

Deserted by the Masses(en)

Social media corrupts the mind of a young University student--but can he escape the psychological torment of alienation?

In your place(pt)

Alone, during Christmas morning, Leah has an encounter with the ghosts of her past and her family traumas.

Nova the Film(en)

An inspiring 75min DIY documentary film on new art and the young artists behind it. It was all filmed on the heat of live action of the first NOVA Contemporary Culture Festival, July and August 2010 in São Paulo, Brazil.

Sedimentation(en)

A short video about the processing of matter, using found footage, all food-related, as its material. A comparatively unobtrusive soundtrack, though one which underlines the seriousness of the subject, has been added.

treefolk(en)

A data moshed experiment using videos of daily life and textures overlayed with components from older videos creating a personal collage of the last few years.

Las Miradas(es)

8 Portraits, Scenarios: Death of Reality, Fiction, Truth & Lies(en)

A director attempting to create an unconditionally truthful film becomes obsessed with the topic of death. In an intrusive way he relentlessly pushes dark scenarios of death aimed at his portraitures, creating a tension ridden and emotional set, blurring the lines of experimental docu-fiction drama.

Nomadtitude(en)

Using footage from socialist era Mongolia, Nomadtitude deals with the transition of the traditionally nomadic people to a lifestyle of urbanization. A changing of roads throughout the years and the movement of people from all across the country to the cities. A timeline of changing physical and spiritual paths. Primary instincts of the nomads, such as having a deep respect for natural surroundings, were forcefully replaced by socialist dogma and, later, capitalist machinations. This work presents the roads taken and not taken by the Mongolian nomads up until now. (Zulaa Urchuud)

Bounded Intimacy(en)

Bounded Intimacy (part of the trilogy of Super 8mm shorts It’s Just Business, Baby) examines the histories of various forms of body labor across the Chelsea and Tribeca districts, renowned as a sites for sex work, sex clubs and illicit sexual activity. Bounded Intimacy explores the seduction of a nameless woman and the camera. The relationship between the two remains unknown and ambivalent as to whether or not the encounter is “authentic.” The nature of their relationship is irrelevant as the camera captures the authenticity of the desire in the encounter between the two. (Ayanna Dozier)

Kewaaj(bn)

The word kewaaj (কেওয়াজ) is colloquially used to explain chaos, noisiness or annoyance. "Kewaaj" is an audiovisual attempt to give you a glimpse into how the people of Dhaka function in one of the most unliveable cities, according to the Global Liveability Index. Dhaka is fast, dense, intense. Yet the people try to find their peace in it.

Echo(en)

A reframing of the classic tale of Narcissus, the director draws on snippets of conversation with a trusted friend to muse on gender and identity. Just as shimmers are difficult to grasp as knowable entities, so does the concept of a gendered self feel unknowable except through reflection. Is it Narcissus that Echo truly longs for, or simply the Knowing he possesses when gazing upon himself?

The Phantom Harp(en)

Super 8mm, 21 min., b&w, music by Jefre Cantu-Ledesma.